The
David S. Ware
Sessionography


(November 7, 1949 - October 18, 2012)




A work in progress,
by Rick Lopez.


Document begun April 27, 1998

UPDATES

November 5, 2016


Photo by Nuno Martins.

David S. Ware


The Deep Digging; The Incantations;
donate please
The Inspirations; All These Words...

David S. Ware Recordings at AUM Fidelity.


The companion William Parker Sessionography.


º APOGEE º the Abdul Hannan Group º

Notes on two source bands and related observations.


Extensive and highly informative interview by William Sacks in Perfect Sound Forever.
Third Ear Recitation liner notes by Ben Ratliff.


Thank You to those who've helped.
A brief list posted many years ago during the documents beginnings.
Subsequent credits are listed in individual session entries.


"Our forté is really the extension of the form. We succeed in situations where the platform of the melody
is haunted, where it is inhabited very fully and we each find its spaces around that presence. You know,
there has to be resistance to overcome in the pursuit of free flow, and when the spaces in a motif are not obvious,
when the existing modality seems very complex, that's a kind of resistance which we know ways of exploring
and finding our way through by listening to one another as we're thinking about the form..."


Session List :::

All sessions linked below are to detailed entries for recorded media.
AR = Private or Audience Recording
AVR = Private or Audience Video
BR = Broadcast Recording
BVR = Broadcast Video
SB = Soundboard Recording

Also listed in chronological order within this sessionography and its session entries are play-dates with no known recorded media.
I would appreciate notice of any club dates, concert dates, festival dates, etcetera, that are not listed here.
Please include reference information (i.e. periodical name, issue date, page number), along with any and all relevant details.



  • 68.00.00 / Christ Gabriel Jazz Missionary Group: Christ Gabriel Jazz Missionary Group (Musicmaster)
  • 68.03.00 / David S. Ware & Gene Y. Ashton: OIC Job Training Film [Soundtrack] Boston
  • 68.00.00 / Abdul Hannan: The Third World (RITE)
  • 73.07.03 / Milton Marsh: Monism (Strata East)
  • 73.12.09 / APOGEE [BR] NYC
  • 74.03.12 / Cecil Taylor Big Band [AR] NYC
  • 74.06.14 / Andrew Cyrille & Maono [AR] NYC
  • 75.02.26 / Andrew Cyrille & Maono: Celebration (Institute of Percussive Studies)
    + 75.05.14
  • 75.00.00 (1) / Andrew Cyrille & Maono [BR] NYC
  • 75.00.00 (2) / Andrew Cyrille & Maono [AR] NYC
  • 75.05.14 / Andrew Cyrille & Maono: Celebration (Institute of Percussive Studies)
    + 75.02.26
  • 75.07.14 / Andrew Cyrille & Maono [BR] NYC
  • 76.01.30 / Cecil Taylor Unit [AR] Philadelphia
  • 76.02.05 / William Hooker: ...is eternal life (Reality Unit Concepts)
    • William Hooker: LIGHT. The Early Years 1975-1989 (No Business Records)
  • 76.03.30 / Cecil Taylor Unit [AR] Los Angeles
  • 76.04.12 / Cecil Taylor Unit [AR] Montreal
  • 76.04.15 / Cecil Taylor Quartet: Michigan State University, April 15th 1976 (Hi Hat Records)
    • Cecil Taylor Unit [BR] Ann Arbor
  • 76.04.20 / Cecil Taylor Unit [AR] NYC
  • 76.04.24 / Cecil Taylor Unit [AR] NYC
  • 76.05.00 / Cecil Taylor Unit [AR] NYC
  • 76.05.23 / Andrew Cyrille & Maono: Junction (Institute of Percussive Studies)
    • Wildflowers 3: The New York Loft Jazz Sessions (Douglas)
    • (V/A) Wildflowers: The New York Loft Jazz Sessions Complete (Knitting Factory)
  • 76.05.28 / Cecil Taylor Unit [AR] Philadelphia
  • 76.06.00 / Cecil Taylor Unit [SB] Brussels
  • 76.06.18 / The Cecil Taylor Unit: Dark to Themselves (ENJA)
  • 76.06.20 / Cecil Taylor Unit [AR & BR] Rotterdam
  • 76.06.23 / Cecil Taylor Unit [SB] Paris
  • 76.06.30 / Cecil Taylor Unit [BR] Hamburg
  • 76.07.03 / Cecil Taylor Unit [AR] Macerata
  • 76.07.09 / Cecil Taylor Unit [AR] Montreux
  • 76.07.10 / Cecil Taylor Unit [AR] La Rochelle
  • 76.07.11 / Cecil Taylor Unit [AR] Nimes
  • 76.07.14 / Cecil Taylor Unit [AR & BR] Bremen
  • 76.12.11 / Cecil Taylor Unit [AR] NYC
  • 77.01.14 / William Hooker Reality Unit [AR] NYC
  • 77.03.21 / 360° Ensemble [BR] NYC
  • 77.04.14 / David S. Ware: Birth of a Being (hat HUT)
    + 77.04.15
    • David S. Ware / APOGEE: Birth of a Being (AUM Fidelity)
  • 77.04.15 / David S. Ware: The Birth of a Being (hat HUT)
    • David S. Ware / APOGEE: Birth of a Being (AUM Fidelity)
  • 77.04.00 (2) / Cecil Taylor Unit [AR] Nimes
  • 77.04.00 (3) / Cecil Taylor Unit [AR] Brussels
  • 77.05.26 / Beaver Harris: African Drums (Owl)
  • 77.06.11 / Cecil Taylor Unit [AR] Wilhelmshaven
  • 77.06.15 / Cecil Taylor Unit [AR] München
  • 77.06.18 / Cecil Taylor Unit [AR] NYC
  • 77.08.00 / Cecil Taylor Unit [AR] NYC
  • 78.00.00 (1) / Cooper-Moore: Outtakes 1978 (Hopscotch)
  • 78.09.00 / Andrew Cyrille & Maono: Metamusician's Stomp (Black Saint)
    • (V/A) Black Saint-Soul Note Critics' Pick Sampler Vol. 3 (Black Saint-Soul Note)
  • 78.09.02 / Andrew Cyrille [AR & BR] Willisau
  • 78.09.30 / David S. Ware: From Silence to Music (PALM)
    + 78.10.01
  • 78.10.01 / David S. Ware: From Silence to Music (PALM)
  • 79.06.30 / David S. Ware Trio [AR] NYC
  • 79.00.00 / Andrew Cyrille & Maono [WKCR Archival Recording] Paris
  • 79.10.14 / Andrew Cyrille & Maono [AR] Burghausen
  • 79.10.15 / Andrew Cyrille & Maono [AR] Innsbruck
  • 80.02.02 / David S. Ware Quartet [BR] NYC
  • 80.03.21 / David S. Ware & T. Nakamura Duo [BR] NYC
  • 80.05.09 / William Parker's Centering Dance Music Ensemble: Centering—Unreleased Early Recordings 1976-1987 (NoBusiness)
    + 84.06.25
    • David S. Ware, William Parker, & Denis Charles Trio [BR] NYC
  • 80.09.27 / Andrew Cyrille & Maono [AR] Münich
  • 80.10.15-19 / Andrew Cyrille & Maono: Unissued Hat hut Recording Session
    • Andrew Cyrille & Maono [AR] Paris
  • 80.10.21 / Andrew Cyrille: Special People (Soul Note)
    + 80.10.22
  • 80.10.22 / Andrew Cyrille: Special People (Soul Note)
  • 80.11.19 / Andrew Cyrille & Maono [AR] Basel
  • 81.04.31 / David S. Ware Quartet (featuring Beaver Harris) [AR] Paris
  • 81.06.20 / Andrew Cyrille & Maono [SB] Pisa
  • 81.10.01 / David S. Ware & Milford Graves Duo [AR] NYC
  • 81.12.12 / Milford Graves Trio [AR] NYC
  • 84.06.01 / David S. Ware Trio [AR] NYC
  • 84.06.02 / (V/A) Peter Brötzmann ALARM Ensemble: Tones Cross—a Jazzfilm by Ebba Jahn (Film Pals)
  • 84.06.07 / Peter Brötzmann ALARM Ensemble [AR] NYC
  • 84.06.25 / William Parker's Centering Big Band: Centering—Unreleased Early Recordings 1976-1987 (NoBusiness Records)
    + 80.05.09
  • 85.04.26 / Peter Brötzmann's Alarm Orchestra [AR & BR] Berlin
  • 85.04.27 / David S. Ware Trio [AR] Berlin
  • 85.04.29 / Peter Brötzmann's Alarm Orchestra [BR] East Berlin
  • 85.05.01 / Peter Brötzmann's Alarm Orchestra [AR] Wuppertal
  • 87.12.03 / Ahmed Abdullah: ...and the Solomonic Quintet (Silkheart)
    + 87.12.04
  • 87.12.04 / Ahmed Abdullah: ...and the Solomonic Quintet (Silkheart)
  • 88.04.04 / David S. Ware Trio: Passage to Music (Silkheart)
    + 88.04.05
  • 88.04.05 / David S. Ware Trio: Passage to Music (Silkheart)
  • 88.04.17 / Bill Dixon Ensemble ("Sound Unity Orchestra") [AR] NYC
  • 89.01.28 / David S. Ware Trio [AR] Philadelphia, PA
  • 89.12.22 / Cecil Taylor Corona Ensemble [AR] NYC
  • 89.12.23 / Cecil Taylor Corona Ensemble [AR] NYC
  • 90.01.08 / David S. Ware Quartet: Great Bliss Vol. 1 & 2 (Silkheart)
    + 90.01.09 & 90.01.10
  • 90.01.09 / David S. Ware Quartet: Great Bliss Vol. 1 & 2 (Silkheart)
  • 90.01.10 / David S. Ware Quartet: Great Bliss Vol. 1 & 2 (Silkheart)
  • 91.12.10 / David S. Ware: Flight of I (DIW)
    + 91.12.11
  • 91.12.11 / David S. Ware: Flight of I (DIW)
  • 92.10.14 / David S. Ware: Third Ear Recitation (DIW)
    + 92.10.15
  • 92.10.15 / David S. Ware: Third Ear Recitation (DIW)
  • 92.10.24 / David S. Ware Quartet [AR] NYC
  • 93.04.30 / David S. Ware Quartet [AR] Ulrichberg
  • 93.06.29 / David S. Ware Quartet [AR] NYC
  • 94.00.00 / David S. Ware: In Motion (Spellbound Films)
  • 94.02.03 / David S. Ware Quartet [AR] NYC
  • 94.04.12 / Rashied Ali Quintet [AR] NYC
  • 94.05.04 / David S. Ware: Earthquation (DIW)
    + 94.05.05
  • 94.05.05 / David S. Ware: Earthquation (DIW)
  • 94.05.16 / David S. Ware Quartet [AR] Munich
  • 94.05.17 / David S. Ware Quartet [AR] Konstanz
  • 94.05.19 / David S. Ware Quartet [AR] NYC
  • 94.09.16 / David S. Ware Quartet [AR] NYC
  • 94.10.01 / David S. Ware & Matthew Shipp Duo [AR] Oakland
  • 94.10.22 / David S. Ware Quartet [AR] Philadelphia
  • 94.12.02 / David S. Ware Quartet: Cryptology (Homestead)
  • 95.06.24 / David S. Ware Quartet [AR] NYC
  • 95.07.04 (1) / David S. Ware Quartet [AR] Lyon
  • 95.07.04 (2) / David S. Ware Quartet [AR] Vienne
  • 95.08.26 / David S. Ware Quintet [SB] Saalfelden
  • 95.09.02 / David S. Ware Quartet [AR & BR] Willisau
  • 95.09.27 / David S. Ware Quartet: Oblations and Blessings (Silkheart)
    + 95.09.28
  • 95.09.28 / David S. Ware Quartet: Oblations and Blessings (Silkheart)
  • 95.09.29 / David S. Ware: DAO (Homestead)
  • 95.10.17 / David S. Ware Quartet [BR] Nancy
  • 96.01.00 / David S. Ware Solo [AVR] NYC
  • 96.02.02 / David S. Ware Quartet [AR] Paris
  • 96.03.23 / David S. Ware Quartet [AR] Pittsburgh
  • 96.03.28 / David S. Ware Quartet [AR] Lyon
  • 96.05.02 / David S. Ware Quartet: Godspelized (DIW)
    + 96.05.03
  • 96.05.03 / David S. Ware Quartet: Godspelized (DIW)
  • 96.06.19 / Various Artists (David S. Ware Quartet): Knitting Factory What Is Jazz? Festival 1996 (Knitting Factory)
    • (V/A) The Heineken Jazz Groove 1996 (Knitting Factory)
  • 96.06.30 / David S. Ware Quartet [AR & SB] Toronto
  • 96.07.19 / David S. Ware Quartet [AR] Ottawa
  • 96.10.07 / ERROR LISTING ::: See 95.10.17
  • 96.12.02 / David S. Ware: Wisdom of Uncertainty (AUM Fidelity)
    + 96.12.03
  • 96.12.03 / David S. Ware: Wisdom of Uncertainty (AUM Fidelity)
  • 97.05.30 / David S. Ware Quartet: Vision One- Vision Festival 1997 Compiled (AUM Fidelity)
  • 96.06.21 / David S. Ware Quartet [BR] NYC
  • 97.08.22 / David S. Ware Quartet [BR] NYC
  • 97.10.26 / David S. Ware: Live in the Netherlands (Splasc(H) Records)
  • 97.12.11 / David S. Ware: Go See the World (SONY)
    + 97.12.12
    • (V/A) Jazziz On Disc (Jazziz Magazine)
  • 97.12.12 / David S. Ware: Go See the World (SONY)
  • 98.05.22 / David S. Ware Quartet [WKCR Archival Recording] NYC
  • 98.10.24 / David S. Ware Quartet [AR] Minneapolis
  • 98.10.28 / David S. Ware [BR] NYC
  • 98.12.11 / David S. Ware Quartets: Live in the World (Thirsty Ear)
    + 03.03.27; 03.06.22
    • David S. Ware Quartet [BR] Chiasso
  • 98.12.28 : See 98.12.11
  • 99.02.27 or 28 / David S. Ware Quartet [AR] NYC
  • 99.03.20 / David S. Ware Quartet [AR] Burghausen
  • 99.03.25 / David S. Ware Quartet [AR] Nimes
  • 99.03.31 / David S. Ware Quartet: Balladware (Thirsty Ear)
    • David S. Ware Quartet [BR] NYC
    • (V/A) The Blue Series Sampler: The 30th Year (Thirsty Ear)
      + 02.05.00; 05.00.00; 06.00.00
  • 99.06.11 / David S. Ware Quintet [AR] NYC
  • 99.08.29 / David S. Ware Quartet [BR & SB] Saalfelden
  • 99.09.15 / Various Artists (David S. Ware SOLO): Knitting on the Roof (Knitting Factory)
  • 99.09.18 / Broadcast date for 99.03.31
  • 99.10.00 / Documentary: David S. Ware, un Film de Arthur Cemin et Romain Wentzo (Circeto Film)
    + 99.10.20-21; 99.11.05; 99.11.06; 99.11.09
  • 99.10.20 / David S. Ware Quartet: Surrendered (Columbia)
    + 99.10.21
    • Documentary: David S. Ware, un Film de Arthur Cemin et Romain Wentzo (Circeto Film)
      + 99.10.00; 99.10.21; 99.11.05; 99.11.06; 99.11.09
  • 99.10.21 / David S. Ware Quartet: Surrendered (Columbia)
    • Documentary: David S. Ware, un Film de Arthur Cemin et Romain Wentzo (Circeto Film)
      + 99.10.00; 99.10.20; 99.11.05; 99.11.06; 99.11.09
  • 99.11.05 / Documentary: David S. Ware, un Film de Arthur Cemin et Romain Wentzo (Circeto Film)
    + 99.10.00; 99.10.20-21; 99.11.06; 99.11.09
  • 99.11.06 / Documentary: David S. Ware, un Film de Arthur Cemin et Romain Wentzo (Circeto Film)
    + 99.10.00; 99.10.20-21; 99.11.05; 99.11.09
  • 99.11.09 / Muzzik Presents Jazz: David S. Ware Quartet In Concert [Broadcast Video & Radio Recordings] Poitiers
    • Documentary: David S. Ware, un Film de Arthur Cemin et Romain Wentzo (Circeto Film)
      + 99.10.00; 99.10.20-21; 99.11.05; 99.11.06
  • 00.05.14 / David S. Ware Quartet [AR] Philadelphia
  • 00.06.04 / David S. Ware Quartet [AR] NYC
  • 00.07.14 / David S. Ware Quartet [AR] Den Haag
  • 00.11.09 / David S. Ware Quartet [AR] NYC
  • 00.11.15 / David S. Ware Quartet [AR] Sevilla
  • 01.02.26 / David S. Ware Quartet: Corridors & Parallels (AUM Fidelity)
    + 01.02.27
  • 01.02.27 / David S. Ware Quartet: Corridors & Parallels (AUM Fidelity)
  • 01.05.01 / David S. Ware Quartet [AR] Wien
  • 01.05.04 / David S. Ware Quartet [AR] Huesca
  • 01.05.24 / David S. Ware & Rashid Ali Duo [AR] NYC
  • 01.06.08 / David S. Ware Quartet [AR] NYC
  • 01.07.08 / David S. Ware Quartet [AR] Tivoli
  • 01.07.12 / David S. Ware Interview [BR] NYC
  • 01.08.09 / DJ Wally: Nothing Stays the Same (Thirsty Ear)
  • 01.08.14 / David S. Ware Quartet [BR] Oakland
  • 01.08.17 / David S. Ware Quartet [AR] Seattle
  • 02.03.26 / David S. Ware Quartet [AR] Emilia-Romagna
  • 02.04.12 / David S. Ware & Matthew Shipp Duo [AR] San Francisco
  • 02.06.02 / David S. Ware Quartet [AR] NYC
  • 02.06.06 / David S. Ware Quartet [AR] Burlington
  • 02.07.13 / David S. Ware Quartet: Freedom Suite (AUM Fidelity)
  • 02.07.27 / David S. Ware Solo [AR] Clusone
  • 02.07.28 / David S. Ware Quartet [AR] Clusone
  • 03.03.26 / David S. Ware Quartet [AR] Rome
  • 03.03.27 / David S. Ware Quartets: Live in the World (Thirsty Ear)
    + 98.12.11; 03.06.22
  • 03.06.13 / David S. Ware String Ensemble: Threads (Thirsty Ear)
  • 03.05.22 / David S. Ware Quartet [AR] NYC
  • 03.06.22 / David S. Ware Quartets: Live in the World (Thirsty Ear)
    + 98.12.11; 03.03.27
  • 03.07.09 / David S. Ware Quartet [AR] NYC
  • 04.07.10 / David S. Ware Quartet [AR] Netherlands
  • 04.09.01 / David S. Ware Quartet [BR] Cagliari
  • 04.09.05 / David S. Ware & Matthew Shipp Duo: Live in Sant'Anna Arresi, 2004 (AUM Fidelity)
  • 06.05.01 / David S. Ware Solo [AR] Ravaldino
  • 06.06.18 / David S. Ware Quartet: Renunciation (AUM Fidelity)
    • David S. Ware Quartet [AR & BR] NYC
  • 07.03.24 / David S. Ware Quartet: Live in Vilnius (No Business)
  • 07.07.13 / David S. Ware New Quartet [AR] NYC
  • 07.08.25 / David S. Ware ‘New Quartet’ [BR] Sant'anna arresi
  • 07.11.09 / David S. Ware Trio [AR] Gütersloh
  • 08.05.09 / David S. Ware: Shakti (AUM Fidelity)
  • 08.07.11 / David S. Ware ‘New Quartet’ [AR] Rotterdam
  • 09.10.15 / David S. Ware: Saturnian—Solo Saxophones Vol. 1 (AUM Fidelity)
    • David S. Ware: A World Of Sound [Film] (David Lynch Foundation Television)
  • 09.12.02 / David S. Ware Trio: Onecept (AUM Fidelity)
  • 10.03.13 / David S. Ware: Organica (solo saxophones, volume 2) (AUM Fidelity)
    + 10.11.05
  • 10.06.27 / David S. Ware Trio [AR] NYC
  • 10.10.04 / David S. Ware Trio [AR] NYC
  • 10.11.05 / David S. Ware: Organica (solo saxophones, volume 2) (AUM Fidelity)
    + 10.03.13
  • 10.11.23 / David S. Ware • Cooper-Moore • William Parker • Muhammad Ali: Planetary Unknown (AUM Fidelity)
  • 11.06.10 / David S. Ware's Planetary Unknown [BR] NYC
  • 11.08.27 / David S. Ware's Planetary Unknown: Live at Jazzfestival Saalfelden 2011 (AUM Fidelity)


1964 : : :


    64.08.08 - The Westfield New Jersey Community Dance Band featuring David S. Ware / Flushing, NY
    "In 1964, on the same night The Beatles were seatsoaking Shea Stadium, an altogether smaller but no less ecstatic crowd took in Ware's debut
    gig with The Westfield New Jersey Community Dance Band, who were playing just round the corner from the Fab Four. 'We were right there,
    playing right next door!' he laughs. 'I remember seeing a whole bunch of people, man, a herd of people just rush towards the stadium. I guess
    they were coming in or something. We were playing outside.'"
    [David S. Ware interview/article by David Keenan WIRE #180 February, 1999 p.36]

1967 : : :


  • 67.02.18 - Christ Gabriel Jazz Missionary Group: Freddie Gabriel (Leader, voc, perc, dr, Arr, Comp), David S. Ware (ts), Milton Marsh (as),
    Cedric Lawson (org), Sam Alongi (tp), John McReveley (tb) / "First worship...", Union Methodist Church, Boston, MA [LP liners, 67.00.00]
  • 67.03.00 - Christ Gabriel Jazz Missionary Group: personnel as above / "Second worship...", Newman Hall Student's Center,
    St. Clemens Roman Catholic Church, Boston, MA [ibid]
  • 67.04.08 - Christ Gabriel Jazz Missionary Group: as above / "Third worship...", Boston University School of Theology, Boston, MA [ibid]
  • 67.06.28 - David S. Ware, scholarship recipient : : :


1968 : : :


68.00.00 • Christ Gabriel Jazz Missionary Group: Christ Gabriel Jazz Missionary Group

Musicmaster 7157—in the deadwax etching (LP, Limited Edition) 1974

unknown dates, 1968 / unknown venues
 "According to the artists' online bios they were students in the late '60s, and the intro talks about the memories of Martin Luther King,
 Robert Kennedy, and Malcolm X (so it would have been no earlier than 1968)... The autograph reads ‘First Album 1974’, but that's almost
 certainly the autograph date and NOT the release date." —Notes, collectorsfrenzy.com/details/121090307480
A1. Intro [ : ]
A2. Christ Child [ : ]
A3. Christ Twelve Tone Blues [ : ]
A4. Intro [ : ]
A5. Fall On Your Knees & Pray [ : ]
B1. Christ Church [ : ]
B2. Walk On By Faith [ : ]
B3. Christ Place [6:25]
B4. Come Sunday
 Track B3. Christ Place  

—A live performance, single microphone, of various jazz styles in a worship service environment.


Freddie Gabriel (Leader, voc, perc, dr, Arr, Comp), "Dave" Ware (ts), Milton Marsh (as),
Cedric Lawson (org), Sam Alongi (tp), John McReveley (tb), unknown (b)

{eBay listing January 2016; discogs.com}


68.03.00 • David S. Ware & Gene Y. Ashton: OIC Job Training Film [Soundtrack]

March, 1968 / Boston, MA
1. unknown title [approx. 11:00]
"...David and I had met at Berklee but we never played together while we were classmates, only after I had left...

It was late Winter 1968, early March, in Boston. I was asked to do the the sound track for an OIC film. OIC was basically a jobs-training program
founded by Reverend Dr. Leon H. Sullivan in 1964. A design company in Wellesley, MA, donated the production of the film. I took a quartet into
the studio and recorded about 10 tunes, easy pop kinds of things. The company was somewhat ho-hum about them. So I asked David to come in
and record a duo with me, tenor sax and Wurlitzer electric piano. When they heard that recording they just about flipped and used it. The track
is about 10 or 11 minutes. It is my belief that it is the first recording and I'm sure the first published recording of David S. Ware.

Thank you very much. I appreciate your work. Yours Truly..." —Cooper-Moore (aka Gene Y. Ashton)

David S. Ware (ts), Gene Y. Ashton (el-p)

{Cooper-Moore 12.11.25}


: : : APOGEE / the Abdul Hannan Group / Notes on two source bands and related observations : : :

From correspondence with Marc Edwards and others.

Drummer Marc Edwards on APOGEE:
"As you already know, we rehearsed extensively as a trio. This helped us to develop musically on all levels."

The only tape of Apogee that I know of was done by David and Cooper-Moore. I'll have to try and find the flyer, but, I can tell you that
it was a performance in Boston, at the YMCA. Either David or Cooper-Moore have the tapes. The next tape, a studio recording, became
the Birth of a Being record on the then new Hat Hut Record label. If there are any other tapes, they're unauthorized recordings.

During the early 1970s, while still living in Boston, we came to New York to play at Columbia University's radio station, WKCR. I don't
recall the year we did this. Reel to reel tapes recorded Apogee live on the air. We did ... do an interview. Most of the feedback that we got
was that we didn't talk. It seems listeners were more interested in hearing us speak than the music. The personnel were David S. Ware, tenor sax,
Gene Ashton (Cooper-Moore), piano, and yours truly on drums... A fan tells me that there are two tapes of Apogee at Columbia University's
radio station WKCR [See 73.12.09]. They may confirm my hunch that we played there a second time."

Cooper-Moore on formative years and APOGEE:
[These interview excerpts are from Adam Lore's beautiful periodical 50 Miles of Elbow Room, Number One.]

"I played flute in a band called the Afro-Jazz Messengers, [which was] led by Jim Riley (who is now known as Jumma Santos). That band morphed
into another one called The Rosewater Foundation. In that band I played the Hammond organ and wrote all but two of the tunes. Jumma played congas
and the tunes were written around that sound. The band was trumpet, alto, organ, drums, and congas. After many rehearsals we finally got a gig.
A couple months later... I told him about David S. Ware and how I thought he would add a lot to the band. In steps Ware. I was even happier
than before, writing for three horns...

Ware had moved back to Jersey, and I told him to come back to Boston to live with us and form our own band. We needed a drummer. [Ware] suggested
Marc Edwards. Marc couldn't really play a drum set yet but he was a drummer. He'd done the marching thing in NYC and had a good sense of technique,
was focused, and a hard worker.

I went to Webster's Dictionary to find a name for the new band. I got no further than the A's: Apogee. We practiced, rehearsed, practiced, rehearsed,
obsessed about our place in the history of the music, practiced, rehearsed, obsessed. We created our own concerts. Anywhere that would have us
we played. No one wrote for this band. We just started playing and stopped when we stopped. We never talked about what we were playing.
Apogee was like a marriage. I have never had relationships with other musicians like [I had] with David and Marc. I loved these people. What we did
was very powerful for us. Maybe others didn't understand us, but for the trio it filled a great need and a bridge to another place. Later we added
a bass player, Chris Amberger, who gave the name "tremble time" to the hyper-ness in our music.

[In early 1973] the quartet was asked by Sonny Rollins to open up for him at the Village Vanguard. The night at the Vanguard was a highly charged one.
The club was filled. We knew that most of those in the audience had not come to hear us but many had and some others would be receptive [because]
we had the endorsements of the Master. We mounted the stage as if it were a spacecraft and blasted off. Musicians in Sonny's band and other musician
friends of ours were sitting in seats on the side in back of the stage. I could see them laughing and rocking back and forth. 'Yeah,' I thought, 'They're
digging it.' I don't know how long we had been playing, but the stage lights began flashing on and off. Max (the owner of the Vanguard) was having a fit
and wanted us off. He didn't like the kind of music we played and made a point of not hiring musicians who played it. We played until the music stopped.
Then something amazing happened. Sonny's band got on stage and they were so filled with the energy that Sonny could barely control them.
They wanted to go, go, go. Poor Max.

Not long after that we all moved to NYC. I found a building on Canal Street. 501 Canal had five floors and the rent was $550 a month. The first floor
became a rehearsal/performance space. David S. Ware and Alan Braufman lived together on the second floor. My family took the third. Chris Amberger
took the fourth. The fifth was condemned but was used by my wife as a pottery studio, for storage, and for musicians who needed a place to stay.
There was music all the time, people practicing, rehearsals, performances, jam sessions, recordings, at all times of the day. Very memorable was
waking up every morning to Trane being played on the stereo upstairs or Ware or Braufman practicing downstairs. I often thought, 'This must be heaven.'
Here we were, fulfilling the dream. Finally we had arrived, an instant community. My vision was to use the place to break onto the scene by creating
our own scene. Looking back on it all, I see that for me it was a strategy based on insecurity. None of it went the way I thought it would. People went
their own ways.

Apogee started in 1970 and ended when we recorded Birth of a Being in 1977. I raised the money to make the recording, $1,500 or so. David S. Ware
took it to Hat Hut and sold it for $500 under his name, not the name of the band. The explanation was that the owner of the company wanted it that way.
This, of course, upset me [because] to me Apogee was a collective...

In April of 1981, I did a six-week tour of Europe with David S. Ware. The band consisted of Ware on tenor and soprano saxes, Beaver Harris on drums,
Brian Smith on bass, and myself on piano. The experience was so awful that when I returned home I called a friend who helped me push my piano
out of the living room, through the kitchen, off of the back porch into the yard where I then took a sledgehammer and demolished the thing. I then burned
the wood, took the sledge and demolished the cast iron harp and put the pieces and the ashes in barrels to be carted away by the garbage men..."
—Reprinted with permission of Adam Lore , from 50 Miles of Elbow Room, Number One.

From others:
"This music is important... due to the significance of Ashton/Cooper-Moore's innovative style, from which he's since evolved something just about
as interesting but with a measurably different approach. This doesn't take away from the great interactivity and musicianship of this unit either.
Whether this group was led by one of the individuals or not is for them to say... Maybe we will get a chance to hear this group again yet... we'd like
to find and see tapes of APOGEE surface and hear them released on CD." —99.03.28

Drummer Marc Edwards on HANNAN:
"Abdul moved to New York after I had gotten myself a day-job. The last time I saw him, he was playing on the streets...
Abdul... experienced hard times in New York and elsewhere."

From others:
"At the time Ware... was primarily a part of a [group] known as APOGEE, featuring Gene Ashton (who was later to be known as Cooper-Moore)
as pianist, Chris Amberger on the bass, Marc Edwards on the traps..." —99.03.28

Marc Edwards:
Chris did perform with Apogee, however, for the record, the band developed largely without a bass player. This had an enormous impact on my
drumming. The times that Chris performed in public with Apogee were [rare]. While we were in Boston, bass players were always in demand.
For that reason, Chris was unable to remain with Apogee as a permanent member. We were glad to see him make a few gigs with the band
on those rare occasions. Raphé Malik heard Apogee in Boston while we were rehearsing across the street from the New England Conservatory.
He can confirm that David, Gene, and yours truly, spent most of our time together as a trio—not a quartet."

From others:
"David S. Ware appeared on a privately-produced LP recorded in Boston in 1972 or 1973 by Abdul Hannan, a serious alto saxophonist from Boston.
This recording documented a variety of contexts for Abdul Hannan's musical ideas, such as his performance with a steelpan orchestra...
He used to sell it by himself..." —99.03.28

"It was truly a self-produced record—and acts of both love and defiance that were performed against the odds. For example, you're now
just hearing of Abdul Hannan. Why aren't he and so many others, both known and unknown, now in our world-view today?
...there were probably only 500 LPs pressed..." —99.03.31



68.00.00 • Abdul Hannan: The Third World

RITE 3044 (LP) 1968

unknown date, 1968 / Abdul Hannan's Living Room, Boston, MA
1. Awareness Part 1 [18:15]
2. Awareness Part 2 [17:30]
3. Wind & Wood, Band of Steel [ : ]
On "Awareness":
Abdul Hannan (as, fl, Leader), David S. Ware (ts, Comp), Rollins Ross (reversible-p), Anne "Fields" Brudevold (vn),
Chris Amberger (b), Arnold Clapman (cga), Sheila Azores (Third World Charter)

On "Wind & Wood, Band of Steel":
The Silver Star Steel Orchestra—Melvin R. Griffith, Captain

Third World LP cover.


All images copyright 1971 Abdul Hannan.
Posted here without express permission.



LP Details, Cover & Back. / [Click image to enlarge view]


"Found your website. Wow. We haven't seen my dad in years and years—do you know where he is at all? Just thought I'd ask. Thank you for your kind
words and your lovely work on David S. Ware, whom I remember (but as you can see from the pic on the album cover, I was a wee girl of four or five
then...) My mother took all those pics! I don't have the album, but she does, I believe. I have a tape someplace. Lots of love." —Amatul Hannan

{Recording date and place from Anne Dumas; Giorgio Mortarino & Achille Silipo of Splasc(H) Records; others...}


    68-69.00.00 - "About 10 years ago I wrote a 50th-anniversary book about Berklee. Among other things, I spent months and months combing
    through photos and student concert programs (they didn't throw out anything, it was a dream come true), and one day I found a contact sheet
    of film taken at a student recital. It was dated, and when I cross-checked it with the binders of recital programs, it turned out to be
    a David S. Ware quintet with trumpeter Stanton Davis! I tried mightily to find the negatives, and even tried to get the contact print enlarged,
    but I never found the negatives and the contact sheet wasn't good enough to get a decent print from. I didn't write the date down
    (bad Ed, bad Ed), but it would have been from '68 or '69 I guess, and Davis is the only other band member I remember. Was Gene Ashton
    the pianist I wonder? I also remember being surprised to see that the program they played was entirely Wayne Shorter tunes.
    All this stuff is still in the Berklee archives..." [Ed Hazell 08.04.27]

1970 : : :


    70.00.00 (?) - "Figures from the '70s haunt spots such as 501 Canal Street, a five-story downtown structure that birthed some of the city's
    current jazz masters 30 years ago. At that time, white flight to the suburbs had emptied out the city, and David S. Ware, Cooper-Moore,
    drummer Tom Bruno, and a few others rented an entire building on Canal Street for $550 (today, a single room there would cost twice as much).
    It would become one of the focal points of a vibrant scene. Just like Ali's Alley and Studio Rivbea, 501 Canal Street was part rehearsal
    and workshop room, part concert hall and party pad."
    [WIRE #189 November 1999 p.37, from "Undercurrents 11: Generation Ecstasy," by Tom Roe]

1973 : : :


  • 73.03.04 through 73.03.07 - Cecil Taylor Quintet: Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Marc Edwards (dr) /
    La Mama Annex, NYC [ibid]
  • 73.06.00 (1) - Cecil Taylor Quintet: Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Marc Edwards (dr) /
    UCLA, Royce Hall, LA [Jan Ström's Jimmy Lyons Sessionography]
  • 73.06.00 (2) - Cecil Taylor Quintet: Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Marc Edwards (dr) /
    "One Week Engagement", Keystone Corner, SF [Jan Ström's Jimmy Lyons Sessionography]

  • 73.07.03 • Milton Marsh: Monism

    Strata East SES-19758 (LP) 1975; Manufactured Recordings MFG-036 (CD; LP) 2016

    July 3, 1973 / Media Sound, New York City
    1. Monism [8:49]
    —The spoken text is an excerpt from the "Sufi Message (Vol. 2)" of Hazrat Inayat Khan

    Milton Marsh (Cond, spoken text, Comp), David S. Ware and Bill Cody (ts),
    Rene McLean and Joseph Ferguson (as), Reynold Scott (bar),
    Frank Williams, Sinclair Acey, Bubbles Martin, and Kamal Abdul-Alim (tp),
    Bill Campbell, Charles Stevens, and Bill Lowe (tb), Bill Davis (tu),
    Cedric Lawson (p), Don Pate (b), Greg Bandy (perc)
    —"String Players contracted by cellist Bernard Sennell."

    {SES-19758}


    73.12.09 • APOGEE [BR—51:18]

    WKCR-FM (LIVE) Broadcast

    December 9, 1973 / Columbia University, New York City
    1. unknown title [48:33]  (fades out, probable split track)
    2. unknown title [2:43]  (cuts in, incomplete, cuts off)
    David S. Ware (ts), Gene Ashton aka Cooper-Moore (p), Chris Amberger (b), Marc Edwards (dr)

    {CD-R; Anonymous 06.01.01; Marc Edwards 14.03.20}


    1974 : : :


      "William [Parker] I'd been playing with on and off since the mid-70s, since before my stint with Cecil Taylor, I met him back then."
      —David S. Ware interview/article by David Keenan, Wire #180 February 1999 p.37

    74.03.12 • Cecil Taylor Unit Core Ensemble [AR—80:19]

    March 12, 1974 / Carnegie Hall, New York City
    Suite: TRIBE [80:19]  (incomplete, cuts in at beginning, split track at 45:01 and 57:29)
    1. Voices
    2. To Night
    3. Being Body
    4. Black Node
    5. Suns
    6. Weight Fall
    7. Tribe
    —There is a shorter version circulating at 58:33, missing the final 23:00+ end section.
    —Another version at 85:22 shows first track at 60:29, second at 24:48. —RL

    From anonymous source who attended concert, via personal email to Jason Hook (CTResearch, www.webmutations.com/ceciltaylor) :::
    "1974/0312 was a Tuesday.
    It's unlikely there was an unidentified tenor saxophonist. Frank Lowe was supposed to have been there, but was absent.
    A Kevin Fitzpatrick never existed as part of this orchestra. The correct name of the trumpeter was and is Kevin Powell.
    Luther Thomas was said to have been there. With Joseph Bowie there, a fellow member of the Black Artists Group, this was quite possible.
    The unidentified soprano saxophonist may have been Jemeel Moondoc.
    The unidentified trombonist may have been Craig Harris."

    Marc Edwards: "I was one of the drummers in that show. Fellow Free Jazz Drummer, Rashid Bakr was also there playing traps. As per Cecil's
    instructions, we each took turns playing congas and a variety of other instruments that were on the far side of the stage during the concert.
    Andrew Cyrille did not play traps. He played tympani and small percussive instruments. Dave Saphra was in the Bass section along with
    William Parker, Sirone & Earl Henderson. Frank Lowe did make some of the rehearsals, but, he didn't play with the band at Carnegie Hall.
    About a month before we actually did the performance, there was a large influx of new musicians that joined the already large ensemble.
    Since our names were not printed in the program, it's tough to recall many of the fine musicians that were on the stage that night.
    My apologies to those that I'm unable to remember."

    Heinrich Smejkal: "In Down Beat 74.02.28 (Vol.41, no.4, pages 9 and 33) is an announcement that the Cecil Taylor concert was one part of total
    15 concerts organized by the New York Jazz Repertory Company [including] the dates of the concerts. In Down Beat 74.05.09 (Vol.41, no.9, page 29),
    [there is] a concert review by Gary Giddins, unfortunately he mentions only a few of the participants. Giddins noted also that ‘many players
    were recruited from colleges where Taylor has taught.’"

    David First: "[guitarist] Bud and I were recruited to join Cecil's ensemble from an ensemble that he had put together while teaching a series of classes
    at what was at the time known as Glassboro State Teacher's College. ...there were upwards of twenty or so people taking the class—none of whom
    had either enrolled in the school or paid for the class. My friend Bud and I had the pleasure of picking CT up from 30th Street Station in Philadelphia
    twice a week and driving him (approx 45 minutes) to the school in South Jersey and thus got to spend a lot of extra time talking about numerous subjects.
    There was also a ‘class’ concert at Glassboro in May of that year, but it was a bit of a mess, I reckon... I remember hearing a bit of a tape from that night
    at a guy's loft, whose name escapes me. He was Cecil's manager at the time and a couple of us were staying with him during this period. Somewhere
    on Greenwich St. in lower Manhattan, I believe. We would come up twice a week for rehearsals with CT and sleep on the guy's floor. The ensemble
    rehearsals were on Chambers St. also in lower Manhattan..."

    Bobby Zankel: "...my memories from that period with CT would make a chapter in a book, but I can't remember how the music sounded.
    Carnegie Hall was an excellent band (in spite of my youth) and there was a decent amount of rehersal—a balance between people accustomed
    to Cecil's system/language and New York pros—my strongest memory was coming back to my music stand after playing a too long solo
    and being met by Jimmy Lyons' smile and a pat on the back from him and Charles Tyler..."

    The Cecil Taylor Big Band at Carnegie Hall in New York City, March 12, 1974.
    Photos courtesy David First, reproduced with permission.


    Same photos with some names.
    Detailed by Anonymous.

    Cecil Taylor (p, Comp), Jimmy Lyons, Bobby Zankel, Jemeel Moondoc, and possibly Luther Thomas (as),
    David S. Ware, Hassan Abdullah, Craig Purpura, and Elliot Levin (ts), Ken Simon (ss) Charles Tyler (bar), Karen Borca (bsn), Carla Poole (fl),
    Raphe´ Malik, Hannibal Marvin Peterson, Arthur Williams, Steven Lewis, and Kevin Powell—identified elsewhere as "Fitzpatrick" (tp),
    Joe Bowie (tb), Sharon Freeman and Richard Schartzberg (frh), David First, Bud Neuber, and third unidentified (g),
    Sirone, William Parker, Dave Saphra, and Earl Henderson (b), Andrew Cyrille (tym, perc),
    Clifford Sykes (perc), Rashid Bakr, Sunny Murray, and Marc Edwards (dr, perc)

    {2CD-R; Heinrich Smejkal; Marc Edwards; David First; Bobby Zankel 03.07.11; www.janstrom.se/4.-sessionography/4.2.-1974--1981-6228281}


    74.06.14 • Andrew Cyrille & Maono [AR]

    June 14, 1974 / Studio Rivbea, New York City
    1. unknown titles [ : ]
    David S. Ware (ts), Ted Daniel (tp), Donald Smith (p), William Parker (b), Andrew Cyrille (dr)

    {Anonymous 02.11.04}


    • 74.06.29 - Andrew Cyrille & Maono: David S. Ware (ts), Art Williams (tp), Cyrille (dr, perc) / RivBea Summer Festival, RivBea Studio, NYC
      [CODA, p.32, festival report by Randy Hutton, no issue info; Jazz Magazine, festival report by Chris Flicker (in French) p.17]
    • 74.06.30 - APOGEE: David S. Ware (ts), Gene Ashton (p), Dave Saphra (b), Marc Edwards (dr) /
      RivBea Summer Festival, RivBea Studio, NYC
      [CODA, p.32, festival report by Randy Hutton, no issue info; Jazz Magazine, festival report by Chris Flicker (in French) p.17]

    1975 : : :


    75.02.26 • Andrew Cyrille and Maono: Celebration

    Institute of Percussive Studies Records IPS ST 002 (LP) 1975
    —1st session [See also: 75.05.14.]

    February 26, 1975 / Ali's Alley/Studio 77, New York City
    1. Haitian Heritage (Pt. 1)
     a) Voices of the Lineage (Cyrille) [12:01]
     b) Agowé, Hunto (Cyrille) [2:46]
      (Spirit in the Drum)
    2. Haitian Heritage (Pt. 2)
     "Levitation" (Cyrille) [12:15]
    3. Fate (Cyrille) [9:32]
    4. Gossip (Jimmy Lyons) [7:25]
    5. Non-Expectation Celebration (Cyrille) [9:25]
    David S. Ware (ts), Ted Daniel (tp), Donald Smith (p), Romulus Fanceschini (synth), Jeanne Lee (voc), Elouise Loftin (poet),
    Stafford James (b), Alphonse Cimber (Haitian drum), Andrew Cyrille (dr, perc)

    {IPS ST 002}


    • 75.03.09 - Andrew Cyrille & Maono: David S. Ware (ts), Ted Daniel (tp), Donald Smith (p), Stafford James (b), Cyrille (dr, perc) /
      Sunrise Studio, NYC [Anonymous 02.11.04]

    75.00.00 (1) • Andrew Cyrille & Maono [BR—70:00]

    WKCR-FM, New York

    "Spring", 1975 / Studio Rivbea, New York City
    1. unknown titles [70:00]
    David S. Ware (ts), Ted Daniel (tp), Donald Smith (p), Andrew Cyrille (dr, perc)

    {Anonymous 02.10.28; WKCR Archive}


    75.00.00 (2) • Andrew Cyrille & Maono [AR—21:41]

    unknown date, 1975 / Ali's Alley or Studio 77, New York City
     banter, tuning up [0:48]
    1. unknown title [20:53]
    David S. Ware (ts), Ted Daniel (tp), unknown (el-g), Andrew Cyrille (dr, perc)

    {CD-R}


    75.05.14 • Andrew Cyrille and Maono: Celebration

    Institute of Percussive Studies Records IPS ST 002 (LP) 1975
    —2nd session [See also: 75.02.26.]

    May 14, 1975 / Ali's Alley/Studio 77, New York City
    • No split session info.
    David S. Ware (ts), Ted Daniel (tp), Donald Smith (p), Romulus Fanceschini (synth), Jeanne Lee (voc), Elouise Loftin (poet),
    Stafford James (b), Alphonse Cimber (Haitian drum), Andrew Cyrille (dr, perc)

    {IPS ST 002}


    75.07.14 • Andrew Cyrille & Maono [BR—75:35]

    WKCR-FM Broadcast

    July 14, 1975 / Studio RivBea, New York City
    1. unknown title [25:41]
     announcement [0:39]
    2. unknown title [43:52]  (split track at 20:18)
    3. unknown title [9:20]
     announcement [0:74]
    David S. Ware (ts), Ted Daniel (tp), Donald Smith (org, synth), Stafford James (b), Andrew Cyrille (dr, perc),

    {CD-R; web-listing}


    1976 : : :


    76.01.30 • Cecil Taylor Unit [AR—88:23]

    January 30, 1976 / Foxhole Cafe, Penn University, Philadelphia, PA
    —Also circulating with the venue listed incorrectly as "The Empty Foxhole." —RL
    1. unknown title [88:23]  (incomplete, cuts in at beginning, split track at 42:12, fades out and back in at 83:38)
    "I recently met Marc Edwards in NYC and told him about seeing the Cecil Taylor group play in ...Philly in late January, 1976. ...it was in the lower part
    of a large church. It was a chapel, smaller than the main sanctuary, but still pretty large. I also remember the gigs took place over two nights. I mentioned
    that there was a trombone player... It seemed to be important to Marc that there was, in fact, a trombone player... and [he] asked that I send this info
    to you. It's a long time ago, but I do remember a trombone player—an African-American who mostly played in the ensemble passages. I don't remember
    who it was..." —Wally Shoup 02.09.25; 02.10.12

    "Bowie was in and out of various units around that time, and was part of the original band in "A Rat's Mass". Harris was a frequent sub for Edwards
    around that time and I've never been sure that it's him on the tape, although it's likely... The information comes from:..."
    Albert Ayler, Sunny Murray, Cecil Taylor, Byard Lancaster & Kenneth Terroade: On Disc & Tape, by Mike Hames, photography by Val Wilmer,
    printed privately by the author with the financial assistance of the Arts Council of Great Britain, January, 1983 —Ed Hazell

    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Joseph Bowie (tb), Marc Edwards or Beaver Harris (dr)
    —Ström has Harris on drums, and this: "Bobby Zankel claims that Charles 'Bobo' Shaw was the drummer."

    {2CD-R; venue from Marc Edwards; Ed Hazell 03.03.31; www.janstrom.se/4.-sessionography/4.2.-1974--1981-6228281}


    76.02.05 • William Hooker: ...is eternal life

    Reality Unit Concepts RUC-444 (2LP) 1981
    • William Hooker: LIGHT. The Early Years 1975-1989
      No Business Records NBCD 82-85 (4-CD Box Set, 1000 copies) 2016 Lithuania
    February 5, 1976 / Langston Hughes Library, Corona, NY
    1. Passages (anthill) [18:46]
    "Hooker eventually made his recording debut with the 1978 double album Is Eternal Life
    on his own Reality Unit Concepts label. Long out of circulation, it stands as one of the best-kept
    secrets of the free jazz underground. 'It's a series of duets with saxophonists David Murray
    and David S. Ware and 'no, I don't have any copies for sale, man,' he deadpans."
    —William Hooker interview/article by David Keenan, WIRE #197 July 2000 p.32

    David S. Ware (ts), William Hooker (dr, Comp)

    {RUC-444; release date from Down Beat December 1981 p.61; nobusinessrecords.com/NBCD82-85.php}


    • 76.03.04 - Cecil Taylor: Taylor (p, Dir, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr) /
      "A Rat's Mass," La Mama Theatre, New York City

      [www.lamama.org/archives/year_lists/1976page.htm playlist, no details; Marc Edwards 02.12.23]
      "Adrienne Kennedy's "A Rat's Mass" could be considered a prelude to my entering the Cecil Taylor Unit. I believe that Rashied Bakr
      was the drummer whom I replaced. By the time I arrived at the rehearsal space, the play was already intact, meaning everything was set.
      Cecil played kettle drums or tympani while I was on the drum kit. During the play, I began playing loudly. Cecil leaned over and whispered,
      'Keep it down.' Immediately, I dropped to a softer dynamic level. There were no problems with dynamics from that moment on.

      Raphé later said that whenever I would play something, David would start laughing. At this point, I had been working hard at my day job.
      I hadn't played in public for a while. The play was a different experience. I would love to work in that environment again. I'm not sure how
      many nights we performed at the LaMama Theater. Most likely, we did do at least two nights, with the possible addition of a third night.
      I'm unable to say for sure." —Marc Edwards

    • 76.03.23 - Cecil Taylor Unit: Taylor (p, voc, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr) /
      Keystone Korner, San Francisco, CA [BELLS, Henry Kuntz Jr, bells.free-jazz.net]
    • 76.03.24 - Cecil Taylor Unit: as above / Keystone Korner, San Francisco, CA [ibid]
    • 76.03.25 - Cecil Taylor Unit / Keystone Korner, San Francisco, CA [ibid]
    • 76.03.26 - Cecil Taylor Unit / Keystone Korner, San Francisco, CA [ibid]
    • 76.03.27 - Cecil Taylor Unit / Keystone Korner, San Francisco, CA [ibid]
    • 76.03.28 - Cecil Taylor Unit / Keystone Korner, San Francisco, CA [ibid]

    • "The deep emotional stirrings conjured up by Taylor might have rendered any other music irrelevant. On opening night, an hour-and-a-half
      presentation built around the three horns reached such high-pitched levels of screamed intensity that the Keystone seemed transformed into
      a place of ritual, of spiritual enlightenment even." —Henry Kuntz Jr

    76.03.30 • Cecil Taylor Unit [AR—120:00]

    March 30, 1976 / Royce Hall, UCLA, Los Angeles, CA
    —Ström also notes possible date of 78.03.14
    1. unknown title [60:00]
    2. unknown title [60:00]
    Cecil Taylor (p, voc, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {Jan Ström's Jimmy Lyons Sessionography; Scott, Reb. The Black Scholar 8, no.1 (1976) 53-54 www.jstor.org/stable/41066903}


    • 76.04.00 - Cecil Taylor Quintet: Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr) /
      Oil Can Harry's, Vancouver, British Columbia, Canada [Brian Nation 05.04.15; Jan Ström's Jimmy Lyons Sessionography]

      "Cecil Taylor's quintet played a week at Oil Can Harry's sometime [in early April, 1976]. Al Shimokura was one of the owners of the club
      and he and I had become friends. I owned a VW van at the time, a nice clean one with all the seats, and so occasionally I'd help out by picking
      bands up at the airport. I enjoyed doing this because I didn't mind driving and I got to meet many great jazz players. For example, Danny
      Richmond and I got to be buddies for the week he was in town with Mingus, and this is something I cherish. Mingus himself, on the other hand,
      definitely did not become a buddy, let me tell you. Well, who cares? Not a warm guy, but the beauty and genius of his music will never die.
      But back to the Cecil story: On the way in from the airport the guys were beside themselves digging the beauty of the city. It was
      a gorgeous day, and the North Shore mountains were sharp against the clear blue sky and looked so close you wanted to stick your head
      out the window and lick them.

      In the band were Raphe Malik, Jimmy Lyons, Marc Edwards, and tenor player David S. Ware. They were here for almost a week, and even
      with the daily rehearsals there'd be free time, so I said 'We can drive up to those mountains in about half an hour, if you want to go one day
      I'd be glad to drive you all up there.'

      'Wow! Yeah! Great! I'm in! Let's do it! Tomorrow, man! Let's go tomorrow!'

      After the gig that night I arranged to pick them all up at the hotel the next day at noon. 'Not too early, man. Get me at noon.' Next day at noon
      I knocked on each door one by one. 'Who is it? Later, man. I'm sleeping' And, 'Go way, I got company!' Or, 'Shit man can we do this tomorrow?'
      The last door was Ware's, and he was 'Ready!' Dressed up, clean, bright-eyed, and slick.

      Apparently, time has confused my memory. As I recalled it, Ware had left his home town of Plainfield, New Jersey, and traveled thirty miles
      to New York City, where he eventually wound up in Cecil Taylor's band. Now twenty-six-years old, his entire world had consisted of Plainfield
      and Manhattan. He barely knew of mountains and rivers and trees, of open wild spaces, the so-called natural world. This is what I remembered.
      It may not be utterly accurate, but I believe it's close enough to the truth. Now he's beside me driving up a coastal highway, water on our left,
      mountains on our right, and he's so utterly awed by everything he can barely speak. We got out at Shannon Falls and hiked up to where we were
      sprayed by the cascading waters, standing on rocks, hanging on to trees. He looked upwards with an expression filled with an amazement I can't
      begin to describe. We stood there no more than fifteen minutes, turned around, got in the van, and drove back to town so Ware could make
      that afternoon's rehearsal.

      Not really much of a story, but one I felt like telling because David S. Ware, whose album Live in the World I'm listening to as I write,
      has become one of the strongest, most creative, passionate, and moving improvisors in modern music.

      Who knows what lights a certain fire in the creative brains of men?

      —Brian Nation, Beat The Devil, at boppin.com/2005/04/david-s-ware.html

    76.04.12 • Cecil Taylor Unit [AR—148:28]

    April 12, 1976 / Theatre St. Denis, Montreal
    1. unknown title [45:14]
    2. unknown title [33:34]
    3. unknown title [44:54]
    4. unknown title [24:42]
    Cecil Taylor (p, voc, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {Jakob Blumenthal 11.08.03}


    76.04.15 • Cecil Taylor Quartet: Michigan State University, April 15th 1976

    Hi Hat Records HH 005CD (CD) 2015 UK
    • Cecil Taylor Unit [BR—46:15]
      Original Live Broadcast WCBN-FM for National Public Radio "Jazz Alive"
    April 15, 1976 / The Power Center, Michigan State University at Ann Arbor, Ann Arbor, MI
    HH 005CD:
    1. Wavelets Part 1 [1:54]
    2. Wavelets Part 2 [8:30]
    3. Wavelets Part 3 [22:06]
    4. Petals [13:49]
    Broadcast Recording:
    1. Wavelets [31:58]
     CT announcement [0:28]  "Petals, just once through."
    2. Petals [13:50]  (incomplete, cuts out)
    —Broadcast Recording is of the second set. The piece begins with a drum solo (there is a split-second drop-out about 1:00 in); leads into
     a piano/tenorsax duet; [11:00 in] segues into a piano/altosax/drum trio segment; [18:00 in] becomes a piano-trumpet duo until ending.
     There is also a version listed as "2 tracks, 48:00." On this tape the two tracks have been somehow reversed. The sound quality (not very good
     on track 1) descends to near horrible on the "unknown title," and proceeds to the end commentary by A.B. Spellman of NPR's "Jazz Alive."
     The 2nd track begins and ends with edit cuts. Taylor's voice is not heard here.
    —Reference is also made to another recording at 50:00 (possibly the first set) with "Heather" and another unknown title.

    Marc Edwards: "We did a torrid [first] set... After we finished playing, we were taking a break, and Cecil told us that we had to do a second show.
    I was completely burned out. I started off the set doing a drum solo. I don't recall the breakdowns that followed. I think Cecil and Jimmy played together,
    David S. Ware may have soloed by himself or he may have performed as a duo with Malik. It's hard to recall now. Eventually, the entire band did play
    together as an ensemble towards the end. I don't know the name of that piece."

     [The applause following track one leads to Cecil Taylor's calling out "Petals... just once through... Petals..." The very ending of this track
     is cut off just a few moments from where the announcement by NPR appears on the inferior recording discussed above. —RL]

    Edwards: "I remember the 'Petals' composition to this day. Cecil wrote wonderful melodic lines. We had a ball playing that piece during a tour
    on the West Coast and later, in Europe. We first performed this song during the band's one week stay at the KeyStone Korner in San Francisco."

    Edwards: (after hearing the tape) "I was under the impression that we were going to do only one set. When Cecil announced we were going to play
    some more, I was surprised. The second set begins with a drum solo... Cecil's bands do not generally provide many opportunities for drum solos.
    This concert presents a rare chance to hear me in this context. My primary function was to play behind the band members supporting their musical
    ideas and concepts. To become a good soloist, one has to solo on a regular basis. What the fans heard on the second set was the stuff that I play
    behind the ensemble. Towards the very end of my solo, I began to get the hang of it. Just as I started moving into a different area, Cecil and David
    began to play. They had quietly entered the stage. The audience was great, responding favorably to what I had played... The second set, David's
    performance with Cecil was outstanding. During those days, critics and writers labeled David as just another screaming fiery tenor saxophonist.
    He is much more than that. Unlike most Free Jazz saxophonists, David has far more range and depth. He and Cecil are in fine form, exploring
    the musical layers melodically. This a side that many writers couldn't hear. Jimmy and Raphé followed, each performing in a similar spirit
    that pervaded the second set. Jimmy Lyons is no longer with us. If he were alive... With the knowledge that I now have, I would know how
    to support his improvisations better."

    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {Broadcast CD-R; Marc Edwards for venue info—from The Michigan Daily Friday April 16, 1976 Vol. LXXXVI No. 161; squidco.com }


    76.04.20 • Cecil Taylor Unit [AR]

    April 20, 1976 / Village Vanguard, New York City
    —"From 4/20" [Tuesday through Saturday the 24th] —New York Magazine
    1. unknown title [ : ]
    2. unknown title [ : ]
    —Recording possibly same as 76.04.24.

    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {Mike Hames; New York Magazine April 26, 1976 p.24}


    • 76.04.21 - Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr) /
      Village Vanguard, NYC [New York Magazine April 26, 1976 p.24]
    • 76.04.22 - Cecil Taylor Unit: as above / Village Vanguard, NYC [ibid]
    • 76.04.23 - Cecil Taylor Unit / Village Vanguard, NYC [ibid]

    76.04.24 • Cecil Taylor Unit [AR]

    April 24, 1976 / Village Gate, New York City
    1. unknown titles [ : ]
    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {Anonymous 02.11.04 and 02.10.28; New York Magazine April 26, 1976 p.24}


    • 76.04.25 - Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr) /
      Village Gate, NYC [The New York Times April 25, 1976 p.24-D]

    76.05.00 • Cecil Taylor Unit [AR—97:06]

    May, 1976 / Village Vanguard, New York City
    1. unknown titles [95:24]  (incomplete)
    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {www.janstrom.se/4.-sessionography/4.2.-1974--1981-6228281}


    76.05.23 • Andrew Cyrille and Maono: Junction

    Institute of Percussive Studies Records IPS ST 003 (LP) 1976; Why Not PA-7157 (LP) JAP
    • Wildflowers 3: The New York Loft Jazz Sessions
      Douglas/Casablanca NBLP7047 (LP) 1977; Douglas NBL-87047 (8TRK) 1977;
      Gravity/Douglas Music 30 00 342 / ARC 384 (CD) FR 1995
    • (V/A) Wildflowers: The New York Loft Jazz Sessions Complete
      Knitting Factory Knit Classics KCR-3037 (3CD) 1999
    • Andrew Cyrille and Maono [AR]
    May 23, 1976 / Studio Rivbea, New York City
    1. Notari—variation of Haru no Umi (Cyrille) [21:14]
    2. Short Short (Cyrille) [7:30]
    3. Interlude (Ware/Daniel) [2:19]
    Why Not PA-7157 has tracks 1 and 3.
    NBLP7047 has track 1.
    Wildflowers 3 and Loft Jazz Sessions Complete both have track 2.
    Audience Recording is complete.

    —These are all excerpts from the same continuous performance.
     "Short Short" ends with audience applause. —RL

    David S. Ware (ts), Ted Daniel (tp-2,3; flg-1),
    Lisle Atkinson (b), Andrew Cyrille (dr and perc-1,2)

    {IPS ST 003 & NBLP7047; info for Why Not PA-7157 from Marco Negri}


    76.05.28 • Cecil Taylor Unit [AR]

    May 28, 1976 / Foxhole Cafe, University of Pennsylvania, Philadelphia, PA
    1. unknown title [ : ]
    2. unknown title [ : ]
    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {Anonymous 02.10.28}


    • 76.05.29
      76.05.30
      - The Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp),
      Marc Edwards (dr, perc) / Foxhole Cafe, University of Pennsylvania, Philadelphia, PA
      "Since we were in Philadelphia, Sun Ra attended at least one of the shows. I can't recall if he was there for all three nights.
      Many of the players in his band also came. They really enjoyed the music. These performances drew a sizeable crowd.
      A good audience helps to make things happen." —Marc Edwards

    76.06.00 • Cecil Taylor Unit [SB—93:00]

    June, 1976 / Maison de la Culture, Woluwe St. Pierre, Brussels, Belgium
    —Also erroneously circulating as "Cecil Taylor Unit, 1978?, Belgium"—of the first set at 46:00 (fades out).
    1. unknown composition (part 1) [46:20]
    2. unknown composition (part 2) [46:20]  (incomplete, fades out)
    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {2CD-R; Lukas Lindenmaier to CTResearch Group 05.05.07}


    76.06.18 • The Cecil Taylor Unit: Dark to Themselves

    ENJA 2084 (LP) 1977 SWZ; Enja Soul Posters SP 2092 (LP) FR;
    Inner City IC3001 (LP) 1977; ENJA R2 79638 (CD) 1990;
    ENJ-2084 2 (CD) "25th Anniversary Series" 1997

    June 18, 1976 / 17th Yugoslavian Jazz Festival, Ljubljana, Yugoslavia
    ENJ-2084 2:
    1. Streams and Chorus of Seed [61:45]
    ENJA 2084, SP 2092, IC3001 and ENJA R2 79638:
    1. Streams [22:21]
    2. Chorus of Seed [25:21]
    —Image of Inner City IC3001 LP.

    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts),
    Raphé Malik (tp), Marc Edwards (dr)

    {R2 79638; SP 2092}


    76.06.20 • Cecil Taylor Unit [AR—71:08; BR—27:21]

    June 20, 1976 / Rotterdam Jazz Festival, De Doelen Concert Hall, Rotterdam, Netherlands
    —Audience Recordings are also circulating misdated 76.07.20. —RL
    Broadcast Recording:
     Dutch Radio intro [0:48]
    1. Be a Red Aisle Runner Do a Five C.T. (from "A Rat's Mass") [27:09]
     Dutch Radio outro [1:21]
    Audience Recording:
     announcement [2:30]
    1. Five C.T.—Be a Red Aisle Runner (from "A Rat's Mass") [68:34]  (split track, fades out and back in at 43:22)
    Marc Edwards:
    "Dark To Themselves is well liked by fans of Free Jazz. What most people don't realize is that the [76.06.18] concert in Yugoslavia was the first stop
    of the European Tour. We played in France, Germany, Italy, and Norway, just to name a few. I've always believed that DTT was not our strongest
    performance. The show that we did in La Rochelle, France, was incredibly strong. I don't know if anyone in the audience recorded it. I do recall
    that Alan Silva made a tape while we were playing. Alan says that it was great, but, again, I have no way to confirm that. I've never heard his tape.

    The Rotterdam Concert shows the band in rare form. Listening to the show today, I can only describe my drumming as relentless. Jimmy Lyons
    was outstanding. After David's solo, he began mimicking some of my rhythmic ideas as well as those of David. Cecil, of course, can do anything.
    He began picking up on the rhythmic ideas too, throwing them back and forth. Due to my inexperience, I wasn't fully able to utilize what Cecil
    was feeding me. I was still locked into my own musical ideas. Were I to play with Cecil today, this would be no problem. Experience is the best teacher.
    Jimmy was very lyrical, a word that I use to mean that he was playing above his usual melodic concepts. I enjoyed listening to him a lot. Playing the tape
    for a second time, I find that I'm drawn to Jimmy's extensive use of rhythm in this concert. He sounds great!

    ...In some ways, this performance eclipses DTT."

    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {CD-R of Audience Recording; date confirmed by Marc Edwards; Broadcast info www.janstrom.se/4.-sessionography/4.2.-1974--1981-6228281}


    76.06.23 • Cecil Taylor Unit [SB—82:41]

    June 23, 1976 / La Mutualite, Paris, France
    1. unknown title [44:46]
    2. unknown title [37:55]
    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {www.janstrom.se/4.-sessionography/4.2.-1974--1981-6228281}


    76.06.30 • Cecil Taylor Unit [BR—166:39]

    NDR Broadcast

    June 30, 1976 / Onkel Pö, Hamburg, Germany
    —"The correct title of this now defunkt famous Jazz Club in Hamburg was 'Onkel Pö's Carnegie Hall'..." —Kai-Martin Mueller
    1. Dumping Petal Point and Sunflowers / Part 1 [39:24]
    2. Dumping Petal Point and Sunflowers / Part 2 [30:51]  (incomplete)
    3. Don't Send Me No Pebbles from Georgia [43:36]  (incomplete)
    4. First Word I-II [57:30]  (incomplete)
    —Track 3 is another version of 76.06.18's "Streams and Chorus of Seed."
    —Track 4 also contains further development of some of the same motifs.
     "A short German radio broadcast from a jazz club called "Onkel Pö":
    1. German introduction [0:20]
    2. Don't Send Me No Pebbles from Georgia, Part 2 [20:55]
    "We played there from June 30 to July 1, 1976 according to the itinerary." —Marc Edwards

    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {3CD-R; Jan Ström; Marc Edwards; Kai-Martin Mueller}


    • 76.07.01 - Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr) /
      Onkel Pö, Hamburg, Germany [Marc Edwards]

    76.07.03 • Cecil Taylor Unit [AR—120:00]

    July 3, 1976 / Jazz Festival Macerata, Arena Sferisterio, Macerata, Italy
    1. unknown titles [120:00]
    Cecil Taylor (p, voc, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Marc Edwards (dr)

    {Luca Barzaghi 03.01.12; MUSICA JAZZ July 1976 p.27 / on-line index; Jan Ström's Jimmy Lyons Sessionography;
    Coda #151, Oct/Nov 1976, pp.24-25—Festival report, short concert review.}


    76.07.09 • Cecil Taylor Unit [AR—43:00]

    July 9, 1976 / Casino Montreux, Montreux Jazzfestival, Montreux, Switzerland
    1. Alougu [25:30]
    2. Llians [17:30]
    Cecil Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Marc Edwards (dr)

    {Anonymous}


    76.07.10 • Cecil Taylor Unit [AR—88:04]

    July 10, 1976 / unknown venue, La Rochelle, France
    1. unknown title [88:04]  (incomplete, continuous set, split track at 45:40, cuts out at end)
    Drummer Marc Edwards:
    "What's noteworthy about the La Rochelle, France show is the addition of bassist Alan Silva. Alan joined the band for the Montreux show in Switzerland
    on July 9, 1976. The band was rehearsing in a secluded area. It turned out to be not so secluded. One lucky fan heard us playing. He came in and sat
    down for a free concert. Alan Silva arrived minutes later. We continued to play with much passion. I turned it up an extra notch or two, just to see how
    Alan would react. Alan began playing, adjusting his musical ideas with what the band was playing. My reaction was that Alan was thinking [that] I was
    going to get tired and change to an easier level. That didn't happen! I kept playing harder and harder. Alan was checking me out closely. I kept playing
    so hard that Alan started laughing. Cecil was also highly amused by my tactics. He knew what I was doing.

    Drummers tend to be very territorial. If anyone joined the band, I made sure that they played out stuff. On that point, there was no compromise.
    For the record, Alan Silva was the only musician to play with the Dark To Themselves Cecil Taylor Unit. No one sat in at any time. If you hear
    otherwise, it didn't happen while I was there. Anything is possible after I left.

    This brings us to the La Rochelle performance in France—the next day we flew in a private plane. The plane was small, having just enough room for us,
    the musicians, and our instruments. We took only a change of clothes for one day. Our suitcases arrived later that day. I was uncomfortable in the plane.
    Raphé and I were in the back seat. My drum case contained the floor tom-tom and the small tom-tom. The case rested on our laps pressing against
    our faces. It was quite large. Had the plane gone down, there was no way for Raphé nor I to save ourselves. We were pinned to the back seat
    by my drum case. We were totally in the hands of the Almighty. Luckily, we arrived at La Rochelle without any mishaps.

    Jimmy and David were laughing at us throughout the flight. They teased us to no end. After the plane landed, we were taken to the hotel. We were late
    getting to La Rochelle. The promoters of the concert wanted us to go to the theater ASAP. I was hungry. I went to David's room and told him that I had
    to get something to eat before we played. David took me to Cecil's room and explained the situation. Cecil understood. Within a short time we were at
    a restaurant eating a lavish meal. Meanwhile, the promoters were having a fit. The show was not going to start on time. As soon as I had finished eating,
    the promoter personally drove me to the theater pronto.

    I don't recall the name of the place. It was a large theater that could also double for showing movies. When I had finished setting up my drums, Cecil,
    Jimmy, David, and Raphé arrived. We did a quick sound check. I could hear a concerned crowd behind the curtains. They were greatly relieved when
    the curtains went up. Finally, they were going to hear some music. The tape doesn't fully capture my performance. At the beginning, I was using brushes.
    On this day, I was in the zone. Everything that I played was superb. Jimmy Lyons turned around at one point because he was so impressed with my work
    on brushes. Later, I changed to drumsticks and the band took off. Alan really added another voice to the Unit. I wish he had stayed on longer with
    the group. Listening to the tape, the band sounds great.

    Towards the end of our long set, Jimmy, Raphé, and David started playing together. This is one of the few times that the three horns improvised freely,
    other than when they were playing the "heads" (the composition lines). They kept playing on and on. I thought they would never stop. During this
    segment, Cecil thought that I was pushing the band. No, it wasn't me, it was the horn players. They had gotten into a hard driving mode and locked in.
    I had no choice but to keep up. That was no problem. I simply dug in and started to push the group as hard as I could. When we finished playing,
    the audience was very enthusiastic. They kept screaming and hollering. We bowed and left the stage. Because I had played so well, Cecil asked me
    to go back on stage—by myself. I didn't want to, but Cecil insisted. As soon as I set foot on the stage, the audience went nuts! They started screaming
    again, only this time, their collective voices went up another octave. Words cannot begin to describe how I felt at that moment. Now I understand
    why people cry when they receive awards at the music awards shows. The audience can literally move a person to tears."

    Cecil Taylor (p, voc, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Alan Silva (b, voc), Marc Edwards (dr)

    {2CD-R; Jan Ström's Jimmy Lyons, A Sessionography, p.36; Marc Edwards.}


    76.07.11 • Cecil Taylor Unit [AR]

    July 11, 1976 / Recontres avec la Musique de Jazz, Nimes, France
    1. Corolla, Stepping Into Sunning [ : ]
    2. unknown titles [ : ]
    Cecil Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Marc Edwards (dr)

    {Heinrich Smejkal, from Jazzpodium 7/1976, S.32, Concert schedule, no details}


    76.07.14 • Cecil Taylor Unit [AR—120:36 & BR—65:50]

    July 14, 1976 / SendeSaal Saal Studio, Bremen, Germany
    —Broadcast by Radio Stadt Bremen, Tape #JZ 5288
    Audience Recording:
    1. Winds Alight Stepping Silver [120:36]
    Broadcast Recording:
     announcement [0:39]
    1. Winds Alight Stepping Silver (excerpt) [29:09]
     announcement [0:29]
    2. Winds Alight Stepping Silver (excerpt) [34:39]  (incomplete, fades at end)
    —Broadcast Recording is also circulating with incorrect dates of 77.03.00 and 77.05.03 (possible broadcast dates).
    Jimmy Lyons, A Sessionography: "[tracks 1 and 2 were] broadcast at different occasions but given the same date and title,
     [indicating] one performance... broadcast in two parts." —Marc Edwards

    Cecil Taylor (p, voc, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr)

    {Audience 2CD-R; Broadcast CD-R; Jan Ström's Jimmy Lyons, A Sessionography, p.6 UPDATE 02-0130;
    Marc Edwards; Holger Neuhaus; Heinrich Smejkal.}


    • 76.07.00 (1) - Cecil Taylor Unit: Taylor (p, voc, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Marc Edwards (dr) /
      Kongsberg Jazz Festival, Kongsberg, Norway [www.janstrom.se/4.-sessionography/4.2.-1974--1981-6228281]
    • 76.07.00 (2) - Cecil Taylor Unit: as above / Festival del Jazz, Arles, France
      [www.janstrom.se/4.-sessionography/4.2.-1974--1981-6228281; MUSICA JAZZ October 1976 p.37, on-line index]
    • 76.09.21 through 76.09.23 - Andrew Cyrille & Maono: David S. Ware (ts), Ted Daniels (tp, flg),
      Nick DeGeronimo (b), Andrew Cyrille (dr, perc) / Ali's Alley, NYC [Village Voice, Sept. 20, 1976 p.59]
    • 76.12.10 - Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Beaver Harris (dr) /
      Village Gate, New York City [New York Magazine December 13, 1976 p.31]

    76.12.11 • Cecil Taylor Unit [AR—148:24]

    December 11, 1976 / Village Gate, New York City
    1. unknown composition [78:48]  (split track at 45:14)
    2. unknown composition [69:36]  (split track at 44:54)
    —1st Set was possibly Broadcast on WKCR.

    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Beaver Harris (dr)

    {2CD-R; WKCR Archive; New York Magazine December 13, 1976 p.31}


    1977 : : :


      "Two years later, Ware was a full-time member of Taylor's orchestra, appearing on the heavyweight Dark To Themselves
      and a mysterious 1977 session alongside Beaver Harris, Jimmy Lyons, and Raphé Malik that's never seen the light of day."
      [David S. Ware interview/article by David Keenan, WIRE #180 February 1999 p.37]
      —It's unclear whether this session included CT, or was a session of Unit members sans CT.

    77.01.14 • William Hooker Reality Unit [AR—51:21]

    December 21, 1976 / New York Jazz Museum, New York City
    1. Time/Within [51:21]
    David S. Ware (ts), Alan Braufman (as), William Hooker (dr, saw, perc)

    {Anonymous 02.11.04; WKCR Archive}


    • 77.03.07 through 03.11 - Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Marc Edwards (dr) /
      Jazz Showcase, Chicago, IL [Damon Short correspondence to Jason Hook 04.02.24]
    • 77.03.19 - Cecil Taylor Unit: as above / "Workshop & Lecture at University of Chicago..." Chicago, IL [ibid]

    77.03.21 • 360° Ensemble [BR—51:03]

    March 21, 1977 / WKCR-FM Studio, New York City
    1. unknown titles [51:03]
    David S. Ware (ts), Hamiet Bluiett (bar), Raphé Malik (tp), Tito Sumpa (perc), Beaver Harris (dr)

    {CD-R}


    • 77.03.23 through 03.26 - Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Beaver Harris (dr) /
      Vancouver Jazz Society, "Spring '77 Concert Series," Old Heritage Hall, Vancouver, British Columbia, Canada
      [CODA #154 April 1977 p.28; CODA # 156 August 1977 p.29; vancouverjazz.com/vjs/index.php]
    • 77.04.00 (1) - Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Beaver Harris (dr) /
      Jazz Showcase, Chicago, IL [www.janstrom.se/4.-sessionography/4.2.-1974--1981-6228281]

    77.04.14 • David S. Ware: Birth of a Being

    hat HUT Records hat HUT W (LP) 1979
    —1st session [See also: 77.04.15.]
    • David S. Ware / APOGEE: Birth of a Being
      AUM Fidelity AUM096/97—DSW-ARC01 (2-CD) 2015
    April 14, 1977 / CIRecording, Inc., New York City
    1. Prayer [10:50]
    2. A Primary Piece #1 [13:45]
    3. A Primary Piece #2 [11:45]
    4. Prayer (alt. take) [12:07]
    5. Cry [14:06]
    6. Stop Time [17:05]
    —hat HUT W has tracks 1, 2, and 3 only.

    David S. Ware (ts, Comp),
    Gene Y. Ashton aka Cooper-Moore (p-trks 1 thru 6),
    Marc D. Edwards (dr-trks 1 thru 6)

    {hat HUT W}


    77.04.15 • David S. Ware: The Birth of a Being

    hat HUT Records hat HUT W (LP) 1979
    —2nd session [See also: 77.04.14.]
    • David S. Ware / APOGEE: Birth of a Being
      AUM Fidelity AUM096/97—DSW-ARC01 (2-CD) 2015
    April 15, 1977 / CIRecording, Inc., New York City
    1. Thematic Womb [16:35]
    2. Ashimba [16:35]
    3. Solo [6:56]
    —hat HUT W has track 1.

    David S. Ware (ts-1,3, Comp-1,3),
    Gene Y. Ashton aka Cooper-Moore (p-1, ashimba-2, Comp-2),
    Marc D. Edwards (dr-1)

    {hat HUT W}









    • 77.04.22 - Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Marc Edwards (dr) /
      9:30 & 11:30pm, Village Gate, New York City [New York Magazine April 18, 1977 p.109; The New York Times April 22, 1977 p.C4]
    • 77.04.23 - Cecil Taylor Unit: as above / 9:30pm, 11:30pm, & 1:30am, Village Gate, NYC [ibid]

    77.04.00 (2) • Cecil Taylor Unit [AR]

    April, 1977 / Recontres avec la Musique de Jazz, Nimes, France
    1. unknown titles [ : ]
    Cecil Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Beaver Harris (dr)

    {Heinrich Smejkal: Info from Jazzpodium 7/1976, S.32 (Concert schedule, no details}


    77.04.00 (3) • Cecil Taylor Unit [AR]

    April, 1977 / Centre Culturel de Woluwe Saint Pierre, Brussels, Belgium
    1. unknown titles [ : ]
    —According to Jean-Michel Van Schouwburg this concert took place in late April.

    Cecil Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Beaver Harris (dr)

    {www.janstrom.se/4.-sessionography/4.2.-1974--1981-6228281}


    77.05.26 • Beaver Harris: African Drums

    Owl OWL 09 (LP) 1978 FR; OWL 009 (LP) FR; OWL 009, 018 356 2 (CD) 2002 FR

    May 26, 1977 / Daniel Pascaud's Studio, Paris, France
    1. African Drums (Harris) [10:15]
    —2002 CD has OWL 009 and 018 356-2 on CD;
     OWL 009 018 356 2 on booklet; 018 356 2 on Digipak spine.

    David S. Ware (ts),
    Beaver Harris (dr)

    {OWL 09}


    Alternate issue Owl 009 LP

    • 77.00.00 - Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), Raphé Malik (tp), David S. Ware (ts), Beaver Harris (dr) /
      Pavilhão Dramático de Espinho, Espinho, Portugal [Nuno Martins 04.05.13]
    • 77.05.27-30 - Cecil Taylor Unit: as above / Moers Festival, Moers, Germany
      [MUSICA JAZZ June 1977 p.25-26, on-line index; Giovanni Corda 04.10.20]

    77.06.11 • Cecil Taylor Unit [AR—165:28]

    June 11, 1977 / Pumpwerk Kulturzentrum, Wilhelmshaven, Germany
    1st Set [90:24]  (split track at 60:24, fades out and back in)
    2nd Set [75:04]  (fades in)
    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Beaver Harris (dr)

    {Jakob Blumenthal 07.07.21}


    77.06.15 • Cecil Taylor Unit [AR—138:16]

    June 15, 1977 / Kino Arri (Movie Theater Arri), München, Germany
    Part One of "F (in f sharp)" [85:13]  (split track at 74:40)
    Part Two of "F (in f sharp)" [53:03]
    —Fragmented parts of soundcheck, announcements, chatter before the beginning... have been edited out. In these fragments
     Cecil Taylor announces the composition as "The title is F (Eff) ...is in two parts... is 'F' ...played in F-sharp."

    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Beaver Harris (dr)

    {2CD-R; H. Lukas Lindenmaier; Jan Carlsson 04.03.28}


    77.06.18 • Cecil Taylor Unit [AR—157:51]

    June 18, 1977 / Bimhuis, Amsterdam, Netherlands
    First set [90:31]  (split track at 58:07)
    Second set [67:20]  (split track at 32:27)
    "In the summer of '77 I caught the Cecil Taylor Unit at the Bimhuis club in Amsterdam. The group was over an hour late and the crowd
    actually booed as they walked on—Jimmy Lyons, David S. Ware, Raphé Malik, and, to my surprise, Beaver Harris. Beaver's percussion
    propelled the group and Cecil with a virtuosic intensity..." (Rudolph Grey's liner notes to "Blue Humans Live—N.Y. 1980" on Audible Hiss)

    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Beaver Harris (dr)

    {Jakob Blumenthal 07.07.21}


    77.08.00 • Cecil Taylor Unit [AR]

    "Late Summer", 1977 / Village Vanguard, New York City
    1. unknown composition [ : ]
    —Audience Recording exists according to Mike Hames.

    Cecil Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Beaver Harris (dr)

    {www.janstrom.se/4.-sessionography/4.2.-1974--1981-6228281}


    • 77.09.06
      77.09.10
      - Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Beaver Harris (dr) /
      Storyville, NYC [New York Magazine September 12, 1977 p.28]

    1978 : : :


    78.00.00 (1) • Cooper-Moore: Outtakes 1978

    Hopscotch HOP 16 (CD) 2005

    unknown dates, 1978 / unknown venues, New York City
    1. ensemble 1 redo, take 9 [8:00]  (track 2 on CD; listed in liners as track 4)
    2. Trio take 5 [3:34]  (track 3 on CD; listed in liners as track 5)
    3. ensemble 1 take 2 [7:46]  (track 6 on CD; listed in liners as track 9)
    4. prayer take 8 [5:00]  (track 7 on CD; listed in liners as track 10)
    5. ensemble 1 take 1 [8:44]  (track 8 on CD; listed in liners as track 1)
    6. Trio take 6 [3:52]  (track 9 on CD; listed in liners as track 6)
    David S. Ware (ts), Mark Gould (tp), Cooper-Moore (diddley-bow-1,3,5; p-2,4), Kenwood Dennard (dr)

    {HOP 16}


    • 78.00.00 (2) - Andrew Cyrille & Maono: David S. Ware (ts), Ted Daniel (tp), Nick DiGeronimo (b), Cyrille (dr, perc) /
      The 100 Club, London, England [Jazz Journal International V.31 no.12 December 1978 p.25]

    78.09.02 • Andrew Cyrille & Maono [AR—128:53 & BR—5:55]

    September 2, 1978 / Jazz Festival Willisau, Willisau, Switzerland
    Audience Recording:
    1. Sweet Nut [27:20]
    2. Spiegelgasse 14 [46:05]
     a) Reflections and Restaurants
     b) The Park
    3. 5-4-3-2 (Cyrille) [12:45]
    4. Metamusician's Stomp (Cyrille) [42:43]  (incomplete)
    Broadcast Recording:
    1. Metamusician's Stomp, Part 2 [5:55]  (Received as "Meta Music Star, Part 2")
    David S. Ware (reeds), Teddy Daniels (tp), Nick DeGeronimo (b), Andrew Cyrille (dr)

    {2CD-R; Jan Ström; Heinrich Smejkal; venue from Pierre-André Monti; CODA October 1978 #163 p.29}


    78.09.00 • Andrew Cyrille & Maono: Metamusician's Stomp

    Black Saint 120205-1 (LP); 120025-2 (CD) 1978 ITALY
    • (V/A) Black Saint-Soul Note Critics' Pick Sampler Vol. 3
      Black Saint/Soul Note BS/SN-C003 (CD) 1988 ITALY
      [Includes tracks by Tom Varner; AIR; Joseph Jarman & Don Moye;
      Cecil Taylor Segments II; The Sonny Clark Memorial Quartet;
      Ran Blake Quartet; Graves-Cyrille-Clarke-Moye; and Sun Ra]
    September, 1978 / Ricordi Studios, Milano, Italy
    1. Metamusician's Stomp (Cyrille) [6:41]
    2. My Ship (Kurt Weill) [7:05]
    3. 5-4-3-2 (Cyrille) [4:54]
    4. Spiegelgasse 14: Reflections+Restaurants—The Park—Flight (Cyrille) [21:14]
    David S. Ware (ts, fl, foot), Teddy Daniels (tp, flg, wood flute, foot),
    Nick DeGeronimo (b, foot), Andrew Cyrille (dr, perc, foot)

    {Black Saint 120025-2; BS/SN-C003}


    78.09.30 • David S. Ware (with Jean-Charles Capon): From Silence to Music

    PALM Records (Productions Artistiques Litteraires et Musicales) PALM 32 (LP) 1978 FR
    —1st Session [See also 78.10.01]

    September 30, 1978 / Studio PALM, Paris, France
    1. Blues for a change (Ware) [9:52]
    2. In memory of (Ware) [10:44]
    David S. Ware (ts), Jean-Charles Capon (cello)

    {PALM 32; split session info from Pierre-André Monti}


    78.10.01 • David S. Ware (with Jean-Charles Capon): From Silence to Music

    PALM Records (Productions Artistiques Litteraires et Musicales) PALM 32 (LP) 1978 FR
    —2nd Session [See also 78.09.30]

    October 1, 1978 / Studio PALM, Paris, France
    1. It could happen to you (Van Heusen) [7:55]
    2. Deep Purple (Peter de Rose) [3:55]
    3. Prelude to a Kiss (Ellington) [3:53]
    4. From deep within Part I (Ware) [2:52]
    5. From deep within Part II (Ware) [3:20]
    David S. Ware (ts)

    {PALM 32; split session info from Pierre-André Monti}


    • 78.11.10 Cecil Taylor Unit: Taylor (p, Comp), Jimmy Lyons (as), David S. Ware (ts), Raphé Malik (tp), Kenny Taylor (dr) /
      Power Center, University of Michigan, Ann Arbor, MI [www.janstrom.se/4.-sessionography/4.2.-1974--1981-6228281]
    • 78.11.13 Cecil Taylor Unit: as above / Horsehoe, Toronto, Ontario, Canada [ibid]
    • 78.11.14 Cecil Taylor Unit / Horsehoe, Toronto, Ontario, Canada [ibid]
    • 78.11.17 Cecil Taylor Unit / Great American Music Hall, San Francisco, CA [ibid]

    1979 : : :


    79.06.30 • David S. Ware Trio [AR]

    June 30, 1979 / Live At Soundscape, New York City
    1. Awareness [ : ]
    2. Come Sunday [ : ]
    2. Home at Last [ : ]
    David S. Ware (ts), A. Klapman (b ?), Rashid Bakr (dr)

    {Anonymous 06.01.01}


    79.00.00 • Andrew Cyrille & Maono [WKCR Archival Recording—20:11]

    unknown date, 1979 / Paris, France
    1. Module [20:11]
    David S. Ware (ts), Teddy Daniels (tp), Nick DeGeronimo (b), Andrew Cyrille (dr)

    {WKCR-FM Archive 07.07.31}


    • 79.10.13 - Andrew Cyrille & Maono: David S. Ware (ts), Teddy Daniels (tp), Nick DeGeronimo (b), Cyrille (dr) /
      Jazzgalerie, Nickelsdorf ["20 years Jazzgalerie Nickelsdorf"]

    79.10.14 • Andrew Cyrille & Maono [AR—67:59]

    October 14, 1979 / Burghausen, Germany
    First Set:
    1. Abracadabra (Clifford Jordan) [20:01]
     announcement [1:00]
    2. Baby Man (John Stubblefield) [17:48]
     announcement [0:46]
    3. Metamusician's Stomp (Cyrille) [27:02]  (split track at 6:56)
     announcement [0:45]
    David S. Ware (ts), Teddy Daniels (tp), Nick DeGeronimo (b), Andrew Cyrille (dr)

    {CD-R}


    79.10.15 • Andrew Cyrille & Maono [AR—126:27]

    October 15, 1979 / Innsbruck, Austria
    1. unknown title [8:27]
    2. unknown title [25:57]
    3. unknown title [29:44]
    4. unknown title [44:32]  (split track at 30:15, fades out and back in)
    5. unknown title [17:42]
    David S. Ware (ts, voc), Teddy Daniels (tp, flg, voc), Nick DeGeronimo (b, voc), Andrew Cyrille (dr, perc, sanza, voc)

    {Norbert Kreutzer 08.03.03}


    • 79.10.16 - Andrew Cyrille & Maono: David S. Ware (ts), Teddy Daniels (tp), Nick DeGeronimo (b), Cyrille (dr) /
      Jazz Club Sinkkasten, Frankfurt, Germany [Jazzpodium 10/1979, S.34, concert review]

    1980 : : :


    80.02.02 • David S. Ware Quartet [BR]

    February 2, 1980 / Soundscape, New York City
    WKCR-FM, Live Broadcast
    1. unknown title
    2. unknown title
    3. Angel Eyes
    4. Theme
    5. Somewhere Time
    6. Eleanor Rigby
    David S. Ware (ts), Gene Y. Ashton aka Cooper-Moore (p), William Parker (b), Rashid Bakr (dr)

    {Cadence Vol.6 no.2 February 1980 p.2; Anonymous 05.12.31; even more Anonymous correspondence}


    80.03.21 • David S. Ware & Tatsuya Nakamura Duo [BR—50:00]

    WKCR-FM, Live Broadcast

    March 21, 1980 / WKCR-FM, New York City
    1. Come Sunday [50:00]
    David S. Ware (ts), Tatsuya Nakamura (dr)

    {Anonymous 02.10.28 and 06.01.01; Cadence Vol.6 no.2 February 1980 p.2}


    80.05.09 • William Parker's Centering Dance Music Ensemble: Centering—Unreleased Early Recordings 1976-1987

    NoBusiness Records NBCD42-47 (6-CD boxed set + book, Limited Editon of 1,000 numbered boxes) 2012
    —1st Session: [See also 84.06.25]
     + 76.10.24, 77.08.00, 79.05.04, 80.00.00 (1), 80.00.00 (2), 84.06.25, and 87.07.03 in the William Parker Sessionography.] May 9, 1980 / Kiva, New York City
    Centering—Unreleased Early Recordings 1976-1987: (DISC TWO)
    1. Facing the Sun, One is Never the Same [24:18]
    2. One Day Understanding (Variation on a theme by Albert Ayler) [22:28]
    3. Bass Interlude [1:55]
    4. Tapestry [16:28]
    Centering—Unreleased Early Recordings 1976-1987: (DISC THREE)
    5. Rainbow Light [26:56]
    Broadcast Recording:
    1. Facing the Sun One is Never the Same [5:18]  (incomplete, cuts in at beginning, fades out at end)
    —Two Sets, with a filmed performance of Parker's "Corn Meal Suite" (78.00.00) shown during intermission.
    —William Parker Archive notes have Program as:
     How Does It Feel?, Sincerity, [Film by Robert Herman], Facing the Sun One is Never the Same, One Day Understanding.


    David S. Ware (ts), William Parker (b), Patricia Nicholson (dance), Denis Charles (dr)

    {Ed Hazell 12.06.20; nobusinessrecords.com/NBCD42-47.php; CD-R; William Parker Interview & Broadcast}


      P.Arkhaeology ::: Deep Digging

      "Parker produced numerous additional sessions for centering, even printing album covers for two of them, before the scene's harsh economic conditions slowed him down. Parker: ‘When my father died I didn't have $1.50 to go to the Bronx. I had to take these BYG records and sell them to get money for carfare...’ What would have been his first solo bass record, Soliloquy, is presumed lost forever."
      —Michael Ehlers, eremite.com
    Unissued Centering LPs.

    "William doesn't have the tape for Soliloquy any more, not sure of the year. The trio cover is for the David S. Ware, Denis Charles, WP session that's issued on the Centering box set [80.05.09 above]. A linoleum block print. Handprinted. The outlines of David, Denis, and William are based on photographs that were to appear on the back cover of the album. The photos are reprinted in the Centering box. William said he filled the apartment with the covers to dry, but then couldn't afford to press the LPs." —Ed Hazell
    [William Parker's Centering Archive; Ed Hazell 14.03.16]

    80.09.27 • Andrew Cyrille & Maono [AR—117:15]

    September 27, 1980 / Jazz Club Unterfahst, Münich, Germany
     soundcheck, announcement Cyrille [2:50]
    1. The Magnificent Bimbo—Circumfusion [20:30]
    2. You Leave Me Breathless [10:59]
    3. Special People [20:45]
    4. The Music in Us [26:35]
    5. Jamile [11:03]
    6. High Priest [24:34]
    David S. Ware (ts), Teddy Daniels (tp, flg), Nick DeGeronimo (b), Andrew Cyrille (dr)

    {2CD-R; info from Jean-Marc Foussat; Heinrich Smejkal}


    80.10.15
    80.10.16
    80.10.17
    80.10.18
    80.10.19 • Andrew Cyrille & Maono: Unissued Hat hut Recording Session

    • Andrew Cyrille & Maono [AR—17:40]
    October 15 through 19, 1980 / Le Dreher, Paris, France
    Audience Recording:
    1. unknown title [17:40]  (incomplete, cuts out at end)
    —Hat hut recorded this entire engagement:
     "Four nights recording, each with three sets, with one night for [sound] check! An Hat hut demand for a live album. I did it. I bring
     the 12 tapes (each 45 minutes) to Switzerland. Two month later a Werner phone call from Zürich. There was a sound problem. I go there.
     It was a kind of buzz on the whole trumpet sound. Apologise: as sound engineer I didn't listen it while recording, or if I did, I didn't
     realized that it was so unpleasant, so ugly, so!!! At that second I was as have no more ability in the thing it was my job, for ever!
     The whole thing was erased under my eyes by Werner himself with his hands. And I must return my fee as if nothing has never happened.
     Hope you understand. The pure Horror." —Jean-Marc Foussat's splendid correspondence

    David S. Ware (ts), Teddy Daniels (tp), Nick DeGeronimo (b), Andrew Cyrille (dr)

    {CD-R; info from Jean-Marc Foussat}


    80.10.21
    80.10.22 • Andrew Cyrille: Special People

    Soul Note SN 1012 (LP) 1981 IT; SN 121012 (CD) IT

    October 21 & 22, 1980 / Barigozzi Studios, Milano, Italy
    1. A Girl Named Rainbow (Ornette Coleman) [10:00]
    2. High Priest (Cyrille) [7:42]
    3. Fortified Nucleolus (Cyrille) [5:08]
    4. Baby Man (John Stubblefield) [6:34]
    5. Special People (Cyrille) [7:00]
    David S. Ware (ts), Teddy Daniels (tp, flg)
    Nick DeGeronimo (b), Andrew Cyrille (perc)

    {SN 1012}


    • 80.11.11 - Andrew Cyrille Quartet: David S. Ware (ts), Ted Daniels (tp), Nick di Geronimo (b), Andrew Cyrille (dr) /
      8:30pm, Club de Musica y Jazz, San Juan Evangelista, Madrid, Spain [www.sanjuanevangelista.org]
    • 80.11.12 - Andrew Cyrille Quartet: as above / 10:30pm, Club de Musica y Jazz, San Juan Evangelista, Madrid, Spain [ibid]

    80.11.19 • Andrew Cyrille & Maono [AR—82:14]

    November 19, 1980 / Kaserne, Basel, Switzerland
    1. unknown title [18:18]
    2. unknown title [6:47]
    3. Through The Ages Jehova (Leroy Jenkins) [11:20]
    4. The Music In Us (Cyrille) [10:44]
    5. The Higher Self [17:39]
    6. Confusion [14:24]
    7. You Leave Me Breathless [13:02]
    David S. Ware (ts), Teddy Daniels (tp, flg), Nick DeGeronimo (b), Andrew Cyrille (dr)

    {Jakob Blumenthal 11.07.11}


    1981 : : :


      "Ware was still itching to play. He took two trips to Europe during this period. In 1981 he travelled with a pickup group
      featuring pianist Cooper-Moore (who shared a house with Ware in the '70s, occasionally performing under the name Apogee),
      Beaver Harris, and Brian Smith." —David S. Ware interview/article by David Keenan, WIRE #180 February 1999 p.37

    81.04.31 • David S. Ware Quartet (featuring Beaver Harris) [AR—24:23]

    April 31, 1981 / Jazz Unite, Paris, France
    1. Bliss Tune (Ware) [24:23]
    "Somebody in Paris sent it to Adam Lore, who handed it off to me." —Cooper-Moore

    —Also noted, "unknown titles, 91:00"

    David S. Ware (ts), Gene Ashton aka Cooper-Moore (p), Brian Smith (b), Beaver Harris (dr)

    {CD-R of single track; Cooper-Moore 07.01.06; Anonymous 04.03.02; Cadence June 1981 p.63}


    • 81.05.06 - David S. Ware Quartet: Ware (ts), Gene Ashton aka Cooper-Moore (p), Brian Smith (b), Beaver Harris (dr) /
      Fasching Club, Stockholm, Sweden [Anonymous 04.03.02; Cadence June 1981 p.63]
    • 81.06.01 - David S. Ware Trio: Ware (ts), Cameron Brown (b), Beaver Harris (dr) / The Echanson, Place of the Parlement, Bordeaux, France
      [Pierre Mons 04.04.26; 12.02.18]
    • 81.06.07 - David S. Ware Quartet: Ware (ts), Gene Ashton aka Cooper-Moore (p), Brian Smith (b), Harris (dr) /
      Palais des Glaces, Paris, France [Jean-Marc Foussat 02.10.29:]
      "I met [Ware] when I recorded [Andrew] Cyrille's Maono a year before. He was with a very strange guy, named as manager but who seemed best
      as a mafioso directly get off a Chester Himes black novel. So this 'promotor' wanted to record David who gave him my adress. The recording
      was 'Live' in the Palais des Glaces but it seems that all was an enormous 'arnaque' ["scam"]. All was as speedy as a coke line, even my
      [sound] check —I remember it was a drum problem or something like that and it was impossible to do a real serious check—and, whenever,
      it was really important for me (and for him & David) to do it because it was a direct two-tracks stereo mix, but it was just a not real problem
      for this manager, many more important were, that I still ignore. It was no advertising, pictures, etc.: so quite no audience. A very strange gig!
      Anyway, I don't remember why, because it wasn't usual in those times, I brought my cassette deck with me to do my 'safety copy' cassette
      during the recording: it's why I have, still today—'cause I never throw something away, something to ear more that a memory of it.
      The concert was just ending that the guy ask me for the master tape. I try to ask for my fee but it was not a question to talk about at this point,
      he took suddenly the tape, even ask me sharply for any money he thought I probably might have (Oh, happy days, I was absolutely broke!)
      and everybody vanished..." —Jean-Marc Foussat
       It goes without saying that I love Jean-Marc's e-mails. —RL

    81.06.20 • Andrew Cyrille & Maono [SB—46:12]

    June 20, 1981 / Pisa Jazz Festival, Pisa, Italy
     announcement [0:32]
    1. Jamile [6:25]
    2. unknown title [17:50]
     announcement [1:00]
    3. Circumfusion—the Magnificent Bimbo [20:50]  (incomplete, fades out)
    David S. Ware (ts, voc), Teddy Daniels (tp, voc), Nick DeGeronimo (b), Andrew Cyrille (dr, voc)

    {CD-R; CODA October 1981 #180 p.34 has Festival time frame as "July"}


      81.06.26 - Andrew Cyrille: (no personnel details, possibly Maono) / Soundscape, NYC
      [New York Magazine Jun 29, 1981 Vol.14 No.26 p.87]

      81.06-07.00 - Andrew Cyrille: (no personnel details, possibly Maono) / Kool Jazz Festival, NYC
      —June 26 through July 5 [Gordon Bock UPI April 13, 1981]

    81.10.01 • David S. Ware & Milford Graves Duo [AR—27:30]

    October 1, 1981 / Federal Hall, New York City
    1. unknown title [21:17]
    2. unknown title [6:10]
    David S. Ware (ts), Milford Graves (dr)

    {CD-R; session date from James Lindbloom}


    81.12.12 • Milford Graves Trio [AR—100:23]

    December 12, 1981 / Soundscape, New York City
    1. unknown title [46:08]  (incomplete, fades out)
    2. unknown title [18:55]
    3. unknown title [35:21]
    —Also circulating with 3rd track incomplete—fades out [28:16] total 93:22.

    David S. Ware (ts), Hugh Glover (reeds, p), Milford Graves (dr, voc)

    {Jakob Blumenthal 07.09.07}


    1982 : : :


    • 82.00.00 - David S. Ware: "We [Graves and DSW] played a couple of duos in New York, in the city,
      and we played a couple up in Bennington College in Vermont, he teaches there."
      —Glenn Good's interview of David S. Ware on March 11, 1996. Aired on WNUR (89.3 FM, Evanston-Chicago) on March 18, 1996.

    1983 : : :


    • No known performances...

    1984 : : :


    • 84.05.19 - William Parker's Centering Ensemble—Extending the Clues: David S. Ware (ts, ss), Daniel Carter and Jemeel Moondoc (as),
      Ricardo Strobert (as, fl), Roy Campbell, Jr (tp), Masahiko Kono (tb), Ellen Christi (voc), William Parker (b), Takeshi Zen Matsuura (perc) /
      "...a kind of prelude to the Sound Unity Festival." 9:30pm, Inroads, NYC
      [Sound Unity Fest schedule/review in Cadence Vol.10 #8 August 1984; Cadence Vol.10 #5 May 1984 p.77;
      CODA #197 August 1984 p.28; Ed Hazell 06.08.21]
      "I was cleaning out the attic and found a flyer for this concert. I wasn't there for it, I just had a habit of picking up flyers
      whenever I was in NYC and saving them. Admission was $5." —Ed Hazell

    84.06.01 • David S. Ware Trio [AR—44:12]

    June 1, 1984 / 1st Sound Unity Festival, C.U.A.N.D.O. Center, New York City
    1. The Elders [20:53]
    2. Mystery [14:15]
    3. An Ancient Formula [8:48]  (incomplete)
    David S. Ware (ts, Comp), Brian Smith (b), Beaver Harris (dr)

    {CD-R; Cadence Vol.10 no.6, June 1984 p.77}


    84.06.02 (2) • (V/A) Peter Brötzmann ALARM Ensemble: Rising Tones Cross / a Jazzfilm by Ebba Jahn

    Ebba Jahn / Film Pals (VHS) 1985 GER/USA; FilmPals DVD 01 (DVD) 2005 GER
    [This film also features Peter Kowald Trio; Billy Bang's Forbidden Planet; William and Patsy Parker Ensemble 84.06.01; Charles Tyler Quintet;
    Don Cherry and Sound Unity Festival Orchestra; Jemeel Moondoc Sextet 84.06.03 (2); Schweizer/Carl Duo; and Peter Kowald Quartet.]

    June 2, 1984 / Sound Unity Festival, CUANDO Community Center, New York City
     milling around, setting up, announcement excerpts [2:05]
    1. Alarm [5:15]  (incomplete)
    Rising Tones Cross contains a first excerpt [2:05] which appears at 1:31:30 in; and a second, blistering excerpt [5:15] which appears at 1:33:40.

    This ensemble is not listed on the Sound Unity Festival poster shown above. Probably a late addition, as the group was scheduled
    at Taller Latino-Americano on 84.06.07. —RL

    Peter Brötzmann, Charles Gayle, David S. Ware, and Frank Wright (ts), Jemeel Moondoc (as), Roy Campbell Jr. (tp),
    Masahiko Kono (tb), Irene Schweizer (p), William Parker and Peter Kowald (b), Rashied Ali (dr)

    {Rising Tones Cross}


      Peter Kowald Quartet on 84.06.02 at Sound Unity Festival, C.U.A.N.D.O. Community Center, New York City : : :
      An Audience Recording received as "unknown title [45:00] (incomplete)" is in wide circulation among traders and consistently misidentifies
      the tenor player as David S. Ware. The Kowald Quartet appears in Rising Tones Cross / a Jazzfilm by Ebba Jahn with Charles Gayle (ts),
      Marilyn Crispell (p), Peter Kowald (b), and Rashied Ali (dr) performing "Melting—Lines—Cycle". The Jahn film has a first excerpt [5:25]
      which appears at 56:10 in; and a second excerpt [6:45], which includes 1:00 of applause and announcements, at 67:50, and does indeed
      match the track on the Audience Recording. —RL

    84.06.07 • Peter Brötzmann ALARM Ensemble [AR—90:15]

    June 7, 1984 / Taller Latino-Americano, New York City
     tuning up, announcement [2:13]
    1. unknown title [43:48]  (incomplete, split track at 42:15, cuts out)
    2. unknown title [1:49]  (incomplete, cuts in, split track at 1:33, cuts out)
    3. unknown title [41:54]  (incomplete, cuts in)
     applause and announcement [1:48]
    Peter Brötzmann, Charles Gayle, David S. Ware, and Frank Wright (ts),
    Jemeel Moondoc (as), Roy Campbell Jr. (tp), Masahiko Kono (tb),
    Irene Schweizer (p), William Parker and Peter Kowald (b), Rashied Ali (dr)

    {2CD-R; CODA #197 August 1984 p.29;
    Anonymous 04.03.02; Flyer from Ed Hazell archive}


    84.06.25 • William Parker's Centering Big Band: Centering—Unreleased Early Recordings 1976-1987

    NoBusiness Records NBCD42-47 (6-CD boxed set + book w/ Essay and Interview by Ed Hazell, Limited Editon of 1,000 numbered boxes) 2012
    —2nd Session: [See also 80.05.09]
    —And 76.10.24, 77.08.00, 79.05.04, 80.00.00 (1), 80.00.00 (2), 84.06.25, and 87.07.03 in the William Parker Sessionography.]

    June 25, 1984 / Kool Jazz Festival, Soundscape, Irving Plaza, New York City
    Centering—Unreleased Early Recordings 1976-1987: (DISC FIVE)
    Centering Big Band (Extending the Clues)
    1. Ankti (Extending the Clues) [12:59]
    2. Munyaovi (Cliff of the Porcupine) [14:46]
    3. Palatala (Red Light of Sunrise) [4:35]
    4. Lomahongva (Beautiful Clouds Arising) [29:10]
    5. Tototo (Warrior Spirit Who Sings) [10:58]

    Daniel Carter, Jemeel Moondoc, and Ricardo Strobert (as), David S. Ware (ts), Charles Tyler (bar), Raphe Malik and Roy Campbell Jr. (tp),
    Alex Lodico and Masahiko Kono (tb), Lisa Sokolov and Ellen Christi (voc), William Parker (b), Zen Matsuura (dr)

    {Ed Hazell 12.06.20; nobusinessrecords.com/NBCD42-47.php; CODA #197 August 1984 p.29}



    1985 : : :


      85.00.00 - "In 1985, Peter Brötzmann's protege Peter Kowald joined the ranks, alongside drummer Louis Moholo—a rare showing for
      the Euro-jazz wing. 'I'm not really that familiar with European jazz,' Ware admits. 'Well, I'm not taking the time with it, put it like that.'"
      [David S. Ware interview/article by David Keenan, WIRE #180 February 1999 p.37]


    • 85.01.30 - Peter Kowald's "Collaboration": David S. Ware (ts), Bill Dixon (tp), Kowald (b), Andrew Cyrille (dr) /
      "Music is an Open Sky" Series, Sweet Basil, NYC [Date from New York Magazine February 4, 1995 p.109; CODA #201 April 1985 p.34]
    • 85.02.18 - Peter Kowald Trio + Peter Brötzmann Trio: David S. Ware (ts), Kowald (b), Andrew Cyrille (dr),
      Brötzmann (reeds), William Parker (b), Pheeroan ak Laff (dr) / Carnegie Recital Hall, New York City
      [CODA #201 April 1985 p.34; Grahm Connah 03.03.10]
      "The final sections, when all six musicians played together, was really fun." —CODA
      "Music Is An Open Sky program... has an ad on the backside indicating an upcoming show by Ware/Kowald/Cyrille, and Brotz/WP/Graves." —Grahm Connah


    • 85.04.00 - David S. Ware Trio: "1985 I took a trio to Europe, which was, actually it was Peter Kowald, who is a German bass player.
      And it was supposed to have been Beaver Harris, but Beaver got sick at the last minute, and the drummer on that tour, actually I went
      through several drummers on that tour. The drummer was Thurman Barker, who started the tour out... Then I used Louis Moholo
      on several of the concerts. It was really great playing with him. And actually I used another guy whose name I can't recall,
      I think he was from San Francisco, but he happened to be in Europe."
      —Glenn Good's telephone interview of Ware on March 11, 1996. Aired on WNUR (89.3 FM, Evanston-Chicago) on March 18, 1996.

    85.04.26 • Peter Brötzmann's Alarm Orchestra [AR & BR—79:21]

    April 26, 1985 / Workshop Freie Musik, Akademie Der Künste, Berlin, Germany
    1. Alarm [60:48]  (Audience Recording has split track at 46:53, incomplete)
    2. unknown title [18:33]
    Peter Brötzmann (ts, as, cl, Comp), David S. Ware (ts), Larry Stabbins (ts, ss), Toshinori Kondo (tp),
    Hannes Bauer and Alan Tomlinson (tb), Curtis Clark (p), William Parker and Peter Kowald (b), Louis Moholo (dr)

    {2CD-R; www.plosin.com/milesAhead/Tapes.aspx?s=19850426}


    85.04.27 • David S. Ware Trio [AR—93:52]

    April 27, 1985 / Workshop Freie Musik, Akademie Der Künste, Berlin, Germany
    1. unknown titles [41:57]  (continuous performance, segues into track 2)
    2. Prayer [7:26]  (split track at 4:44)
    3, The Elder's Path [19:25]
    4. Mystery [11:29]
    5. An Ancient Formula [7:36]
    6. unknown title [4:30]
    David S. Ware (ts, voc), Peter Kowald (b), Louis Moholo (dr)

    {2CD-R}


    85.04.29 • Peter Brötzmann's Alarm Orchestra [BR—50:38]

    April 29, 1985, Kammerspiele, East Berlin, Germany
    Broadcast GDR
     announcement [0:27]
    1. unknown title [49:23]
     announcement [0:46]
    Peter Brötzmann (ts, as, cl, Comp), David S. Ware (ts, sxl), Larry Stabbins (ts, ss), Toshinori Kondo (tp),
    Hannes Bauer and Alan Tomlinson (tb), Curtis Clark (p), William Parker and Peter Kowald (b), Louis Moholo (dr)

    {CD-R}


    85.05.01 • Peter Brötzmann's Alarm Orchestra [AR—70:40]

    May 1, 1985 / Borse, Grenzüberschreitungen, Wuppertal, Germany
     PB announcement [1:01]
    1. unknown title [69:38]
    Peter Brötzmann (ts, as), David S. Ware (ts), Larry Stabbins (ts, ss), Toshinoro Kondo (tp, voc),
    Johannes Bauer and Alan Tomlinson (tb), Curtis Clark (p), William Parker and Peter Kowald (b), Louis Moholo (dr)

    {CD-R}


    1986 : : :


    • No known performances...

    • May 19, 1986 : : : Jimmy Lyons succumbs to cancer...

    1987 : : :


    • 87.12.01
      87.12.02
      - Ahmed Abdullah's Solomonic Quartet: David S. Ware (ts, stc), Abdullah (tp, flg, voc), Fred Hopkins (b), Charles Moffett (dr) /
      Knitting Factory, New York City, two shows each night.

    87.12.03
    87.12.04 • Ahmed Abdullah: ...and the Solomonic Quintet

    Silkheart Records SHLP-109 (LP) 1988 SWD; SHCD-109 (CD) 1990 SWD

    December 3 & 4, 1987 / A&R Recording, New York City
    1. African Songbird (Abdullah) [7:03]
    2. Gypsy Lady (Moffett) [4:55]
    3. The Search (Abdullah) [6:48]
    4. Canto II (Abdullah/traditional) [4:54]
    5. Khaluma (Abdullah/traditional) [7:16]
    6. The Dance We Do (Abdullah) [7:28]
    7. Wishbone Suite (Moffett) [5:27]
    8. The Dance We Do (Abdullah) (take 1) [8:39]
    —Track 8 on CD only.

    Ahmed Abdullah (tp, flg, voc), David S. Ware (ts, stc),
    Masuhjaa (el-g), Fred Hopkins (b), Charles Moffett (dr)

    {SHCD-109}


    1988 : : :


      "During 1988, we played at the New York City Public Library as preparation for the Silkheart Record, Passage To Music.
      I contacted the library and set up three gigs. Bassist Dave Saphra made the first gig only. He was replaced by William Parker..."
      —Marc Edwards]

    • 88.02.24 - Call of Nature Trio: David S. Ware (ts), David Saphra (b), Marc Edwards (dr) /
      6:30pm, New York Public Library, Ninety-Sixth Street Regional Branch, NYC
    • 88.03.01 - Call of Nature Trio: David S. Ware (ts), William Parker (b), Marc Edwards (dr) /
      6:30pm, New York Public Library, Saint Agnes Branch, NYC [Marc Edwards]
    • 88.03.00 - "Ahmed Abdullah with David S. Ware": Ware (ts), Abdullah (tp, flg) / Knitting Factory, NYC
      [WIRE #50 April 1988 p.32]
    • 88.03.08 - Call of Nature Trio: David S. Ware (ts), William Parker (b), Marc Edwards (dr) /
      6:00pm, New York Public Library, 115th Street Branch, NYC [Marc Edwards]
    • 88.04.03 - Call of Nature Trio: personnel as above / Knitting Factory, NYC
      [New York Magazine April 4, 1988 p.179]

    88.04.04
    88.04.05 • David S. Ware Trio: Passage to Music

    Silkheart Records SHLP-113 (LP) 1989 Sweden; SHCD-113 (CD) 1989 Sweden
    • (V/A) Silkheart Sampler—Spirit of New Jazz
      Silkheart Records SHCD-130 (CD) 1990 Sweden
    April 4 & 5, 1988 / A & R Recording, New York City

    "Most of the record was done on the first day. Recording two or three days in a row
    isn't the way I like to record. My experience is that if you have strong musicians,
    chances are you'll have 99 percent of the record done during the first session."
    —Marc Edwards
    1. An Ancient Formula [6:00]
    2. Ancient Visitors [7:30]
    3. Passage to Music [10:46]
    4. African Secrets [10:47]
    5. The Elders Path [13:20]
    6. Phonetic Hymn [9:00]
    7. Mystery [11:43]
    Spirit of New Jazz has track 1.
    Passage to Music LP has tracks 1 through 5.

    David S. Ware (ts, sxl-2, stc-4, Comp), William Parker (b), Marc Edwards (dr)

    {SHCD-113; SHCD-130}


      "The Second International Sound Unity Festival of Third Wave Jazz (the first of its kind in four years) ...from April 12 through 17
      at The Kraine Club Gallery and The Knitting Factory." —CODA #221 August 1988 pp.36-9

    • 88.04.12 - David S. Ware Trio: Ware (reeds), William Parker (b), Marc Edwards (dr) / The Second International Sound Unity Festival,
      3rd Wave Festival of Jazz, Kraine Art Gallery, NYC
      "We opened the Sound Unity Festival..." —Marc Edwards

    88.04.17 • Bill Dixon Ensemble ("Sound Unity Orchestra") [AR]

    April 17, 1988, 7:30pm / The Second International Sound Unity Festival, Kraine Art Gallery, New York City
    1. Sisyphus
    "This was Sound Unity's closing act to nearly a week of good music."
    —Marc Edwards

    "Dixon's ensemble composition..., was given a single performance after rehearsals at Jemeel Moondoc's loft on at least the days of and before
    the concert. According to Dixon, the piece would have benefited from further and more focused rehearsals: ‘At the first rehearsal, everyone wasn't there
    —and they were being paid for these things. At the second one, some of the people who had been there the day before sent substitutes. I was ready
    to go right back to Vermont; I can't deal with that kind of thing where everyone sight-reads a part, then struts out and does a funny solo, and thinks
    they're into something. I come from a different tradition where a thing has to be definitive.’ —LP liner notes to Son of Sisyphus...; some details
    from the leaflets for the series; also announced in Jazznews (Dublin) July/August 1988"
    Dixonia

    "...an orchestra piece... that Bill did. And that was a written piece, but again it was approached with a certain amount of adding spontaneity to it
    even in the way we came on stage, in a theatrical way, which I related to Cecil. Of course it was Bill Dixon's way, which is different, but it's a very
    similar approach to letting the individual bring what they have to the music..."
    —William Parker [Cadence Vol.16 #12 December 1990 p.11]

    Bill Dixon (tp, Cond), David S. Ware, Glenn Spearman (ts), Jemeel Moondoc (as), Karen Borca (bsn),
    Arthur Brooks, Roy Campbell Jr., and Leo Smith (tp), Bill Lowe (tu), William Parker and Mario Pavone (b), Laurence Cook (dr)
    —Nioka Workman (ce) mentioned in correspondence from Marc Edwards, but not included in the Dixonia entry.

    {Dixonia, a Bio-discography of Bill Dixon, compiled by Ben Young, August 1998, Greenwood Press / Thoughts, entry R88-0417 p.286}


    • 88.05.00 - Ahmed Abdullah's Solomonic Quartet: Abdullah (tp, flg, voc), David S. Ware (ts), Fred Hopkins (b), Charles Moffett (dr) /
      Eindhoven, Netherlands [Ahmed Abdullah 03.08.03; Ware Archive '07)]
    • "plus Masujaa on guitar, and including an amazing interchange between he and saxophonist Bill Saxton,
      who happened to be touring with Errol Parker..."

    1989 : : :


    89.01.28 • David S. Ware Trio [AR—46:16]

    January 28, 1989 / Painted Bride Arts Center, Philadelphia, PA
    1. Mystery [20:10]
    2. Ancient Visitors [9:44]
    3. An Ancient Formula [13:50]  (short version fades at 1:59)
    "[Another, shorter] version includes a piece not on [this Audience Recording]... after 'Ancient Visitors' on the [shorter] version, you can hear a break
    for a tape flip, and then Ware's unaccompanied beginning for another piece; it cuts off before the theme is stated so I don't know what it is. On [this]
    version, there's no tape flip after 'Ancient Visitors,' and 'An Ancient Formula' follows without a break... but the solo opening of the mystery song
    fragment isn't present. Total time on the [other, shorter] disc is 34:05..."
    —James Lindbloom detailing, 04.08.21

    "The personnel [listed previously] is incorrect. (David S. Ware, William Parker, and Reggie Nicholson.) It should read... [as below.] David and Sirone
    played well—however, I did not. Remember, I was still in the process of making a come-back after a ten-year layoff. After that performance, the fire
    returned and has been with me continuously. Billy Bang was also on the bill. He had William Parker and Reggie Nicholson in his band. I don't recall
    the other band members. David has never worked with Reggie Nicholson, not to my knowledge."
    —Marc Edwards

    David S. Ware (ts, sxl-2), Sirone (b), Marc Edwards (dr)

    {CD-R, short version at 31:55; info from Marc Edwards}


    • 89.09.05 - David S. Ware "Group": unknown personnel / Knitting Factory, New York City [New York Magazine September 4, 1989 p.88]
    • 89.12.20 and 89.12.21 - Cecil Taylor Corona Ensemble: Taylor (p, Comp), David S. Ware (ts), John Bruschini (g),
      Evelyn Blakey —Art's daughter! (voc), William Parker (b), Thurman Barker (mba), André Martinez (dr) / Lush Life, NYC
      [New York Magazine December 18, 1982 p.142]

    89.12.22 • Cecil Taylor Corona Ensemble [AR]

    December 22, 1989 / Knitting Factory, New York City
    1. Save the Children
    Cecil Taylor (p, voc, Comp), David S. Ware (ts, stc, voc), John Bruschini (g, voc), Evelyn Blakey (voc),
    William Parker (b, voc), Thurman Barker (mba, vibes, perc, voc), André Martinez (dr, voc)

    {André Martinez Archive; New York Magazine December 18, 1982 p.142}


    89.12.23 • Cecil Taylor Corona Ensemble [AR—100:59]

    December 23, 1989 / Knitting Factory, New York City
    First Set
    1. unknown title [100:59]  (split track at 51:26)
    Cecil Taylor (p, voc, Comp), David S. Ware (ts, stc, voc), John Bruschini (g, voc), Evelyn Blakey (voc),
    William Parker (b, voc), Thurman Barker (mba, vibes, perc, voc), André Martinez (dr, voc)

    {2CD-R; Anonymous; André Martinez Archive; New York Magazine December 18, 1982 p.142}




    1970

    1980

    1990

    The 21st Century...

    2010


    90.01.08 through 90.01.10
    • David S. Ware Quartet: Great Bliss Vol. 1

    Silkheart Records SHCD-127 (CD) 1991 Sweden

    • David S. Ware Quartet: Great Bliss Vol. 2

    Silkheart Records SHCD-128 (CD) 1991 Sweden

    January 8 through 10, 1990 / Sound on Sound Studio, New York City
       Great Bliss Vol. 1:
     1. Forward Motion [12:28]
     2. Angular [5:50]
     3. Bliss Theme [8:50]
     4. Cadenza [11:40]
     5. Sound Bound [12:00]
     6. Mind Time [4:00]
     7. Saxelloscape One [4:00]  (DS Ware Solo)
     8. Thirds [13:50]
       Great Bliss Vol. 2:
     9. One Two Three [12:00]
    10. Emptiness [4:00]
    11. Primary Piece III [8:30]
    12. Saxelloscape Two [5:00]  (DS Ware Solo)
    13. The Child Without—The Child Within [10:50]
    14. Stritchland [12:15]
    15. Low Strata [6:20]
    16. Reign of Peace [11:00]
    —The CD liner notes indicate "does not appear on album" for several of these tracks.
     "Silkheart LP manufacture stopped in a big hurry and those two certainly
     weren't manufactured [SHCD-127 & 128]. The remarks on the backliner text
     are there because it wasn't possible to make any changes to the offset films
     at that late date." —Keith Knox, Silkheart Records

    David S. Ware (ts-3,8,11,15,16, fl-1,6,10,13, sxl-2,5,7,12, stc-4,9,14, Comp),
    Matthew Shipp (p), William Parker (b), Marc Edwards (dr, tmp, perc)

    {SHCD-128; SHCD-127}




    • 90.05.20 - David S. Ware Quintet: Ware (reeds), Bill Dixon (tp), Matthew Shipp (p), William Parker (b), Marc Edwards (dr) /
      Knitting Factory, NYC
      [Dixonia, a Bio-discography of Bill Dixon, by Ben Young, Aug. 1998, Greenwood Press / Round Up the Usual Suspects, entry 90-0520 p.298
      Village Voice May 22, 1990 p.119; CODA #233 August 1990 p.36; ]

    1991 : : :


    • 91.02.03 - David S. Ware & Matthew Shipp Duo: Ware (ts), Matthew Shipp (p) / Knitting Factory, New York City
      [New York Magazine February 4, 1991 p.82]

    91.12.10
    91.12.11 • David S. Ware: Flight of I

    DIW DIW-856 (CD) JPN 1992; DIW/Columbia CK 52956 (CD) 1992

    December 10 & 11, 1991 / The Power Station, New York City
    1. Aquarian Sound (Ware) [7:49]
    2. There Will Never Be Another You (H. Warren/M. Gordon) [9:29]
    3. Sad Eyes (A. Jones) [11:10]
    4. Flight of I (Ware) [8:11]
    5. Yesterdays (J. Kern/O. Harbach) [6:51]
    6. Infi-Rhythms # 1 (Ware) [17:43]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Marc Edwards (dr)

    {DIW-856}


    • 91.12.19 - David S. Ware Quartet: Ware (reeds), Matthew Shipp (p), William Parker (b), Marc Edwards (dr) / Knitting Factory, NYC
      [CODA #242 March 1992 p.28; Cadence Vol.17 no.12 December 1991 p.91]

    1992 : : :


    92.10.14
    92.10.15 • David S. Ware: Third Ear Recitation

    DIW DIW-870 (CD) 1993 JPN

    October 14 & 15, 1992 / Sound On Sound Studio, New York City
    1. Autumn Leaves (Joseph Kosma) [3:42]
    2. East Broadway Rundown (Sonny Rollins) [9:39]
    3. Mystic March (Ware) [5:38]
    4. Angel Eyes (Matt Dennis) [7:17]
    5. Third Ear Recitation (Ware) [4:41]
    6. Free Flow Dialogue (Ware) [3:16]
    7. Sentient Compassion (Ware) [6:45]
    8. The Chase (Ware) [9:11]
    9. Autumn Leaves (Joseph Kosma) [8:56]
    Liner notes for this disc.

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {DIW-870}


    92.10.24 • David S. Ware Quartet [AR—124:00]

    October 24, 1992 / P.S. 122, New York City
    1. unknown titles [124:00]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {Anonymous; Ben Young, WKCR-FM Archive 07.07.31}


    1993 : : :


    • 93.04.18 - David S. Ware Quartet rehearsal: "On the 18th... there was a drive from Jamaica to Roulette in the evening in Manhattan where William Parker led In Order to Survive... This also produced the cover art and design for the Black Saint recording. After that performance, William, lashing the drums to the roof of his vehicle, said he had to get ready for the D.S. Ware Quartet rehearsal in the morning."
      [Jeff Schlanger, musicWitness®, 01.08.13, 02.04.27]

    93.04.30 • David S. Ware Quartet [AR—74:07]

    (Possible Radio Broadcast)

    April 30, 1993 / Ulrichsberg, Austria
    1. unknown title [57:12]
    2. There Will Never Be Another You (H. Warren/M. Gordon) [10:25]
    3. unknown title [6:30]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {Jan Ström; www.jazzatelier.at/va/x7304.htm}


    • 93.05.08 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) / Jazzgalerie Nickelsdorf, Austria
      [Bjorn Dirlack 05.08.01; Jazzgalerie Nickelsdorf, The 20th Anniversary Album]
    • 93.06.18 - David S. Ware: "Experimental jazz with..." Ware (ts), Douglas Ewart and J.D. Parran (reeds),
      Matthew Shipp and Adegoke Steve Colson (p), Richard 'Shake a Leg' Thomas (storyteller) / Firewall Total Arts Festival, P.S. 122, NYC
      [New York Magazine June 21, 1993 p.93]

    93.06.29 • David S. Ware Quartet [AR—57:10]

    June 29, 1993 / What Is Jazz? Festival, Knitting Factory, New York City
    1. untitled improvisation—Aquarian Sound (Ware) [29:15]
    2. There Will Never Be Another You (H. Warren/M. Gordon) [8:15]
    3. Cococana (Ware)—Infi-Rhythms #1 (Ware) [19:40]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {Anonymous}


    1994 : : :


    94.00.00 • David S. Ware: In Motion [Documentary Film]

    Spellbound Films, 1994, Colour (35mm—shot on Super16mm, Dolby A stereo, English, 25 frames p/s, 1:1.66) Netherlands
    —Première December 11, 1994, International Documentary Film Festival, Amsterdam

    unknown dates, 1994 / "at the wheel," New York City
    In Motion [19:00]
    "Best Film 1996, 1st prize at the 2nd Concorso Cortometraggioa JazzBlues, Roma, August 1996"

    "At the peak of his spectacular saxophone career, David S. Ware swapped his life in the spotlights for a job as a cab driver in New York.
    Sitting at the wheel, he explains why he renounced fame, but not music. The film makes the influence of the speeding traffic on Ware's
    music tangible. David S. Ware is a musician who sounds the truth."

    "Ware wants people to know about a documentary film made about him last year by Dutch filmmaker Coco Schrijber, the 25 minute In Motion, which can be seen in Europe now. 'I have been lucky enough, come far enough, for someone to see fit to ask me questions about my life, my experiences. Most of the film was done with me driving a cab around Manhattan [his rent-paying job since 1981] at night time. The crew was in the cab with me, the cameraman, the soundman, the director. It's an encapsulation of your development in half an hour. It was something like a test.'"
    WIRE #133 March 1995 p.16, Full-page interview/article by Steve Holtje

    David S. Ware (driving, talking), Coco Schrijber (Dir, writer), Sander Snoep (writer), Sander Snoep (film), Jan Wouter Stam (sound)

    {web listings; Spellbound Films}


    94.02.03 • David S. Ware Quartet [AR—121:00]

    February 3, 1994, 8:00-11:00pm / Knitting Factory, New York City
    1. unknown titles [121:00]
    New York Magazine has this listed as "David S. Ware and Matthew Shipp".

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {Anonymous; New York Magazine February 7, 1994 p.99}


    94.04.12 • Rashied Ali Quintet [AR—105:00]

    April 12, 1994 / The Cooler, New York City
    First Set:
    1. unknown title [6:27]
     announcement [1:04]
    2. unknown title—announcement [48:01]
    Second Set:
    3. unknown title [29:59]
     announcement [0:57]
    4. unknown title [22:44]
    David S. Ware (ts), unknown (bar), unknown (p), unknown (b), Rashied Ali (dr)

    {Anonymous}


    94.05.04
    94.05.05 • David S. Ware: Earthquation

    DIW DIW-892 (CD) 1994 JPN

    May 4 & 5, 1994 / Power Station, New York City
    1. Canadian Sunset (Eddie Heywood/Norman Gimbel) [7:32]
    2. Inverse Alchemy (Ware) [8:55]
    3. Tenderly (Walter Gross/Jack Lawrence) [5:35]
    4. Ideational Blue (Ware) [8:26]
    5. Cococana (Ware) [11:32]
    6. Tenderly (Walter Gross/Jack Lawrence) [4:45]
    7. Earthquation (Ware) [9:20]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {DIW-892}


    • 94.05.14 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) / Jazzclub Nickelsdorf, Austria
      [Bjorn Dirlack 05.08.01; Jazzgalerie Nickelsdorf, The 20th Anniversary Album —which mistakenly lists Marc Edwards on drums.]

    94.05.16 • David S. Ware Quartet [AR—127:00]

    May 16, 1994 / Forum Beck, Munich, Germany
    First Set
    1. Aquarian Sound (Ware) [31:50]
    2. Angel Eyes (Matt Dennis) [14:50]
    3. Cococana (Ware) [15:37]
     announcement [0:20]
    Second Set
    4. East Broadway Rundown (Sonny Rollins) [28:46]
    5. Tenderly (Walter Gross/Jack Lawrence) [11:08]
    6. Earthquation (Ware) [14:10]
     announcement [0:50]
    7. Canadian Sunset (Eddie Heywood/Norman Gimbel) [7:30]  (incomplete, cuts in)
    Sources have Marc Edwards as the drummer and the date as 94.05.19. Edwards has verified he was not on this session. Further, Ware's European representative, Anne Dumas: "the drummer was (like in '93) Whit Dickey and not Marc Edwards. The day cannot be May 19, because on May 19,
    the quartet was performing at Théâtre Garonne, in Toulouse, France." —RL

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {2CD-R; Jan Ström; Marc Edwards; Anne Dumas; session date from Heinrich Smejkal} NO TRADE !!!


    94.05.17 • David S. Ware Quartet [AR—116:17]

    May 17, 1994 / Jazzclub Konstanz, Konstanz, Germany
    1. unknown title [32:02]
    2. unknown title [19:01]
    3. unknown title [5:48]
    4. Aquarian Sound [13:37]
    5. unknown title [31:53]
    6. Autumn Leaves [13:56]
    —The Jazzclub Konstanz archive mistakenly lists Marc Edwards as the drummer. (See 94.05.16 above.)

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {2CD-R; jazzclub-konstanz.de/konzerte_89-00.html}


    94.05.19 • David S. Ware Quartet [AR—111:00]

    May 19, 1994 / Theatre de la Garonne, Toulouse, France
    —See 94.05.16.
    1. unknown titles [111:00]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {Anonymous}


    • 94.06.16 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) / Knitting Factory, NYC
      [New York Magazine June 20, 1994 p.96]
    • 94.09.00 (1) - David S. Ware SOLO / Underground Fest, Chicago, IL
      [Glenn Good interview of DSW at www.wnur.org/jazz/artists/ware.david/interview.html]

    94.09.16 • David S. Ware Quartet [AR—110:00]

    September 16, 1994 / Knitting Factory, New York City
    1. unknown titles [110:00]
    "There's a [Ware Quartet] September recording session scheduled for the Knitting Factory label..."
    —Steve Holtje

    Glenn Good of WNUR: I thought I heard something about something on Knitting Factory.
    DSW: Yeah, that almost happened. We were in the process, it didn't quite work out though.

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {Anonymous; Steve Holtje, WIRE #126 August 1994 p.16; www.wnur.org/jazz/artists/ware.david/interview.html}


    • 94.09.00 (1) - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) / San Francisco, CA /
      "A week earlier... gig(s) on the West Coast..." [From an interview (94.10.07) and article in Down Beat January 1995 pp.35-37]
    • 94.09.00 (2) - David S. Ware Quartet: personnel as above / ArtsCenter, Carrboro, NC
      "The people in San Francisco last week were so beautiful... And in North Carolina! [sits up, excitedly]
      ...man, I think that was the best gig my group ever played..." —Ware
      [Down Beat January 1995 pp.35-37; Venue and city from Shipp Interview afternoon of concert, in Signal to Noise WXYC March 1997]

    94.10.01 • David S. Ware & Matthew Shipp Duo [AR—90:00]

    October 1, 1994 / Koncepts Cultural Gallerry presents... Laney College Theatre, Oakland, CA
    1. unknown titles [90:00]
    David S. Ware (ts), Matthew Shipp (p)

    {Gordon Blewis 03.11.04; Cadence Vol.20 no.10 October 1994, p.21}


    94.10.22 • David S. Ware Quartet [AR—54:27]

    October 22, 1994 / Laura Wagman Hall, University Of The Arts, Philadelphia, PA
    1. unknown title [26:48]
    2. unknown title [20:42]
    3. Autumn Leaves (Joseph Kosma) [6:57]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {Jakob Blumenthal 10.10.26; Jack Lloyd "His Music Runs Deeper Now" Philadelphia Inquirer October 21, 1994}


    94.12.02 • David S. Ware Quartet: Cryptology

    Homestead Records HMS220-2 (CD) 1995

    December 2, 1994 / Sound on Sound Studio, New York City
    1. Cryptology:
     a) Solar Passage [6:42]
     b) Direction: Pleiades [9:04]
     c) Dinosauria [10:03]
     d) Cryptology / Theme Stream [14:19]
     e) Panoramic [10:45]
     f) The Liberator [10:44]
    "Shipp introduced Ware to Homestead's Steven Joerg, who convinced the label's
    owners to take a chance on avant jazz. The fruits of this new union included
    Ware's Cryptology, recorded in the mid-90s as the saxophonist struggled
    with a severe bout of flu."
    —Tom Roe

    David S. Ware (ts, Comp), Matthew Shipp (p),
    William Parker (b), Whit Dickey (dr)

    {HMS220-2; Tom Roe "Undercurrents 11: Generation Ecstasy" WIRE #189 November 1999 p.38}


    1995 : : :


    • 95.02.28 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) / 8:00 to 11:00pm, Knitting Factory, NYC [New York Magazine February 27, 1995 p.148]
    • 95.03.03 - David S. Ware Quartet: personnel as above / Middle East Downstairs, Boston, MA [Cadence Vol.21 no.5 May 1995 p.4,19]
    • 95.05.00 (between 05.19-23) - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) /
      Festival International Musique Actuelle Victoriaville, Quebec, Canada
      [John Corbett review WIRE #137 July 1995 p.12; CODA #263 September 1995 p.9; www.fimav.qc.ca/archives/12efimav.html]

    95.06.24 • David S. Ware Quartet [AR—55:29]

    June 24, 1995 / "What Is Jazz? Festival," Knitting Factory, New York City
    1. unknown titles [55:29]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {CD-R}


    • 95.06.28-07.02 (Festival duration) - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) /
      10th Annual du Maurier International Jazz Festival, Toronto, Ontario, Canada [CODA #264 November 1995 p.6]

    95.07.04 (1) • David S. Ware Quartet [AR—57:00]

    July 4, 1995 / "showcase in a record shop," Lyon, France
    1. unknown titles [57:00]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {Anonymous 04.03.02}


    95.07.04 (2) • David S. Ware Quartet [AR—56:00]

    July 4, 1995 / Vienne Jazz Festival, Theatre Municipale, Vienne, France
    1. unknown titles [56:00]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {Anonymous 04.03.02}


    • 95.07.19 - David S. Ware ...Solo or Quartet? (no personnel details) / The Cooler, New York City [New York Magazine July 17, 1995 p.87]

    95.08.26 • David S. Ware Quintet [BR—7:00 & SBR—61:15]

    August 26, 1995 / Saalfelden Jazz Festival, Saalfelden, Austria
     announcement [0:16]
    1. Oblations and Blessings (Ware) [34:29]
    2. East Broadway Rundown (Rollins) [17:44]
     announcement [0:57]
     German Radio Broadcast announcement [0:14]
    3. Infi-rhythms (Ware) [6:38]
     German Radio Broadcast announcement [0:29]
    Received as "2 tracks, 65:00." With 4 tracks noted: 1, 2, and 2a as "untitled improvisations;" the 3rd as given (and an announcement confirms this).
    Track 1 is in fact an early version of Oblations and Blessings (see 95.09.27); Tracks 2a [7:00] & 2b [18:00] were given as untitled improvisations
    parts 1 & 2, but inspection revealed that 2a was actually a truncated version of 2b. How do these things happen? Tracks 1 & 2 are Soundboard;
    track 3 is Broadcast. Regardless, this a very good quality recording of a blistering performance. —RL

    —Also circulating as "1 track, 7:00, stereo" (Broadcast Recording of track 3).

    David S. Ware and Charles Gayle (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {CD-R}


    95.09.02 • David S. Ware Quartet [AR—77:58 & BR—66:10]

    September 2, 1995 / Willisau Jazzfestival, Festhalle, Willisau, Switzerland
    Broadcast DRS Switzerland
    Broadcast:
    1. unknown title [31:25]  (incomplete)
    2. Angel Eyes [12:49]
    3. Cococana [10:10]
    4. Infi-Rhythms #1 [11:42]
    Audience:
    1. unknown title [27:13]
    2. unknown title [7:06]
    3. unknown title [5:23]
    4. unknown title [7:12]
    5. unknown title [19:06]
    6. unknown title [4:50]
    7. unknown title [7:06]
    "The first track is missing the beginning; apparently, the broadcast picked it up a little late, as the DJ is introducing the show
    when the tape begins, in media res. It's one of those frenzied, near-theme-less pieces, and without the very beginning, I can't say
    what it is. (It might be "Oblations & Blessings," given the date.) Note also that "Angel Eyes" begins immediately after a Parker
    bass solo; it's possible that all the preceding material is part of "Eyes," but I don't think so: Ware states the theme, then the band
    takes solos, then Ware closes it out, indicating to me at least that we're hearing the whole piece..." —James Lindbloom.

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {CD-R; James Lindbloom; CODA #264 November 1995 p.6 has this as "Summer"}


    95.09.27
    95.09.28 • David S. Ware Quartet: Oblations and Blessings

    Silkheart Records SHCD-145 (CD) 1996 SWD

    September 27 & 28, 1995 / Sound on Sound Studio, New York City
    1. Oblations and Blessings [17:05]
    2. Riff Unknown [10:53]
    3. Of Shambala [11:05]
    4. Fire Within [11:07]
    5. Manu's Ideal [10:13]
    6. Serpents and Visions [8:37]
    David S. Ware (ts, Comp), Matthew Shipp (p),
    William Parker (b), Whit Dickey (dr)

    {SHCD-145}


    95.09.29 • David S. Ware: DAO

    Homestead Records HMS230-2 (CD) 1996

    September 29, 1995 / Sound on Sound Studio, New York City
    1. Interdao [6:22]
    2. Motif Dao [9:38]
    3. Rhythm Dao [7:00]
    4. Dao Above Sky [7:36]
    5. Dao Forms [18:16]
    6. Dao Feel [8:28]
    7. Dao [15:20]
    David S. Ware (ts, Comp), Matthew Shipp (p),
    William Parker (b), Whit Dickey (dr)

    {HMS230-2}


    • 95.10.14 (Possible cancelled date) - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) /
      8:00pm, Cleo Parker Robinson's New Dance Theatre, Denver, CO
      [Westword October 11, 1995 p.1; Cadence Vol.21 no.5 May 1995 p.108; Cadence Vol.21 no.10 October 1995 p.123]

    95.10.17 • David S. Ware Quartet [BR—32:46]

    October 17, 1995 / Nancy, France
    French Radio Broadcast
    —This session is also circulating with an incorrect date of 96.10.07—Possibly a broadcast date.
    1. Cococana (Ware) [11:42]  (fades out)
     French radio announcement [1:22]
     Cococana—continued (Ware) [14:38]  (fades in at beginning)
    2. unknown title [6:07]
     radio announcement [0:26]
    —Another version has Cococana at 26:13 with broadcast voice-over at 25:48.

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {CD-R of 1st track only; Heinrich Smejkal; James Lindbloom}


    • 95.10.00 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) / La Tour Rose, Lyon, France
      [Anne Dumas 03.07.10]
    • 95.10.00 - David S. Ware Quartet: personnel as above / Le Duc des Lombards, Paris, France [ibid]
    • 95.10.00 - David S. Ware Quartet / Tourcoing jazz festival, Tourcoing, France [ibid]

    1996 : : :


    96.01.00 • David S. Ware Solo [Audience Video]

    January, 1996 / The Kitchen, New York City
    1. improvisations [60:00]
    Most of this performance is done as a live soundtrack to "TOAK," a 16-minute B&W Film, ©1995 by Ariane Lopez-Huici, wife of artist Alain Kirili,
    whose sculpture/installation "Masque" adorns the stage. ALAIN KIRILI Célébrations lists two Ware performances with the film—the first one is solo,
    listed as "1996," and the second is Ware and Mino Cinelu from 97.01.08, also at The Kitchen. This book's bibliography also has two articles listed
    on Lopez-Huici: Linda Yablonsky in TimeOut New York, January 17-24, 1996 p.28, and Roberta Smith in The New York Times, February, 1996;
    all of which leads me to believe this performance took place in January. Confirmation or corrections welcome. —RL

    David S. Ware (ts, voc)

    {DVD; James Lindbloom; info from ALAIN KIRILI Célébrations, Christian Bourgois Éditeur, ©1997, France}


    • 96.01.00 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) / de Werf, Brugge, Belgium
      [Anne Dumas 03.07.10]
    • 96.01.00 - David S. Ware Quartet: personnel as above / Paradox, Tilburg, Netherlands [ibid]
    • 96.01.00 - David S. Ware Quartet: as above / Popular, Rotterdam, Netherlands [ibid]
    • 96.01.21 - David S. Ware Quartet / Bimhuis, Amsterdam, Netherlands [Anne Dumas 03.07.10; Sander Piek 05.03.08; www.bimhuis.nl]
    • 96.01.00 - David S. Ware Quartet / Unterfahrt, München, Germany [Anne Dumas 03.07.10]
    • 96.01.00 - David S. Ware Quartet / Moods, Zürich, Switzerland [ibid]
    • 96.01.00 - David S. Ware Quartet / Sauschdall, Ulm, Germany [ibid]
    • 96.01.00 - David S. Ware Quartet / Jazzgalerie, Nickelsdorf, Austria [ibid]
    • 96.01.00 - David S. Ware Quartet / Jubez, Karlsruhe, Germany [ibid]
    • 96.01.00 - David S. Ware Quartet / KFZ, Marburg, Germany [ibid]

    96.02.02 • David S. Ware Quartet [AR—204:00]

    February 2, 1996 / New Morning, Paris France
    1. unknown titles [204:00]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr)

    {4CD-R; Anne Dumas 03.07.10}


    • 96.02.07 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) /
      Café du Soleil, Saignelégier, Switzerland [ibid]
    • 96.02.00 - David S. Ware Quartet: personnel as above / Luchtbal, Antwerpen, Belgium [ibid]
    • 96.02.00 - David S. Ware Quartet: as above / l'Entrepôt, Mulhouse, France [ibid]
    • 96.02.00 - David S. Ware Quartet / Pannonica, Nantes, Nancy, France [ibid]
    • 96.02.00 - David S. Ware Quartet / le petit faucheux, Tours, France [ibid]
    • 96.02.00 - David S. Ware Quartet / Théâtre Garonne, Toulouse, France [ibid]
    • 96.02.00 - David S. Ware Quartet / Théâtre Bacchus, Besançon, France [ibid]
    • 96.02.00 - David S. Ware Quartet / AJMI, Avignon, France [ibid]
    • 96.02.00 - David S. Ware Quartet / Conservatoire Perpignan, Perpignan, France [ibid]
    • 96.03.21 - David S. Ware Quartet / 8:00 & 10:00pm, Alvin's Twilight Bar, Detroit, MI
      [Cadence Vol.22 no.6 June 1996 p.30; Detroit Free Press March 17, 1996 p.57]
    • 96.03.22 - David S. Ware Quartet / Empty Bottle, Chicago, IL [tisue.net/chicagonow/old1996.html]

    96.03.23 • David S. Ware Quartet [AR—93:06]

    March 23, 1996 / Rodef Shalom Temple, Pittsburgh, PA
    —Originally scheduled at Mellon Institute Auditorium.
    1. unknown title [30:41]
    2. unknown title [11:11]
    3. Tenderly (Walter Gross/Jack Lawrence) [18:18]
    4. unknown title [9:18]
    5. The Liberator (Ware) [14:58]
     announcement [0:57]
    6. Manu's Ideal (Ware) [6:18]
    —Another recording is circulating with "Manu's Ideal" incomplete at 1:10.

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr)

    {2CD-R; Rick and Sandra MacGlaughlin-Lopez in attendance}


    96.03.28 • David S. Ware Quartet [AR—75:41]

    March 28, 1996 / A Vaulx Jazz Festival, Vaulx en Velin, Lyon, France
    1. unknown title [37:01]
    2. Autumn Leaves (Joseph Kosma) [19:24]
    3. unknown title [13:12]
    4. unknown title [06:04]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Sunny Murray (dr)

    {Anonymous 04.03.02; Anne Dumas 03.07.10}


    96.05.02
    96.05.03 • David S. Ware Quartet: Godspelized

    DIW DIW-916 (CD) 1997 JPN

    May 2 & 3, 1996 / Sound on Sound, New York City
    1. Godspelized (Ware) [15:44]
    2. Wisdomsphere (Ware) [7:55]
    3. Inner Temple (Ware) [6:40]
    4. Wisdom Through Time (Ware) [7:54]
    5. The Stargazers (Sun Ra) [12:26]
    6. Eternal Forces of Brahm (Ware) [11:44]
    7. Godspelized (Ware) [4:20]
    David S. Ware (ts), Matthew Shipp (p),
    William Parker (b), Susie Ibarra (dr)

    {DIW-916}


    • 96.06.07 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) /
      Vision Festival, 9:30pm, Learning Alliance, NYC [Scott Currie 06.07.10; Peter Watrous The New York Times June 10, 1988]

    96.06.19 • (V/A) David S. Ware Quartet: Knitting Factory What Is Jazz? Festival 1996

    Knitting Factory Works KFW 195 (CD) 1996
    • (V/A) The Heineken Jazz Groove 1996
      Knitting Factory Works KFW 195-P (CD) 1996 (Liner marking); CD marking is KFW 198-P / Promo only
    June 19, 1996 / Knitting Factory, New York City
    1. In This Love [8:14]
    David S. Ware (ts, Comp),Matthew Shipp (p), William Parker (b), Susie Ibarra (dr)

    {KFW 195}


    • 96.06.29 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Whit Dickey (dr) /
      10th Annual du Maurier International Jazz Festival (95.06.23-07.02), Toronto, Ontario, Canada
      [CODA #264 November 1995 p.6; Cadence Vol.22 no.7 July 1996 p.2]

    96.06.30 • David S. Ware Quartet [AR—76:58 & SBR—70:08]

    June 30, 1996 / Rivoli, Toronto, Ontario, Canada
     announcement [2:27]
    1. Earthquation (Ware) [36:49]
    2. Autumn Leaves (Joseph Kosma) [23:48]
    3. The Liberator (Ware) [7:03]
    4. encore—Angel Eyes (Matt Dennis) [6:50]
    —Soundboard is circulating without encore.
    —Contains a lengthy introduction that pegs this as the "late show" of the evening.

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr)

    {CD-R}


    96.07.19 • David S. Ware Quartet [AR—81:29]

    July 19, 1996, 10:30pm / "With an Edge Series", 16th Annual Ottawa Intl Jazz Festival, National Arts Centre Cabaret, Ottawa, Ontario, Canada
    1. unknown title [28:43]
    2. unknown title [19:04]  (split track at 17:27)
    3. unknown title [19:14]
    4. unknown title [14:26]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr)

    {Torrent site info; Cadence Vol.22 no.7 July 1996 pp.124-5; Maurizio Ortolani ott.general G-Group 96.06.05}


    • 96.08.23 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) / Knitting Factory, NYC
      [New York Magazine August 26, 1996 p.141]
    • 96.10.25 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) /
      9:00 & 11:00pm, Laura Wagman Hall, University Of The Arts, Philadelphia, PA [Philadelphia Inquirer October 25, 1996 Nightlife p.32]
    • 96.11.01 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) /
      New York Is Now! Festival, Hot Brass, Paris, France [Anne Dumas 03.07.10; Les Inrocks October 16, 1996]
       "Two evenings (with the new drummer of the quartet: Susie Ibarra)"
    • 96.11.02 - David S. Ware Quartet: personnel as above / New York Is Now! Festival, Hot Brass, Paris, France
      [Lachaud Martine "David S. Ware et David Fiuczynski" L'Express October 31, 1996]

      Though the schedule lists the Quartet, an item in Paris' L'Express seems to imply that David Fiuczynski was involved:
      "The first, rough saxophonist [Ware], was a diligent student of Sonny Rollins, the second, the crazy guitarist [Fiuczynski] of the Black Rock
      Coalition. Their meeting will, not doubt, be a breaking and uncontrollable vision of improvised music, jazz trash somehow. But ‘from turbulence
      may arise great clarity’, said Ware." —Lachaud Martine
      —He was not involved: "...a double-bill." —David Fiuczynski 14.02.10

    96.12.02
    96.12.03 • David S. Ware: Wisdom of Uncertainty

    AUM Fidelity AUM001 (CD) 1997

    December 2 & 3, 1996 / Sound on Sound, New York City
    1. Acclimation [12:45]
    2. Antidromic [7:47]
    3. Utopic [15:34]
    4. Alignment [7:16]
    5. Sunbows Rainsets Blue [7:41]
    6. Continuum [11:34]
    David S. Ware (ts, Comp), Matthew Shipp (p),
    William Parker (b), Susie Ibarra (dr)

    {AUM001}


    1997 : : :


    • 97.01.08 - David S. Ware, Mino Cinelu, Ariane Lopez-Huici / The Kitchen, NYC [Kirili]
      New York Magazine January 20, 1997 p.92 has 97.01.18

    • 97.03.00 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) / Vernouillet Festival, Vernouillet, France
      [Anne Dumas 03.07.10]
    • 97.03.00 - David S. Ware Quartet: as above / Metz, Les Trinitaires, France [ibid]
    • 97.03.07 - David S. Ware Quartet / Banlieues Bleues Festival, Romaineville, Paris, France [ibid; www.banlieuesbleues.org]
    • 97.03.00 - David S. Ware Quartet / Akut Festival, Mainz, Germany [Anne Dumas 03.07.10]
    • 97.04.30 - David S. Ware Quartet / Knitting Factory, New York City [New York Magazine May 5, 1997 p.115]
    • 97.05.00 - David S. Ware Quartet / Festival Musiques de Jazz et d'Ailleurs, Amiens, France [Anne Dumas 03.07.10]

    97.05.30 • David S. Ware Quartet [WKCR-FM Archival Recording—60:00]

    • (V/A) Vision One—Vision Festival 1997 Compiled
      AUM Fidelity AUM007/8 (2-CD) 1998 / Ltd. Edition 1,000 copies
      [Compilation also has performances by Bill Cole's Untempered Ensemble;
      Trio Hurricane; William Parker & the Little Huey Creative Music Orchestra;
      Assif Tsahar Trio with John Tchicai; Zorn & Ibarra Duo; Mark Dresser Quartet;
      Thurston Moore, Lawrence Cook and Jon Voigt; Rashied Ali's Prima Materia;
      Rob Brown & Matthew Shipp Duo; Other Dimensions in Music;
      Borah Bergman, Denis Charles and Roy Campbell; Cooper-Moore Quartet;
      Patricia Nicholson Ensemble; and Butch Morris Conduction]
    May 30, 1997 / Vision Festival, Angel Orensanz Center, New York City
    1. unknown title [30:00]
    2. unknown title [30:00]
    Vision One—Vision Festival 1997 Compiled has an excerpt of 8:20 titled "Lockup '97".

    David S. Ware (ts, Comp), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr)

    {AUM007/8; WKCR-FM Archive 07.07.31}


    97.06.21 • David S. Ware Quartet [BR—52:32]

    June 21, 1997, 10:00pm / Texaco New York Jazz Festival, Knitting Factory, New York City
    WKCR-FM (LIVE) Broadcast
    —Also circulating incorrectly dated 97.06.26.
     announcement [1:05]
    1. unknown title [21:28]  (Some copies have a creeping blur of white noise doing a tiring crescendo through the length of this track.)
    2. unknown title (Ware) [7:11]
    3. unknown title (Ware) [15:02]
     announcement [2:21]
    4. encore [4:29]
     announcement [0:29]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr)

    {CD-R; Date from Bob Yeager and Jazz Fest program}


    97.08.22 • David S. Ware Quartet [BR—79:57]

    August 22, 1997 / Panasonic Village Jazz Festival, Knitting Factory, New York City
    "Live on the internet"
    —This recording is circulating misdated 97.08.21.
    1. unknown titles [79:57]
    David S. Ware (ts, Comp), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr)

    {CD-R; Zorn-list 97.08.21; Date from Ben Ratliff The New York Times August 15, 1997}


    • 97.09.04 - The David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) /
      9:00pm, Cat's Cradle, Chapel Hill, NC [AUMFidelity posting to Zorn-list 97.08.21]
    • 97.09.05 - The David S. Ware Quartet: as above / 9:00pm, Washington Ethical Society, Washington, DC [ibid]
      "This performance is the group's debut in our Capitol (will be version of earth atone shake down)."

    97.10.26 • David S. Ware: Live in the Netherlands

    Splasc(H) Records CDH 825.2 (CD) 2001

    October 26, 1997 / Zuid-Nederlands Jazz Festival 1997, De Effenaar, Endhoven, Nederlands
    1. 4th Dimensional [9:24]
    2. 5th Dimensional [4:33]
    3. 6th Dimensional [10:11]
    4. 7th Dimensional [14:59]
    David S. Ware (ts, Comp)

    {CDH 825.2}


    97.12.11
    97.12.12 • David S. Ware: Go See the World

    Sony / Columbia Records CK 69138 (CD) 1998
    • (V/A) Jazziz On Disc Jazziz JZD1098 October 1998 (Magazine & CD) 1998
    December 11 &Amp; 12, 1997 / Sound on Sound Studio, New York City
    1. Mikuro's Blues (Ware) [6:04]
    2. Lexicon (Ware) [10:22]
    3. Logistic (Ware) [9:51]
    4. The Way We Were (Marvin Hamlisch / Alan & Marilyn Bergman) [14:34]
    5. Quadrahex (Ware) [4:42]
    6. Estheticmetric (Ware) [11:30]
    7. Rapturelodic (Ware) [10:38]
    Jazziz On Disc has track 1.

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr)

    {CK 69138; JZD1098}


    1998 : : :


    • 98.05.00 - David S. Ware: SOLO concert + masterclass / Université Paris VII, France [Anne Dumas 03.07.10]
    • 98.05.00 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) / Le Mans Europa Jazz Festival, France
      [Anne Dumas 03.07.10]

    98.05.22 • David S. Ware Quartet [WKCR-FM Archival Recording—38:40]

    May 22, 1998 / Vision Festival, Orensanz Art Center, NYC
    1. unknown title [32:50]
    2. unknown title [5:50]
     (with spoken intros & outros by Roy Campbell)
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr)

    {WKCR-FM Archive 07.07.31; 1998 Vision Fest Program}


    • 98.06.05-07 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) /
      Kerava Jazz Festival, Helsinki, Finland [Anne Dumas 03.07.10; Cadence Vol.24 no.5 May 1998 p.141]
    • 98.06.13 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) / Hudson Tent, Battery Park City, NYC
      [Ben Ratliff "Critic's Notebook; All Jazz, All June" The New York Times May 29, 1998; The Journal News June 12, 1998 p.8C]
    • 98.07.00 - David S. Ware Quartet / La Villette Jazz Festival, Paris, France [ibid]
    • 98.09.23 - David S. Ware Quartet / Emmanuelle Church, Boston, MA
      [Steven Joerg 89.09.17 Saturn Forum, outerspaceways.info]
    • 98.09.26 - David S. Ware Quartet / Duke Institute of the Arts, Durham, NC [ibid]
    • 98.09.27 - David S. Ware Quartet / USC School of Musical Recital, Columbia, SC [ibid]
    • 98.09.28 - David S. Ware Quartet / First Existential Church, Atlanta, GA [ibid]
    • 98.10.01 - David S. Ware Quartet / 8:00pm, Cicero's, St Louis, MO [ibid]
    • 98.10.02 - David S. Ware Quartet / Empty Bottle, Chicago, IL [ibid]
    • 98.10.03 - David S. Ware Quartet / 8:30 & 10:00pm, MacKenzie Fine Arts Center, Henry Ford Community College, Detroit, MI [ibid]
    • 98.10.05 - David S. Ware Quartet / Carnegie Mellon University, Pittsburgh, PA [ibid]
    • 98.10.11 - David S. Ware Quartet / Two sets, 9:00 & 11:00pm, Fez Under Time Cafe, NYC [ibid]

    98.10.24 • David S. Ware Quartet [AR—98:23]

    October 24, 1998 / Walker Arts Center, Minneapolis, MN
    1. Aquarian Sound (Ware) [35:30]
    2. Wisdom Through Time (Ware) [14:43]
    3. The Way We Were (Marvin Hamlisch/Alan & Marilyn Bergman) [19:11]
    4. Logistic (Ware) [14:58]
    5. Mikuro's Blues (Ware) [9:35]
    6. Lexicon (Ware) [4:25]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr)

    {2CD-R; track detailing Jakob Blumenthal; James Lindbloom 14.11.29}


    98.10.28 • David S. Ware [BR]

    WKCR-FM

    October 28, 1998 / WKCR-FM, New York City
    1. Extensive live interview segments with Ware choosing musical selections, etc. [179:29]
    David S. Ware (showing and telling)

    {3CD-R}


    • 98.12.00 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) / Rote Fabrik, Zürich, Switzerland
      [Anne Dumas 03.07.10]
    • 98.12.08 - David S. Ware Quartet: as above / New Morning, Paris, France [ibid]

    98.12.11 • David S. Ware Quartets: Live in the World

    Thirsty Ear THI 57153.2 (3CD) 2005
    —1st Session [See also 03.03.27, 03.06.22]
    • David S. Ware Quartet [BR—52:28]
      Produced by RSI Radio Svizzera Internationale (Lugano) / Broadcast 98.12.28
      European Digital Radio (ADR - Astra Digital Radio)
    December 11, 1998 / Cinema Teatro, Chiasso, Switzerland
    Live in the World:
    1. Aquarian Sound (Ware) [31:89]
    2. Logistic (Ware) [18:42]
    3. The Way We Were (Hamlisch) [17:43]
    4. Mikuro's Blues (Ware) [9:05]
    5. Lexicon (Ware) [3:59]
    6. The Stargazer (Ware) [14:36]
    Broadcast Recording:
    1. Lexicon (Ware) [3:36]
    2. Aquarian Sound (Ware) [31:25]
    3. The Stargazers (Sun Ra) [14:34]
    4. Mikuro's Blues (Ware) [2:53]  (incomplete, includes band intro)
    —Broadcast Recording includes an interview [7:25] of David S. Ware by Jez Nelson from early 1999 done for BBC Radio 3 on 99.09.18.

    David S. Ware (ts, Arr), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr)

    {THI 57153.2; Anne Dumas; Siegfried Otto; Holger Neuhaus}


    1999 : : :


    • 99.01.28 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) / Knitting Factory, NYC
      [The Courier News January 28, 1999 p.D4]
    • 99.02.06 - David S. Ware Quintet: Ware (ts), Roscoe Mitchell (ss), Matthew Shipp (p), William Parker (b), Susie Ibarra (dr) /
      7:45pm, Queen Elizabeth Hall, London, England [Anne Dumas 03.07.10; WIRE #179 January 1999 p.11, p.77; Dick Bowman 04.12.09]

    99.02.27 • David S. Ware Quartet [AR—51:04]

    February 27, 1999, 20:30 / Hammerstein Ballroom, New York City
    —Double-bill with Sonic Youth
    1. Aquarian Sound (Ware) [21:23]
    2. Lexicon (Ware) [11:22]
    3. The Way We Were (Hamlisch) [12:10]
    4. Mikuro's Blues (Ware) [5:49]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R}


    • 99.03.13 - David S. Ware Quartet: Ware (ts, stc), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      20:30, Nouveau Theatre Le Chabada, Angers, France [Anne Dumas 03.07.10]
    • 99.03.15 - David S. Ware Quartet: personnel as above / 20:30, Le Site, CE Renault, Le Mans, France [Anne Dumas 03.07.10]
    • 99.03.17 - David S. Ware Quartet / "A Banlieues Bleues concert", Hommage to Roland Kirk,
      20:30, Theatre Gérard Philippe, Saint-Denis, France [ibid]

    99.03.20 • David S. Ware Quartet [BR—24:49]

    March 20, 1999 / Stadtsaal, Stadtplatz, Burghausen Jazz Festival, Burghausen, Austria
     announcement [0:17]
    1. unknown title [24:04]  (incomplete, fades in at beginning, fades out at end as new composition begins)
     announcement [0:28]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R}


    99.03.25 • David S. Ware Quartet [AR—87:31]

    March 25, 1999, 22:00 / Nîmes Jazz Festival, L'Odeon, Nimes, France
    1. Aquarian Sound (Ware) [32:21]
    2. Logistic (Ware) [18:01]
    3. The Way We Were (Marvin Hamlisch/Alan & Marilyn Bergman) [24:20]  (incomplete)
    4. Mikuro's Blues (Ware) [7:19]
    5. Manu's Ideal (Ware) [5:30]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; Anne Dumas 03.07.10}


    • 99.03.26 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Theatre de Grenoble, Grenoble, France [Anne Dumas 03.07.10]

    99.03.31 • David S. Ware Quartet: Balladware

    Thirsty Ear Blue Series 57132 (CD) 2006
    • (V/A) The Blue Series Sampler—The 30th Year
      Thirsty Ear Records (no issue # ? ) The Blue Series (CD) 2006
      [Also contains tracks from William Parker Violin Trio; Beans; Scotty Hard; Sex Mob; Nils Peter Molvaer; Meat Beat Manifesto; 30 Spokes;
      Carl Hancock Rux; Eri Yamamoto; Craig Taborn; DJ Spooky and Dave Lombardo; Groundtruther; Mike Ladd; and The Yohimbe Brothers]
    • David S. Ware Quartet [BR—72:44]
      "Jazz on 3," BBC Radio 3, London. Broadcast 99.09.18; repeat broadcast 00.09.09; repeat abridged 06.02.03, 23:30-1:00
    March 31, 1999 / Avatar Studio, New York City
     "...they scheduled a recording session the day after they came back to the States. But the fickle finger of fate wagged at them, for they were
     all exhausted, effectively wiping out a high energy performance. So after a few futile attempts to record, the DSW Quartet came to a realization
     that the only way to match their energy level was in a ballad mode which caught everyone by surprise."
    1. Sentient Compassion (Ware) [8:25]
    2. Tenderly (Walter Gross/Jack Lawrence) [9:14]
    3. Angel Eyes (Matt Dennis) [15:30]
    4. Yesterdays (Jerome Kern/O. Harbach) [12:23]
    5. Dao Feel (Ware) [10:52]
    6. Autumn Leaves (Joseph Kosma) [7:54]
    7. Godspelized (Ware) [8:30]
    The Blue Series Sampler—The 30th Year has track 4.

    —Broadcast Recording opens with a BBC Introduction, and has a David S. Ware Interview by Jez Nelson [7:34] between tracks 3 and 4.
    —Broadcast dated 06.02.03 has tracks 1, 6, 4, and 7 in that order.

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; session venue Anne Dumas; session date from Giovanni Corda and Giorgio Mortarino 07.01.06; WIRE #197 July 2000 p.81;
    www.bbc.co.uk/radio3/jazzon3/pip/93tzz/; web sources}


    • 99.05.24 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Vision Festival, 10:00pm, St. Nicholas of Myra Church, NYC [Vision Fest 1999 Program; WKCR-FM Archive 07.07.31]

    99.06.11 (1) • David S. Ware Quintet [AR—66:11]

    June 11, 1999 / Bell Atlantic Jazz Festival, Knitting Factory, New York City
    —This recording is circulating incorrectly dated 99.06.10.
     announcement [0:34]
    1. unknown title [22:04]
    2. unknown title [20:19]
    3. unknown title [16:22]
    4. Mikuro's Blues [6:48]
    David S. Ware (ts), Alex Lodico (tb), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; Douglas Wolk, "Jazz and Then Some" Village Voice June 15, 1999}


    99.08.29 • David S. Ware Quartet [SB—74:50]

    • David S. Ware Quartet [BR—36:24]
      Broadcast from ORF, Austria
    August 29, 1999 / Jazzfestival Saalfelden, Saalfelden, Austria
    Soundboard Recording:
    1. Aquarian Sound (Ware) [24:10]
    2. Lexicon (Ware) [17:30]
    3. The Way We Were [12:35]
    4. Wisdom Through Time (Ware) [6:30]
    5. Manu's Ideal (Ware) [5:27]
    6. Mikuro's Blues (Ware) [5:38]
    Broadcast Recording:
     radio announcement [0:40]
    1. Aquarian Sound (Ware) [24:10]
     radio announcement [0:16]
    2. Manu's Ideal (Ware) [5:27]
    3. Mikuro's Blues (Ware) [5:38]
     radio announcement [0:13]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R, both versions; James Lindbloom; Anne Dumas 03.07.10}


    99.09.15 • (V/A) Knitting on the Roof, Modern Interpretations of the Classic Musical "Fiddler on the Roof"

    Knitting Factory Records KFW-260 (CD) 1999
    [Includes selections by the New Orleans Klezmer Allstars; The Residents; Magnetic Fields; Uri Caine; Naftule's Dream;
    Dr. Eugene Chadbourne; Negativland; Jill Sobule; Hasidic New Wave; Come; Elliot Sharp; and Paradox Trio]

    September 15, 1999 / Knitting Factory, New York City
    1. Far From the Home I Love (Jerry Bock/Sheldon Harnick) [3:02]
    David S. Ware (ts)

    {KFW-260}


    99.10.00 • Documentary: David S. Ware, un Film de Arthur Cemin et Romain Wentzo [BVR—24:00]

    Television Broadcast, Circeto Film Productions, in coproduction with MCM Classique Jazz-MUZZIK (2000)
    —1st Session: [See 99.10.20-21; 99.11.05; 99.11.06; 99.11.09]

    Early October, 1999 / Rehearsal sessions, New York City
    1. Rehearsals, interviews, footage of New York City [24:00]  (at beginning of film)
    This 53-minute documentary contains interviews w/ David S. Ware, Matthew Shipp, William Parker, Guillermo E. Brown; Cooper-Moore,
    Thurston Moore, Joseph de Paul, Jim Anderson, Michael Brecker, and appearances by Anne Dumas and Branford Marsalis. This footage
    of New York City, the rehearsals, and interviews take up the first 24:00; The remainder is studio recording time from the Surrendered
    sessions, and tour and concert footage from London, Strasbourg, Bruxelles, and Paris.

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {DVD; www.circeto.com}


    99.10.20
    99.10.21 • David S. Ware: Surrendered

    Sony / Columbia Records CK 63816 (CD) 2000
    • Documentary: David S. Ware, un Film de Arthur Cemin et Romain Wentzo
      Circeto Film Productions & MCM Classique Jazz-MUZZIK (2000)
      TV Broadcast, "Studio recording time from the Surrendered sessions..."
      —2nd Session: [See 99.10.00; 99.11.05; 99.11.06; 99.11.09]
    October 20 & 21, 1999 / Avatar Studios, New York City
    1. Peace Celestial (Ware) [8:28]
    2. Sweet Georgia Bright (Charles Lloyd) [5:15]
    3. Theme of Ages (Ware) [7:44]
    4. Surrendered (Ware) [7:58]
    5. Glorified Calypso (Ware) [6:02]
    6. African Drums (Beaver Harris) [16:53]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CK 63816; DVD; www.circeto.co}


    99.11.05 • Documentary: David S. Ware, un Film de Arthur Cemin et Romain Wentzo

    Television Broadcast, Circeto Film Productions, in coproduction with MCM Classique Jazz-MUZZIK (2000)
    —3rd Session [See also 99.10.00; 99.10.20-21; 99.11.06; 99.11.09]

    November 5, 1999 / Jazz d'Or Festival at Centre Culturel Strasbourg-Neudorf, Strasbourg, France

    This documentary contains interviews... rehearsals, footage of New York City... studio recording time from the Surrendered sessions,
    and tour and concert footage from London, Strasbourg, Bruxelles, and Paris.

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {Video; Anne Dumas 03.07.10; www.circeto.com}


    99.11.06 • Documentary: David S. Ware, un Film de Arthur Cemin et Romain Wentzo

    Television Broadcast, Circeto Film Productions, in coproduction with MCM Classique Jazz-MUZZIK (2000)
    —4th Session [See 99.10.00; 99.10.20-21; 99.11.05; 99.11.09]

    November 6, 1999 / Societe Philharmonique de Bruxelles, Halles de Schaerbeek, Bruxelles, Belgium

    This documentary contains interviews... rehearsals, footage of New York City... studio recording time from the Surrendered sessions,
    and tour and concert footage from London, Strasbourg, Bruxelles, and Paris.

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {Video; Anne Dumas 03.07.10; www.circeto.com}


    99.11.09 • Muzzik Presents Jazz: David S. Ware Quartet In Concert [BR & BVR—58:52]

    Television Broadcast, Circeto Film Productions, in coproduction with MCM Classique Jazz-MUZZIK (2000)
    • Documentary: David S. Ware, un Film de Arthur Cemin et Romain Wentzo
      Television Broadcast, Circeto Film Productions, in coproduction with MCM Classique Jazz-MUZZIK (2000)
      —5th Session [See 99.10.00; 99.10.20-21; 99.11.05; 99.11.06]
    November 9, 1999 / Théatre de la Ville, Scène Nationale Poitiers, Paris, France
    Broadcast Video:
    1. Aquarian Sound (Ware) [26:06]
    2. Angel Eyes (Matt Dennis) [16:33]
     announcement by D.S. Ware [0:35]
    3. Mikuro's Blues (Ware) [8:24]
    4. encore: Manu's Ideal (Ware) [7:12]
    This documentary contains interviews... rehearsals, footage of New York City... studio recording time from the Surrendered sessions,
    and tour and concert footage from London, Strasbourg, Bruxelles, and Paris.

    According to the CIRCETO website, there is an extended 90-minute version of this concert broadcast which adds "Logistics"
    preceding "Angel Eyes", and "Lexicon" preceding "Mikuro's Blues". —RL

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; Video; www.circeto.com; Anne Dumas 03.07.10}


    • 99.11.11 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Horizons Culture at Marche Couvert, Lavellanet, France [Anne Dumas 03.07.10]



    1970

    1980

    1990

    The 21st Century...

    2010


    • 00.02.03 - David S. Ware / class in Jazzchool, IMPROVISATION: A KEY TO LIFE is the lesson plan /
      2:00pm to 3:00pm EST, webcast LIVE on www.jazzchool.com, Main Room at the Knitting Factory, NYC
      [Knitting Factory Knotes, Jan/Feb 2000]
    • 00.03.03 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      9:00pm to 11:00pm, Knitting Factory, NYC [Knitting Factory Knotes Mar/Apr 2000]
    • 00.04.10 - David S. Ware Quartet: as above / Grande Auditório do Centro Cultural de Belém, Lisbon, Portugal
      [Anne Dumas 03.07.10; Nuno Martins 03.11.17]
    • 00.05.06 - David S. Ware Quartet / Bell Atlantic Jazz Festival (Washington, DC), The State Theatre, Falls Church, VA
      [Cadence Vol.26 no.5 May 2000, p.142]

    00.05.14 • David S. Ware Quartet [AR—47:00]

    May 14, 2000 / Bell Atlantic Jazz Festival, Annenberg Plaza, Annenberg Theatre Complex, University of Pennsylvania, Philadelphia, PA
    —This was a free outdoor concert w/ Sex Mob, Flying Neutrinos, and Groove Collective.
    1. Theme of Ages (Ware) [18:56]
    2. Antidromic (Ware) [16:05]
    3. Surrendered (Ware) [12:01]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; Jeff Zeitz; Cadence Vol.26 no.5 May 2000, p.140}


    • 00.05.20 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Bell Atlantic Jazz Festival, 1:00pm & 3:30pm, Museum of Fine Arts Courtyard, Boston, MA [Cadence Vol.26 no.5 May 2000, p.140]
    • 00.05.25 - David S. Ware Solo / Fifth Annual Vision Fest, St. Mark's Place, New Age Cafe, NYC [Vision Fest 2000 Program]
    • 00.05.27 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Atlanta Jazz Festival, 6:00pm, Piedmont Park, Atlanta, GA [Cadence Vol.26 no.4 p.141]

    00.06.04 • David S. Ware Quartet [AR—51:24]

    June 4, 2000 / Bell Atlantic Jazz Festival 2000, Columbia University, New York City
    —Staged in front of Butler Library and broadcast live by WKCR-FM.
     Introduction [1:59]
    1. Theme Of Ages (Ware) [18:51]
    2. unknown title [11:48]
    3. African Drums (Beaver Harris) [14:52]
    4. Surrendered (Ware) [3:49]
    "An outdoor concert on the beautifully symmetrical, acoustically reasonable south lawn of the Columbia University campus, headlined by Max Roach
    and Cecil Taylor, that went a long way toward redefining what such events can achieve ... performing to a few thousand young people in the open air
    presented a challenge, and [the David S. Ware Quartet] rose to it." —The New York Times Music Critic Ben Ratliff, 00.06.06

    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; James Lindbloom 03.11.24; www.columbia.edu/cu/pr/00/06/jazzPic.html; www.columbia.edu//cu/news/00/05/jazzconcert.html}


    • 00.06.30 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Belfort Théâtre Granit, Maison du peuple, France [Anne Dumas 03.07.10]
    • 00.07.01 - David S. Ware Quartet: as above / Trabendo, Paris, France [ibid]
    • 00.07.02 - David S. Ware Quartet / La Villette Jazz Festival, Paris, France [ibid]

    00.07.14 • David S. Ware Quartet [AR—74:35]

    July 14, 2000 / North Sea Jazz Festival, Congress Centre, The Hague, Den Haag, Netherlands
    1. Theme Of Ages (Ware) [26:24]  (incomplete, cuts in at beginning)
    2. unknown title [18:41]  (split track at 18:27)
    3. Yesterdays [11:46]
    4. African Drums (Beaver Harris) [16:19]  (incomplete, cuts out at end)
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; Anne Dumas 03.07.10; Photo by Andy Wilson, reproduced with permission.}


    • 00.08.00 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Eddie Moore Jazz Festival, Yoshi's, Oakland, CA [Jazz in Flight Winter 2000; www.jazzinflight.org
      —Festival duration 08.13-08.20
    • 00.08.26 - David S. Ware and Andrew Cyrille / 9:30pm, Old Office, Knitting Factory, NYC

    00.11.09 • David S. Ware Quartet [AR—79:42]

    November 9, 2000 / Knitting Factory, New York City
    Early Show:
    1. Surrendered (Ware) [19:28]
    2. Lexicon (Ware) [18:38]
    3. Angel Eyes (Matt Dennis) [16:11]
    4. unknown title [9:47]
    5. unknown title [12:15]
    David S. Ware (ts, synth-4), Matthew Shipp (piano, synth-5), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; "Rock ‘n’ Roll Rock ‘n’ Roll" New York Press November 14, 2000}


    • 00.11.00 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) / Barcelona, Spain
      [Anne Dumas 03.07.10]

    00.11.15 • David S. Ware Quartet [AR—75:04]

    November 15, 2000 / Seville International Jazz Festival, Teatro Central, Sevilla, Spain
    1. Surrendered (Ware) [17:05]
    2. Lexicon (Ware) [14:06]
    3. Autumn Leaves (Matt Dennis) [15:40]
    4. Bliss Theme (Ware) [14:45]
    5. Theme of Ages (Ware) [11:42]  (incomplete)
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; Anne Dumas 03.07.10}


    2001 : : :


    01.02.26
    01.02.27 • David S. Ware Quartet: Corridors & Parallels

    AUM Fidelity AUM019 (CD) 2001

    February 26 & 27, 2001 / Sorcerer Sound, New York City
     1. untitled (Ware) [1:20]
     2. Straight Track (Ware) [10:02]
     3. Jazz Fi-Sci (Ware) [4:22]
     4. Superimposed (Ware) [5:58]
     5. Sound-a-Bye (Ware) [3:08]
     6. untitled (Ware) [0:37]
     7. Corridors & Parallels (Ware / Shipp) [8:59]
     8. Somewhere (Ware) [3:11]
     9. Spaces Embraces (Ware) [3:17]
    10. Mother May You Rest in Bliss (Ware) [6:07]
    11. untitled (Ware) [1:48]
    All About Jazz Direct with Artists / Discussion Board activity:
    Clifton's question: 1) With Ware on "Corridors And Parallels" (excellent CD) how much of the programming by you and Guillermo was done
    in real time as the musicians played? How much, before or after the session? (and further to Matthew's reply:) On Corriders and Parallels most
    of the settings where chosen by Ware- its his synth- he went out and bought it before the session.
    Steven Joerg (producer): "...ALL of the music was recorded live in the studio; as you hear it on the album. Which makes it, I think, all the more
    remarkable. A lot of William Parker's gorgeous arco bass work on this album—wow; yeah. All of the synth settings were chosen by David prior
    to the session, though there were some breaks where Matt was fiddling with different settings, and he might well have played something in like,
    'bank E:16'..., that David dug and we went with it for a piece. The chimes, shells, and gong you hear are real instruments, and were all sounded
    by Guillermo. 'Jazz Fi-Sci' is an Acoustic Jazz Trio vs. Synth piece (think about the final scene in 'Close Encounters of the Third Kind';
    Francois Truffaut's character playing the synth being the equivalent of the Acoustic Jazz Trio, and the Alien's music being the Synth—yeah).
    'Sumperimposed' is a 'trio' with synth-generated rythym track, and Matt playing the additional percussion and whistles via the synth keys..."

    David S. Ware (ts), Matthew Shipp (synth), William Parker (b), Guillermo E. Brown (dr)

    {AUM019} Corridors & Parallels at AUMFidelity.


    • 01.04.27 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Radio Svizera, Rete Due Concerti Aula Magna, Lugano, Switzerland [Anne Dumas 03.07.10]
    • 01.04.29 - David S. Ware Quartet: as above / Kleks Festival, Kempten, Germany [ibid]

    01.05.01 • David S. Ware Quartet [AR—77:52]

    May 1, 2001 / Porgy & Bess, Wien, Austria
    1. Surrendered (Ware) [23:10]  (incomplete, cuts in at beginning)
    2. Lexicon (Ware) [20:52]
    3. Angel Eyes (Matt Dennis) [13:54]
    4. Bliss Theme (Ware) [7:12]
    5. Mikuro's Blues (Ware) [6:58]
    6. Jazz Fi-Sci (Ware) [5:46]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; Anne Dumas 03.07.10}


    • 01.05.00 (1) - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Teatro Principal, Puerto Real, Spain [Anne Dumas 03.07.10]
    • 01.05.00 (2) - David S. Ware Quartet: as above / Universidad de Valencia, Spain [ibid]
    • 01.05.02 - David S. Ware Quartet / Cadiz Jazz Festival, Cadiz, Spain [ibid]
    • 01.05.03 - David S. Ware Quartet / Madrid Jazz Festival, Collegio San Juan Evangelista, Madrid, Spain [ibid]

    01.05.04 • David S. Ware Quartet [AR—79:07]

    May 4, 2001 / Teatro del Centro Cultural del Matadero, Huesca, Spain
    —Also have this session misdated 01.05.05, from a pre-tour announcement.
    1. Aquarian Dream (Ware) [31:48]
    2. Lexicon (Ware) [22:57]
    3. Manu's Ideal (Ware) [11:49]
    4. Bliss Theme (Ware) [5:27]
    5. Mikuro's Blues (Ware) [7:06]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R}


    01.05.24 • David S. Ware & Rashid Ali Duo [AR—38:21]

    May 24, 2001 / Sixth Annual Vision Festival, Knitting Factory, New York City
    1. improvisation [19:28]
    2. improvisation [13:13]
    3. improvisation [5:38]
    David S. Ware (ts), Rashid Ali (dr)

    {CD-R}


    01.06.08 • David S. Ware Quartet [AR—55:15]

    June 8, 2001, 7:30pm / Sixth Annual Vision Festival, Angel Orensanz Art Center, New York City
    1. unknown title [14:12]
    2. unknown title [18:57]
    3. unknown title [7:41]
    4. unknown title [12:00]
     announcement [0:54]
    David S. Ware (ts), Matthew Shipp (synth), William Parker (b), Guillermo E. Brown (dr)

    {CD-R}


    • 01.06.30 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Ljubljana Jazz Festival, Krizanke Open Air Theater, Ljulbljana, Slovenia [Anne Dumas 03.07.10]
    • 01.07.04
      01.07.06 - David S. Ware Quartet: as above / Jazz by the Sea, Fano Jazzin'n Club, Corte Malatestiana, Fano, Italy [ibid]

    01.07.08 • David S. Ware Quartet [BR—76:05]

    July 8, 2001, 9:30pm / Along Came Jazz Festival, Anfiteatro di Bleso, Piazza Trento, Tivoli, Italy
    Radio RAI Radio tre, July 8, 2001
     announcement [0:31]
    1. Surrendered (Ware) [24:17]
    2. Lexicon (Ware) [19:30]
    3. Angel Eyes (Matt Dennis) [19:49]
    4. Bliss Theme (Ware) [5:56]
    5. Mikuro's Blues (Ware) [6:02]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R}


    01.07.12 • David S. Ware Interview [BR—89:47]

    July 12, 2001 / WKCR-FM, New York City
    1. Interview, music selections [89:47]
    David S. Ware (speaking)

    {2CD-R}


    • 01.07.24 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) / Blue Note, NYC
      [Steven Joerg 01.06.25 rec.music.bluenote]
    • 01.07.25 - David S. Ware Quartet: as above / Blue Note, NYC [ibid]

    01.08.09 • DJ Wally: Nothing Stays the Same

    Thirsty Ear Recordings (The Blue Series) THI 57140.2 (CD) 2003
    • (V/A) The Blue Series Sampler / The Shape of Jazz to Come
      Thirsty Ear Recordings THI 57138.2 (CD) 2003
      [Also has performances by David S. Ware String Ensemble 03.06.13;
      William Parker Violin Trio; Kidd Jordan & Fred Anderson Quartet;
      Matthew Shipp; Blue Series Continuum; Antipop Consortium;
      DJ Spooky; El-P; Tim Berne; and Spring Heel Jack.]
    August 9, 2001 / Sorcerer Sound, New York City
    1. Out of the Blue [4:41]
    David S. Ware (ts), Peter Gordon (fl, el-fl), Keef Destefano (samples),
    Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {THI 57140.2; THI 57138.2; session date and DJ Wally info via FLAM 03.11.06}


    • 01.08.13 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Kuumbwa Jazz Center, Santa Cruz, CA [Steven Joerg 01.06.25 rec.music.bluenote]

    01.08.14 • David S. Ware Quartet [BR—75:55]

    August 14, 2001 / 12th Annual Eddie Moore Jazz Festival, Yoshi's, Oakland, CA
    KPFA-FM
     "Early Show:"
     introduction—Larry Kelp, KPFA-FM DJ
    1. unknown title
    2. unknown title
    3. unknown title
    4. unknown title
     encore break
    5. encore—Mikuro's Blues
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {tela.sugarmegs.org; Cadence Vol.27 no.8 August 2001 p.137; Steven Joerg 01.06.25 rec.music.bluenote}


    • 01.08.16 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Hollywood Theater, Portland, OR [Steven Joerg 01.06.25 rec.music.bluenote]

    01.08.17 • David S. Ware Quartet [AR—95:41]

    August 17, 2001 / Earshot Festival, Nippon Kan Theatre, Seattle, WA
    1. Surrendered [21:12]
    1. Lexicon [18:00]
    3. Manu's Ideal [13:04]
    4. The Stargazers [26:04]
    5. Bliss Theme [8:17]
     announcement [1:35]
    6. Mikuro's Blues [7:28]
    David S. Ware (ts, Comp), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {2CD-R; Cadence Vol.27 no.8 August 2001, p.139}


    2002 : : :


      David S. Ware Quartet European Tour, March 19-26

    • 02.03.19 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Festival de Jazz Terrassa, 22:00, Nova Cava Jazz, Terrassa, Catalunya, Spain
      [Roger Roca "David S. Ware Accurate and Free-Spirited Music" El Periódico de Catalonia March 23, 2002;
      www.tomajazz.com/clubdejazz/conciertos/david_s_ware.htm; AUM Fidelity mailing; Anne Dumas 03.07.10]
    • 02.03.20 - David S. Ware Quartet: as above / Festival Banlieues Bleues, 8:30pm, Centre Culturel Jean Houdremont, La Courneuve, France
      [AUM Fidelity mailing; Anne Dumas 03.07.10]
    • 02.03.21 - David S. Ware Quartet / 8:30pm, Centre Culturel Charlie Chaplin, Vaulx En Velin, France [ibid]
    • 02.03.23 - David S. Ware Quartet / Vossajazz, Fragtgodsen, Voss, Norway [ibid]
    • 02.03.25 - David S. Ware Quartet / Teatro Antonianum, Padova, Italy [ibid]

    02.03.26 • David S. Ware Quartet [AR—88:00]

    March 26, 2002, 9:30pm / Cap Creus, Imola, Emilia-Romagna, Italy
    1. unknown titles [88:00]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {JPaolo (p.z@tiscali.it) 10.03.17}


    • 02.04.11 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Yerba Buena Center for the Arts Theater, San Francisco, CA [AUM Fidelity mailing; Los Angeles Times January 25, 2002 p.F38]
      —"SFJAZZ presents ‘Freedom Suite’ Reimagined... Sonny Rollins' 1958 Freedom Suite was a powerful call for racial and cultural justice on
      the cusp of the Civil Rights Movement. Now, at a time when talk of justice is once again so prominent in American life, another dominant tenor
      saxophone voice, David S. Ware—a friend and protégé of Rollins' since the mid-'60s—comes to SF to perform an updated version of Rollins'
      great work, as well as a new work commissioned by SFJAZZ. (It will be two full sets: first ‘Freedom Suite’, then...)"

    02.04.12 • David S. Ware & Matthew Shipp Duo [AR—59:08]

    April 12, 2002, 8pm / "Earshot Jazz presents a very rare duo performance," On The Boards Festival, Seattle, WA
    1. unknown title [47:38]
    2. unknown title [9:23]
    David S. Ware (ts), Matthew Shipp (p)

    {CD-R; announcement of the Shipp/Ware performance, pp.3 and 8, Earshot Jazz issue No. 4 vol.18, April 2002, www.earshot.org/zine.cfm}


    • 02.04.25 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      9:00pm, Le Weekend, Stirling Tolbooth, Stirling, Scotland [www.instirling.com/whatson/leweek.htm]

    02.06.02 • David S. Ware Quartet [AR—53:48]

    June 2, 2002, 11:00pm / Vision Festival, St. Peter's Youth Center, New York City
    1. Freedom Suite (Sonny Rollins)
     part I [12:56]
     part II [10:11]
     part III [8:19]
     part IV [9:04]
    2. Mikuro's Blues (Ware) [8:11]
    3. Bliss Theme (Ware) [5:03]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; James Lindbloom 03.11.24, 04.08.21}


    02.06.06 • David S. Ware Quartet [AR—79:29]

    June 6, 2002 / Discover Jazz Festival, Flynn Space, Burlington VT
    1. Surrendered (Ware) [22:44]
    2. Freedom Suite (Sonny Rollins)
     part I [14:13]
     part II [13:16]
     part III [9:49]
     part IV [9:21]
    3. Mikuro's Blues (Ware) [5:48]
    4. Bliss Theme (Ware) [4:36]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; James Lindbloom 03.11.24; The Burlington Free Press June 6, 2002 Weekend p.4}


    • 02.06.07 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Sounds For The People Festival, 9:00, Casa del Popolo, La Sala Rossa, Montreal, Quebec, Canada [CODA #306 Nov/Dec 2002, p.27]
    • 02.06.14 - David S. Ware & Matthew Shipp Duo: Ware (ts), Shipp (p) / Kongsberg jazz festival, Norway [Anne Dumas 03.07.10]

    02.07.13 • David S. Ware Quartet: Freedom Suite

    AUM Fidelity AUM023 (CD) 2002

    July 13, 2002 / Systems Two Studio, Brooklyn, NY
    1. Freedom Suite (Sonny Rollins)
     part I [7:05]
     part II [11:38]
     part III [8:12]
     part IV [12:30]
    David S. Ware (ts, Arr), Matthew Shipp (p),
    William Parker (b), Guillermo E. Brown (dr)

    {AUM023}


    02.07.27 • David S. Ware Solo [AR—43:48]

    July 27, 2002, 17:00 / Clusone Jazz Festival, Piazza Sant'Anna, Clusone (Ardesio), Italy
    1. unknown title [34:34]
    2. unknown title [5:37]
    3. unknown title [3:36]
    David S. Ware (ts)

    {Jakob Blumenthal 10.05.19; www.ejn.it/clusonejazz/archivio.htm; Anne Dumas 03.07.10}


    02.07.28 • David S. Ware Quartet [AR—64:24]

    July 28, 2002 / Clusone Jazz Festival, Clusone, Italy
    1. Freedom Suite (Sonny Rollins)
     part I [17:00]
     part II [17:09]
     part III [10:30]
     part IV [6:47]
    2. Mikuro's Blues (Ware) [6:47]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R; www.ejn.it/clusonejazz/archivio.htm; Anne Dumas 03.07.10}


    • 02.08.11 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Newport Jazz Festival, 3:30pm, Fort Adams State Park, Mercedes-Benz Pavilion, Newport, RI [Asbury Park Press July 28, 2002 p.F7]
    • 02.08.23 (1) - David S. Ware Quartet: as above / Sant'anna Arresi Jazz festival, Italy [Anne Dumas 03.07.10]
    • 02.08.23 (2) - David S. Ware Solo / Sant'anna Arresi Jazz festival, Italy [ibid]
    • 02.10.24 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      "jazz and wine of peace" Festival, Cormons, Italy [ibid]
    • 02.10.28 - David S. Ware Quartet: as above / Belfast festival at Queen's, Belfast, Ireland [ibid]

    2003 : : :


    • 03.03.22 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      "The Freedom Suite was performed." / 23:00, ARS MUSICA, Bruxelles, Belgium [Anne Dumas 03.07.10, 03.08.23]

    03.03.26 • David S. Ware Quartet [AR—92:55]

    March 26, 2003 / La Palma Rome, Rome, Italy
    1. Surrendered (Ware) [7:35]  (incomplete, cuts in)
    2. unknown title [18:16]
    3. improvisation ? [13:31]
    4. Mikuro's Blues (Ware) [6:23]
    5. Bliss Theme (Ware) [20:04]
    6. African Drums (Beaver Harris) [27:05]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {2CD-R; Anne Dumas 03.07.10}


    03.03.27 • David S. Ware Quartets: Live in the World

    Thirsty Ear THI 57153.2 (3CD) 2005
    —2nd Session [See also 98.12.11; 03.06.22]

    March 27, 2003 / Teatro Ponchielli, Milano, Cremona, Italy
    1. Elder's Path [25:34]
    2. Unknown Mansion [13:42]
    3. Sentient Compassion [9:24]
    4. Co Co Cana [12:08]
    5. Manu's Ideal [6:05] —Bonus Track
    David S. Ware (ts, Comp), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {THI 57153.2}


    • 03.03.29 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p),
      William Parker (b), Guillermo E. Brown (dr) /
      Jazz Ao Centro "Encontros De Jazz De Coimbra,"
      Teatro Académico Gil Vicente, Coimbra, Portugal
      [Nuno Martins 03.11.17; www.jazzaocentro.com]
      —Date was previously listed as 03.03.21

      David S. Ware in Coimbra, Portugal, 03.03.29.
      Photo by Nuno Martins, with permission.

    03.05.22 • David S. Ware Quartet [AR—58:17]

    May 22, 2003, 8:30p.m. / The VISION Festival 2003, Old St. Patrick's Youth Center, New York City
    1. unknown titles [30:15]
    2. unknown titles [21:25]
    3. unknown titles [6:36]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr, perc)

    {CD-R}


    03.06.13 • David S. Ware String Ensemble: Threads

    Thirsty Ear Recordings (The Blue Series) THI 57137-2 (CD) 2003
    • (V/A) The Blue Series Sampler—The Shape of Jazz to Come
      Thirsty Ear Recordings THI 57138.2 (CD) 2003
      [Also has performances by DJ Wally 01.08.09; Antipop Consortium; DJ Spooky; William Parker Violin Trio; Blue Series Continuum;
      Kidd Jordan & Fred Anderson Quartet; Matthew Shipp; El-P; Tim Berne; and Spring Heel Jack.]
    • DJ Spooky That Subliminal Kid: Celestial Mechanix
      Thirsty Ear THI57148.2 The Blue Series (2-CD) 2004
      —CD2 is an 80-minute continuous mix using samples from this session.
    June 13, 2003 / Sorcerer Sound, New York City
    Threads:
    1. Ananda Rotation [6:39]
    2. Sufic Passages [9:02]
    3. Weave I [3:21]
    4. THREADS [13:01]
    5. Carousel of Lightness [9:02]
    6. Weave II [3:41]
    Celestial Mechanix:
    2.13 Ananda Rotation (The DJ Spooky Remix) [2:01]  —CD2/Mix-trk13
    The Shape of Jazz to Come has track 1.

    David S. Ware (ts, Comp)

    —Group recording (without David) April 28, 2003
     Matthew Shipp (Korg Triton Pro X: string pads and various piano settings), Mat Maneri (va), Daniel Bernard Roumain (vn),
     William Parker (b), Guillermo E. Brown (dr)

    "Engineered by FLAM ...mixed at Mindswerve Studios, NYC late June/early July 2003"

    {THI 57137-2; THI 57138.2; session dates Steven Joerg 03.10.08, and FLAM 03.11.06}



    • 03.06.20 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Hamid Drake (dr) / Warsaw Jazzdays, Warsaw, Poland
      [Anne Dumas 03.07.10]
    • 03.06.21 - David S. Ware Quartet: as above / Sarteano Jazz and Blues Festival, Sarteano, Italy [ibid]

    03.06.22 • David S. Ware Quartets: Live in the World

    Thirsty Ear THI 57153.2 (3CD) 2005
    —3rd Session: [See also 98.12.11 & 03.03.27]

    June 22, 2003 / Terni in Jazz Fest 2003, Terni, Italy
    1. Freedom Suite (Sonny Rollins)
     part I [19:13]
     part II [17:26]
     part III [11:06]
     part IV [15:01]
    David S. Ware (ts, Arr), Matthew Shipp (p), William Parker (b), Hamid Drake (dr)

    {THI 57153.2}


    • 03.06.24 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Hamid Drake (dr) / Verona Jazz Festival, Italy
      [Anne Dumas 03.07.10]
    • 03.06.25 - David S. Ware Quartet: as above / Itinerary Festival, Como, Italy [ibid]
    • 03.07.08 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) / Iridium Jazz Club, NYC /
      [www.iridiumjazzclub.com]

    03.07.09 • David S. Ware Quartet [AR—43:14]

    July 9, 2003 / Iridium, New York City
    Early Show:
    1. Freedom Suite [43:14]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {CD-R}


    • 03.07.10 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) / Iridium Jazz Club, NYC
      [www.iridiumjazzclub.com]
    • 03.11.09 - David S. Ware Quartet: Ware (ts, perc), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Festival Jazz d'Or at Pole-Sud, Strasbourg, France
      [Philippe Ochem 03.09.16 (Directeur de Jazzdor/Festival de Strasbourg); www.jazzdor.com]
      "the quartet played an extended version of Sonny Rollins' "Freedom Suite" plus a short encore. The performance
      was not recorded officially, but a private audience recording may exist." —Lukas Lindenmaier 03.11.13

    2004 : : :


    • 04.04.24 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) / unknown venue, NYC
      [AUMFidelity mailing 04.02.24]

    04.05.01 (2) • David S. Ware Quartet [AR]

    May 1, 2004 / Vision Saturday Night Series 2004, 8:00pm, St. Nicholas of Myra Church, NYC
    1. unknown titles [ : ]
    David S. Ware (ts, voc, tamb), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {Peter Gannushkin 04.02.24}


    04.07.10 • David S. Ware Quartet [AR—65:45]

    July 10, 2004 / North Sea Jazz Festival, Mondriaan Zaal, The Hague, Netherlands
     Introduction by MC Jimmy Rage [1:17]
    1. improvisation—Surrendered—Lexicon [56:18]
    2. unknown title [8:10]
    "The first three pieces are performed as a suite, without interruption. I'd be tempted to call the unidentified title ‘Peace On Earth,’
    after Ware's monologue, but Coltrane already nicked that title... I don't know what the last one is—it's gorgeous—maybe a new song?"
    —James Lindbloom

    "This was a multi-media event. Behind the band was a large screen on which videos of Martin Luther King, John Coltrane (classic quartet),
    and Miles Davis (with Coltrane) were shown along with a 'tickertape' with the words from Martin Luther King's 'I have a dream' speech."
    —Andrew Wilson 04.07.13

    David S. Ware (ts, voc, tamb), Matthew Shipp (p), William Parker (b), Gerald Cleaver (dr)

    {CD-R; Andrew Wilson 04.05.13; James Lindbloom 04.08.21}


    04.09.01 • David S. Ware Quartet [BR—71:04]

    September 1, 2004 / la XIX edizione di Ai Confini tra Sardegna e Jazz 2004, Piazza Martiri, Sant'Anna Arresi, Cagliari, Italy
     radio intro [4:14]
    1. unknown title [21:02]
    2. unknown title [16:48]
    3. unknown title [16:41]
    4. unknown title [11:59]
     radio outro [0:17]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {Norbert Kreutzer 06.10.30; Patrick Pohlmann 05.11.23; Jakob Blumenthal 07.08.02; www.santannarresijazz.it/arresi/programma_festival.htm}


    04.09.05 • David S. Ware & Matthew Shipp Duo: Live in Sant'Anna Arresi, 2004

    AUM Fidelity AUM100 (DSW-ARC02) (CD, First Edition, 1200 copies, 6-panel digipak) 2016

    September 5, 2004 / Ai Confini tra Sardegna e Jazz, Piazza Martiri, Sant'Anna Arresi, Sardinia, Italy
    1. TAO FLOW part 1 [21:06]
    2. TAO FLOW part 2 [20:23]
    3. Encore [4:29]
    David S. Ware (ts), Matthew Shipp (p)

    {AUM100 DSW-ARC02}


    2005 : : :


    • 05.04.23 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Hungary [www.jazzreview.com/forum 05.03.05]
    • 05.04.24 - David S. Ware Quartet: as above / 9:00pm, Porgy & Bess, Vienna, Austria [www.porgy.at]
    • 05.04.25
      05.04.26
      05.04.27
      - David S. Ware Quartet / Hungary [www.jazzreview.com/forum 05.03.05]
    • 05.04.29 - David S Ware Quartet / Le Mans, France [ibid]

    • Al Confini tra Sardegna e Jazz ::: Master classes and workshops, August 24 through August 31

      "...by William Parker, Andrew Cyrille, Gerald Cleaver, Hamid Drake, Henry Grimes, Garrison Fewell, Lewis Barnes, Roy Campbell Jr.,
      Rob Brown, Anthony Braxton, Roscoe Mitchell, Muhal Richard Abrams, Umberto Petrin, Giancarlo Schiaffini, Pat Metheny, Marc Ribot,
      Matthew Shipp, Chad Taylor, David S. Ware, and more..." / Sant' Anna Arresi Jazz Festival, Jazz Workshops, Punta Giara, Sant' Anna Arresi, Sardinia, Italy [www.santannarresijazz.it/; www.ecn.org/circ.a/index2.htm]
    • 05.10.22 - David S. Ware Trio: Ware, (ts), William Parker (b), Hamid Drake (dr) /
      VII Festival de Jazz de Ponta Delgada, Teatro Micaelense, Sao Miguel Island, Portugal
      [www.teatromicaelense.pt/view.php?id=30]

    2006 : : :


    06.05.01 • David S. Ware Solo [AR—62:32]

    May 1, 2006 / Area Sismica, Ravaldino, Monte, Italy
    1. announcement—unknown title [19:22]
    2. unknown title [18:25]
    3. unknown title [17:36]
    4. unknown title [7:09]
    David S. Ware (ts)

    {Jakob Blumenthal 10.05.20}


    06.06.18 • David S. Ware Quartet: Renunciation

    AUM Fidelity AUM042 (CD) 2007

    June 18, 2006, 9:00pm / Vision Festival, Angel Orensanz Center, NYC
    • David S. Ware Quartet [AR & BR—50:07]
      BBC-London "Jazz on 3" / Broadcast 06.10.13, 23:30-1:00 (Radio 3)
      —BBC gives incorrect date of 06.06.17.
    AUM042:
    1. introductions / Ganesh Sound [8:24]
    2. Renunciation Suite I [19:00]
    3. Renunciation Suite II [6:47]
    4. Renunciation Suite III [7:19]  (Shipp/Parker Duo)
    5. Mikuro's Blues [9:15]
    6. Ganesh Sound (reprise) [4:30]
    7. Saturnian [3:57]
    Broadcast Recording:
    1. Ganesh Sound [8:04]
    2. Renunciation Suite I [18:27]
     announcement [0:20]
    3. Renunciation Suite II [6:27]
    4. Renunciation Suite III [6:56]
    5. Mikuro's Blues [9:00]








    "The Ware Quartet is scheduled to make its final performance on the closing night of this year's event." [WIRE #267 May 2006 p.19]

    "The 30x45 musicWitness® painting made live during
    the David S. Ware Quartet Renunciation session."

    Jeff Schlanger 09.01.26

    David S. Ware (ts, Comp), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {AUM042; Broadcast CD-R; www.bbc.co.uk/radio3/jazzon3/pip/hqjr5/; Norbert Kreutzer 06.07.31}


    2007 : : :


    • 07.01.12 - David S. Ware Unit: Ware (ts), Mat Maneri (vn, vla), Keith Witty (b), Whit Dickey (dr) /
      Ars Nova Presents, 8:00pm, International House, Philadelphia, PA [www.arsnovaworkshop.com/]

      —Photo courtesy Alan Lankin.

    • 07.01.27 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Sons d'Hiver, 20:30, Espace Andre Malraux, Le Kremlin-Bicetre, Paris, France [www.sonsdhiver.org]
    • 07.03.11 - David S. Ware Solo / The Stone, NYC [DMG mailing 07.03.01]
    • 07.03.20 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      La Passerelle, Saint Brieuc, France [www.lapasserelle.info/]
    • 07.03.22 - David S. Ware Quartet: as above / Le Petit Faucheux, Tours, France
      [www.lepetitfaucheux.fr/; tourainesereine.hautetfort.com/archive/2007]

    07.03.24 • David S. Ware Quartet: Live in Vilnius

    No Business Records NBLP4-5 Limited Edition of 1,000 (2LP) 2009

    March 24, 2007 / Russian Drama Theatre, Vilnius, Lithuania
    Side A:
    1. Ganesh Sound (Ware) [17:25]
    Side B:
    2. Theme of Ages (Ware) [15:46]
    3. Mikuro's Blues (Ware) [6:15]
    Side C:
    4. The Stargazers (Sun Ra) [22:15]
    Side D:
    5. The Stargazers (Sun Ra) [4:45]  (continued)
    6. Lithuanian Whirl (Ware) [11:20]
    7. Surrendered (Ware) [7:18]
    David S. Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr)

    {nobusinessrecords.com/NBLP4-5.php}



    • 07.03.25 - David S. Ware Quartet: Ware (ts), Matthew Shipp (p), William Parker (b), Guillermo E. Brown (dr) /
      Le Cheval Blanc, Schiltigheim, France [www.ville-schiltigheim.fr]

    07.07.13 • David S. Ware ‘New Quartet’ [AR—135:05]

    July 13, 2007 / Iridium, New York City
    1st Set:
     announcement [0:57]
    1. unknown title [47:14]
    2. unknown title [15:47]
    3. unknown title [4:53]
     DSW announcement [0:42]
    2nd Set:
     DSW announcement [1:34]
    4. unknown title [14:13]
    5. unknown title [22:10]
    6. unknown title [15:47]
    7. unknown title [4:48]
     DSW announcement [0:42]
    David S. Ware (ts, tamb), Joe Morris (g), Keith Witty (b), Guillermo E. Brown (dr)

    {CD-R; huppeshyalites.blogspot.com; Jakob Blumenthal 07.07.31}


    • 07.07.14 - David S. Ware Quartet: Ware (ts, tamb), Joe Morris (g), Keith Witty (b), Guillermo E Brown (dr) / Iridium, NYC
      [iridiumjazzclub.com]

    07.08.25 • David S. Ware ‘New Quartet’ [BR—54:27]

    Augst 25, 2007 / Festival Ai confini tra Sardegna e Jazz 2007, Piazza del Nuraghe, Sant'Anna Arresi, Sardegna
    RAI Radio3 Broadcast
    1. unknown title [40:47]
    2. unknown title [13:40]
    David S. Ware (ts), Joe Morris (g), Keith Witty (b), Guillermo E. Brown (dr)

    {CD-R; www.santannarresijazz.it}


    • 07.11.07 - David S. Ware Solo / 20:30, Spheres, Zurich, Switzerland [www.taktlos.com]

    07.11.09 • David S. Ware Trio [AR—48:01]

    November 9, 2009, 20:00 / Ehemaliges Jugendzentrum Kaiserstraße 25, Gütersloh, Germany
    1. unknown title [21:40]
    2. unknown title [15:29]
    3. unknown title [10:51]
    David S. Ware (ts), William Parker (b), Warren Smith (dr)

    {Jakob Blumenthal 09.06.15; www.jazz-in-guetersloh.de}


    • 07.11.11 - David S. Ware Quartet: Ware (ts), Joe Morris (g), William Parker (b), Warren Smith (dr) /
      Auditorium Parco della Musica, Salla Petrassi, Roma, Italy [www.auditorium.com/eventi/4905150]
    • 07.11.12 - David S. Ware Quartet: as above / Porgy and Bess, Vienna, Austria [www.porgy.at/]

    2008 : : :


    08.05.09 • David S. Ware: Shakti

    AUM Fidelity AUM052 (CD) 2008

    May 9, 2008 / Systems Two Studio, Brooklyn, NY
    1. Crossing Samsara [9:39]
    2. Nataraj [18:10]
    3. Reflection [12:38]
    4. Namah [8:27]
    5. Antidromic [9:26]
    6. Shakti [9:33]
     a) Durga
     b) Devi
     c) Kali

    David S. Ware (ts, kalimba-4), Joe Morris (g, perc-4),
    William Parker (b), Warren Smith (dr)

    {AUM052; Steven Joerg}


    • 08.05.24 - David S. Ware Quartet: Ware (ts), Joe Morris (g), William Parker (b), Warren Smith (dr) / Theatre Garonne, Toulouse, France
      [www.theatregaronne.com; La Dépêche May 21, 2008]

    08.07.11 • David S. Ware ‘New Quartet’ [AR—71:23]

    July 11, 2008 / Northsea Jazz Festival, Missouri Room, Ahoy, Rotterdam, Netherlands
     announcement [0:18]
    1. unknown title [18:04]
    2. unknown title [14:37]
    3. unknown title [16:48]
    4. encore [2:42]
     announcement [0:35]
    David S. Ware (ts), Joe Morris (g), William Parker (b), Nasheet Waits (dr)

    {CD-R; www.northseajazz.com}


    2009 : : :


    09.10.15 • David S. Ware: Saturnian—Solo Saxophones Vol. 1

    AUM Fidelity AUM060 (CD) 2008
    • David S. Ware: A World Of Sound [Film—13:36]
      David Lynch Foundation Television 2011
      —Documentary/Interview filmed 2010 through 2011, Directed by Amine Kouider.
       Solo performance footage of Ware at home, and from the Saturnian concert.
        + 'Bonus Footage' of an 8 minute piece on saxello, also recorded at home.
    October 15, 2009, 8:00pm / "AUM Fidelity presents," Abrons Arts Center, New York City
    1. Methone [14:25]
    2. Pallene [12:38]
    3. Anthe [11:42]
    "AUM Fidelity showcase featuring David S. Ware, Darius Jones Trio, and William Parker & The Little Huey Creative Music Orchestra...
    The performances were all recorded by Petr Cancura and filmed by the good folks at the David Lynch Foundation"

    David S. Ware (ts-3, stc-2, sxl-1, Comp)

    {AUM060; Steven Joerg 11.08.19; dlf.tv/2011/david-s-ware}



      "A Transplant Patient Finds That the Force Is Still With Him"
      — by Susan Dominus. A splendid article from The New York Times, October 16, 2009.

    09.12.02 • David S. Ware Trio: Onecept

    AUM Fidelity AUM064 (CD) 2010; Rank & File Records RFS 33203 (2-LP, 500 copy Ltd. Edition) 2011

    December 2, 2009 / Systems Two Studio, Brooklyn
     1. Book of Krittika [7:53]
     2. Wheel of Life [6:31]
     3. Celestial [6:24]
     4. Desire Worlds [6:56]
     5. Astral Earth [14:54]
     6. Savaka [4:35]
     7. Bardo [6:43]
     8. Anagami [6:50]
     9. Vata [4:27]
    10. Virtue (6:47]
    11. Gnavah (9:06).
    12. Bodhissatva [5:24]
    13. Kama [8:48]
    Tracks 1-9 on AUM064.
    Tracks 1-11 on RFS 33203.
    Tracks 12 & 13 are downloads only (with purchase at aumfidelity.com).

    "AUM Fidelity showcase featuring David S. Ware, Darius Jones Trio, and William Parker & The Little Huey Creative Music Orchestra...
    The performances were all recorded by Petr Cancura and filmed by the good folks at the David Lynch Foundation"

    David S. Ware (ts, stc, sxl), William Parker (b), Warren Smith (dr, tym)

    {AUM064; www.aumfidelity.com/aum064.html; www.rank-records.com; Timo Wiedenbrueck 11.04.21}



    1970

    1980

    1990

    The 21st Century...

    2010


    10.03.13 • David S. Ware: Organica (solo saxophones, volume 2)

    AUM Fidelity AUM070 (CD digipak, Ltd. Edition of 1,000 copies) 2011
    —1st Session: [See also 10.11.05]

    March 13, 2010, 7:00pm / Brooklyn, NY
    —"In a beautiful private residence located in the heart of Park Slope..."
    1. Minus Gravity 1 [16:20]
    2. Organica 1 [24:31]

    David S. Ware (ts, sss)

    {AUM070; www.aumfidelity.com; Steven Joerg 10.02.25}


    10.06.27 • David S. Ware Trio [AR—42:38]

    June 27, 2010, 9:30pm / Vision Festival, Abrons Arts Center, New York City
     announcement
    1. unknown title (Dedicated To Bill Dixon And Fred Anderson)
     DSW announcement
    David S. Ware (ts), William Parker (b), Warren Smith (dr)

    {Jakob Blumenthal 10.06.28}


    10.10.04 • David S. Ware Trio [AR—115:44]

    October 4, 2010 / Blue Note Jazz Club, NYC
    1. improvisation [36:19]
    2. improvisation [10:00]
    3. improvisation [14:30]
    4. improvisation [14:41]
    5. improvisation [23:57]
    6. improvisation [16:17]
    David S. Ware (ts), William Parker (b), Warren Smith (dr)

    {Chris Carville 15.05.14; AUMFidelity 10.10.04}


    10.11.05 • David S. Ware: Organica (solo saxophones, volume 2)

    AUM Fidelity AUM070 (CD digipak, Ltd. Edition of 1,000 copies) 2011
    —2nd Session: [See also 10.03.13]

    November 5, 2010 / Umbrella Festival, Elastic, Chicago, IL
    1. Minus Gravity 2 [22:27]
    2. Organica 2 [14:12]
    David S. Ware (ts, sss)

    {AUM070; www.aumfidelity.com; umbrellamusic.org}


    10.11.23 • David S. Ware—Cooper-Moore—William Parker—Muhammad Ali: Planetary Unknown

    AUM Fidelity AUM068 (CD digipak) 2011
    November 23, 2010 / Systems Two Studio, Brooklyn, NY
    1. Passage Wudang [21:56]
    2. Shift [7:34]
    3. Duality is One [7:00]
    4. Divination [9:27]
    5. Crystal Palace [3:40]
    6. Divination Unfathomable [9:26]
    7. Ancestry Supramental [13:25]
    8. Dantien #4 [9:39]  (+ AUM Direct Download Only Bonus Track)
    Planetary Unknown has tracks 1 through 7.
    —Track 8 available exclusively by purchase through AUM Fidelity.

    "Many circles arc around and synch anew here. Major new jazz-forward band.
    Mighty, majestic, mackadocious: we're heading into the studio on November 23rd."
     —Steven Joerg, AUM Fidelity

    David S. Ware (ts), Cooper-Moore (p), William Parker (b), Muhammad Ali (dr)

    {www.aumfidelity.com; Steven Joerg 10.11.16, 11.06.04}

    AUM068

    2011 : : :


    11.06.10 (3) • David S. Ware's Planetary Unknown [BR—43:53]

    June 10, 2011, 9:30pm / Vision Festival, Abrons Arts Center, New York City
    Broadcast by BBC London
     stage introduction [0:45]
    1. unknown title [41:26]
     broadcast announcement [0:11] "Their first-ever gig..."
    David S. Ware (ts), Cooper-Moore (p), William Parker (b), Warren Smith (dr)

    {CD-R; Jakob Blumenthal 11.06.29; Patricia Parker 11.06.03; www.visionfestival.org; Sean Wilkie 12.06.29}


    • 11.06.12 - David S. Ware Solo / 8:00pm, Ward's Island, St. Andrew-by-the-Lake Anglican Church, Toronto, Ontario, Canada
      [AUMFidelity mailing 11.06.04; torontoisland.org/tabid/157/Default.aspx]
    • 11.06.14 - David S. Ware Solo / Suoni Per Il Popolo Festival, 8:00pm, La Sala Rossa, Montreal, Quebec, Canada
      [AUMFidelity mailing 11.06.04; www.casadelpopolo.com/contents/node/74]
    • 11.06.24 - David S. Ware Solo / 8:00pm, The Stone, NYC [AUMFidelity mailing]
    • 11.06.25 - David S. Ware Solo / 12:10am, Undead Jazzfest, Homage Skate Park, NYC
      [AUMFidelity mailing 11.06.04; www.undeadjazz.com/?page_id=263]

    11.08.27 • David S. Ware's Planetary Unknown: Live at Jazzfestival Saalfelden 2011

    AUM Fidelity AUM074 (CD) 2012

    August 27, 2011, 23:00 / Jazzfestival Saalfelden, Hauptbuehne, Saalfelden, Austria
    1. Precessional 1 [33:15]
    2. Precessional 2 [19:04]
    3. Precessional 3 [14:37]
    David S. Ware (ts), Cooper-Moore (p),
    William Parker (b), Muhammad Ali (dr)

    {www.aumfidelity.com/aum074.html; www.jazzsaalfelden.com/}

      —Photo below by Ziga Koritnik (with permission)

       

    2012 : : :


      June 12, 2012

      "David S. Ware, another foundational artist on AUM Fidelity, was originally scheduled to perform with Planetary Unknown (2011) on this night. The health complications that have arisen on a cyclical basis since his kidney transplant in 2009 are due to the anti-rejection drugs he is required to take, and the fact that he was on dialysis for almost a decade before the operation. As I write this, he is in a hospital stay, to be followed by in-patient stay at a physical rehab center. It was decided in early May that a concert performance in June would not be possible; this is the first time in his four-decade+ career that he has ever had to cancel a concert. All who read this now, please send positive thoughts to him in central New Jersey. Thank you. He will come out the other side of this very difficult time and perform again. DSW's visage remains featured on the silk-screened poster we made for this event, and he and the group's astonishing Live in Saalfelden 2011 CD will be fresh back from the pressing plant and available for sale live and direct in June." —Steven Joerg [www.aumfidelity.com/AUM_15th_Live_Celebrations.htm]


    October 18, 2012

    "Tonight, a giant has fallen. David S. Ware, the great saxophonist, died tonight, October 18, 2012.
    What an incredible loss! What a great musician and spirit! His tremendous sound, his spirit, his music,
    is irreplaceable. Music holds Us"
    —Patricia Nicholson Parker / 12.10.18, 10:06pm.


    "Dear friends,
    It is with great difficulty that I type these words. David's family has informed me that he passed earlier tonight
    at Robert Wood Johnson University Hospital in New Brunswick, NJ. His physical body failed but his spirit was
    completely ready to move onward... A giant doesn't even begin to describe this man. David had a whole lot more
    to teach us. I know I had a whole lot more to learn from him, but am elementally and eternally grateful for all
    that he offered and revealed in his time here on this earth.
    wa 'alaykumu s-salamu wa rahmatu l-lahi wa barakatuh David"
    —Steven Joerg, AUM Fidelity / 12.10.18, 11:16pm



    Photo from Ars Nova Workshop, Philadelphia, PA

    David S. Ware's tenor

    Photo by Nuno Martins, whose work can be seen at Tomajazz.
      January 7, 2013

      Cooper-Moore (solo harp); William Parker (special presentation); Muhammad Ali & Darius Jones Duo; Joe Morris & Warren Smith Duo;
      Andrew Cyrille, Daniel Carter, and Joe Morris Trio; Matthew Shipp, William Parker, Guillermo E. Brown Trio performing compositions
      by David S. Ware / David S. Ware Memorial Service, 7:30pm, Saint Peter's Church, NYC
      [DMG mailing 12.12.07; Arts for Art 13.01.04]





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