Mosaic Photo


The
Sam Rivers
Sessionography






A work in progress,
by Rick Lopez.



Document begun March 10, 1997

UPDATES

May 20, 2008


Photograph by Francis Wolff
(65.05.21, the Blue Note Contours session)



The Deep Digging; The Incantations;

The Inspirations; All These Words...


A memoir of the trip to New York City for the Sam Rivers, Dave Holland, and Barry Altschul concert
at Columbia University's Miller Theatre, May 25th, 2007.



The RivBea Research Collective mailing list.



Contact RivBea ::: Monique Rivers-Williams & Sam Rivers
Sam Rivers RivBea Music Productions
803 Park Lake Place, Maitland, FL 32751
407-362-1600 (Studio) / 321-256-5268 (Fax) / 407-690-7025 (Cell)
RivBea@earthlink.net
Official Web-site
Sam Rivers at MySpace



This document is posted in two sections:
The Sessionography proper, where you are now, and Rivers' Stepping-Stones,
a side document which contains notes, liner notes, reviews, photos, acknowledgements, and ephemera.


Contents listing for Rivers' Stepping-Stones.



MUSIC COLLECTION Sale List



Session List :::


All sessions linked below are to detailed entries for recorded media.
Also listed in chronological order within this sessionography and its session entries are play-dates with no known recorded media.
I would appreciate notice of any club dates, concert dates, festival dates, etcetera, that are not listed here.
Please include reference information (i.e. periodical name, issue date, page number), along with any and all relevant details.





1960's

1970's

1980's

1990's

The 21st Century...


50.02.22 • Serge Chaloff [Broadcast Recording]

February 22, 1950 / The Hi Hat, Verona, Italy
    broadcaster title announcement [0:02]
  1. Pennies From Heaven [4:10] (sound hiccups/cutouts from 2:38 through 3:20)
    club announcement [0:14]
  2. Gabardine & Serge [1:44] (cuts off at ending, baritone solo over rhythm section only...)
Serge Chaloff (bs)
Sam Rivers (tenor sax)
unidentified (trumpet)
unidentified (trombone)
two unidentified players (violin)
two unidentified players (viola)
unidentified (cello)
unidentified (piano)
unidentified (bass)
unidentified (drums)

Vladimir Simosko:
"...saw you noted under "confusing sources" about the "possible Hi-Hat broadcast" while Sam was in Serge's band in 1950. That info was via me direct from Sam when I was interviewing him about Serge a few years ago. As noted in my book "Serge Chaloff" (Scarecrow Press 1998), in 1950 Serge had a 12-piece group with the lineup of trumpet, trombone, tenor, bari, 2 violins, 2 violas, cello, piano, bass, & drums. Serge's mother (Margaret) gave him $600.00 for special arrangements, which were mostly standards arranged by Nat Pierce, Sonny Truitt, & some others. They spent at least 6 weeks rehearsing and played 2 gigs (one at the Hi-Hat opposite Roy Eldridge, with a broadcast). The way Hi-Hat broadcasts have been turning up in recent years, perhaps it will turn up; sorry I never found the exact dates. There'd been rumors all along that there were recordings: some said rehearsal tapes, others a radio station recording for broadcast. Sam Rivers played tenor with that group; when I interviewed him about Serge and asked about that group, Sam said it was a very nice group & he was sorry there were no recordings, and mentioned that the Hi-Hat broadcast occurred but that he had no idea if it was preserved. Serge's booker said they were too sophisticated and wanted to book Serge with just a rhythm section, so Serge had to give up, and the charts went into a trunk...."

It's not clear that Rivers was on this date. The two tracks are limited to Chaloff solos, with no tenor audible. —RL

{Primary Source: CD-R; Rob Oudshoorn 05.06.05}


61.12.14 • Various Artists: Tadd Dameron: Blue Note Records Presents The Lost Sessions

Blue Note Connoisseur Series 7243 5 21484 2 4 (CD) 1999
[This disc also includes tracks from sessions led by Charlie Rouse, Sonny Stitt, Herbie Hancock, Ike Quebec, and Fred Jackson.]

December 14, 1961 / Van Gelder Studios, Englewood Cliffs, NJ

[One take of each of the following titles is released on BN 21484. Still tracking this down.]
  1. The Elder Speaks (Rivers) [5:48]
  2. Bevan Beeps (Dameron) [5:13]
  3. Lament for the Living (Dameron) [4:06]
  4. Aloof Spoof (Dameron) [6:22]
The Blue Note Discography has two takes of each title listed:
[No indication on BN 21484 which takes have been issued.]
  1. The Elder Speaks / tk 5
  2. The Elder Speaks / tk 7
  3. Bevan Beeps / tk 18
  4. Bevan Beeps / tk 19
  5. Lament for the Living / tk 22
  6. Lament for the Living / tk 29
  7. Aloof Spoof / tk 31
  8. Aloof Spoof / tk 34
Donald Byrd (trumpet)
Curtis Fuller (trombone)
Julius Watkins (french horn)
Sam Rivers (tenor sax)
Cecil Payne (baritone sax)
Tadd Dameron (piano, arrangement)
Paul Chambers (bass)
Philly Joe Jones (drums)

{Primary Source: Blue Note Connoisseur Series 7243 5 21484 2 4; Blue Note Discography, Cuscuna & Ruppli}

62.00.00 • Sam Rivers Quartet [Broadcast Recording]
WGBH-TV Broadcast; WKCR-FM Broadcast, "Sam Rivers Festival" 07.05.21

"circa" 1962, "maybe 1963..." / WGBH-TV, Boston
    (0:14 announcement by host Randy Weston over track 1 beginning)
  1. H.I.T. (Galper) [6:52]
  2. Beatrice (Rivers) [8:11]
  3. Dance of the Tripedal (Rivers) [10:34] (incomplete, fades out)
    Interview with Hal Galper by WKCR's Ben Young on May 18, 2007 [25:38]
Track 3 is "Tripadoll" on the acetate label.

Sam Rivers (soprano sax, tenor sax, flute)
Hal Galper (piano)
"Lanky" Larry Richardson (bass)
Steve Ellington (drums)

{Primary Source: CD-R; "unissued acetate in possession of Hal Galper," WKCR Radio Broadcast}



  • "My first choice to replace George was Wayne Shorter, but Art Blakey had made him musical director of the Jazz Messengers and he couldn't leave then. So we hired Sam Rivers." --Miles Davis
  • 64.00.00 - "According to Gary Giddins [in the liner notes of Miles Davis-Heard 'Round The World Columbia, C238506] Miles approached Sonny Stitt, Jimmy Heath and Eric Dolphy before hiring George Coleman. Big George left suddenly before the Japan tour and Miles hired Sam Rivers almost purely on Tony's recommendation." [Gordon Blewis posting to Miles-list 95.08.15]
  • "I believe that [Rivers] was music director for T-Bone Walker when Miles called him." [Peter Kaz posting to Miles-list 95.07.28]

Sam Rivers with the Miles Davis Quintet - 64.04.03 to 64.07.15

  • "George Coleman left the Davis Quintet in March or April 1964, leaving Davis once again without a saxophone player. Williams recommended Rivers, a fellow Bostonian, to Davis, and Rivers joined the Quintet in April. There were some American dates before the Quintet left for a short Japanese tour":

  • 64.04.03 - Miles Davis Quintet / Shrine Auditorium, Los Angeles
  • 64.05.07
    64.05.08
    64.05.09
    64.05.10
    64.05.11
    64.05.12 - Miles Davis Quintet / Village Vanguard, New York

    [Dan Plosin's Miles Ahead Sessions on the Web.]

On The Japan Tour dates :::

There have been unsubstantiated claims of additional sessions with Rivers during the Japan tour, but no research to back these claims :::

"This Japanese tour included six concerts with Sam Rivers at four cities.
July 10, Nagoya / July 11, Osaka / July 12, Tokyo / July 13, Osaka / July 14, Tokyo / July 15, Kyoto.
Three of these (July 13, 14 and 15) were recorded for radio broadcast. ...This information was acquired from the jazz magazine Swing Journal."

[Tosiyuki Nomoto 02.05.00; 02.06.02]

"Of course I have heard Miles Group 1964. (Nagoya)
I have concert tour book and flyer of 'World Jazz Festival in Japan'."
(See below.)
[Kuniharu Itoh 02.06.10]
(A- group) Modern Jazz
Miles Davis Quintet: Davis, Sam Rivers, Herbie Hancock, Ron Cartar, Anthony Williams
J.J.Johnson All Stars: Johnson, Sonny Stitt, Clark Terry, Wynton Kelly, Paul Chambers, Jimmy Cobb
Carmen McRae: McRae, Norman Simmons, Victor Sproles, Curtis Boyd
from Japan: Toshiko Akiyoshi, Charlie Mariano, Hidehiko Matsumoto & others

(B-group)
Gene Krupa All Stars, Red Nichols & his 5 Pennies, Dukes of Dixieland, Edmond Hall, Dakota Staton

(C-group)
Tommy Dorsey Orchestra w/ Frank Sinatra Jr., Pied Pipers, Jeanne Thomas, Louis Bellson

A-group only:
June, 1964
10 : Nagoya (Nagoya shi Koukaido)
11 : Osaka (Osaka Festival Hall)
12 : Tokyo (Hibiya -Yagai-Ongakudou)
13 : Osaka (Osaka Festival Hall)
14 : Tokyo (Tokyo Shinjuku Kousenenkin Hall)
15 : Kyoto ( Kyoto Maruyama Ongakudo)


"I'm sorry but Miles only played three days-- July 12, 14 and 15! have from Japanese friends the information that Miles only played at the... 3 concerts. Miles Davis seems to have arrived in Tokyo on July 9th, so why he shouldn't have played any of the others days mentioned I don't know..."
[Jan Lohman, posting to Miles-list]

"Although several Japanese concerts were booked, the Quintet apparently performed only three: Hibaya Yagai Ongaku-do Hall, Tokyo (July 12), Shinjuku Kohseinenkin Hall, Tokyo (July 14), and Maruyama Ongaku-do Hall, Kyoto (July 15)." [Dan Plosin's Miles Ahead Sessions on the Web.]

"I asked Yasuki Nakayama (a noted music critic and once the chief editor of the 'Swing Journal') on this issue, and he says although the Miles group basically travelled and appeared together with 'A-group', not all bands were supposed to play every time anyway. Therefore, it's not a mystery that Miles didn't have to play on some venues. As far as I know, there are no rumors about Miles' cancelling his concerts in Japan, 1964. Also I guess Miles didn't go to Osaka (and possibly Nagoya) at all. Nagoya is something like Chicago - a big, but somewhat provincial city and is halfway between Kyoto/Osaka and Tokyo. And Osaka is pretty close to Kyoto but a hundred miles away from Tokyo, so Nagoya -> Osaka -> Tokyo -> Osaka -> Tokyo -> Kyoto sequence doesn't make much sense. I think the tour started in Nagoya, then some bands went to Osaka while others went to Tokyo and did two concerts each, and finally met in Kyoto. Miles might just have stayed in Tokyo and then went to Kyoto directly."
[Masayuki Hatta 03.12.22]

"I do remember performing in Osaka, Tokyo and Kyoto..."
[Sam Rivers 02.06.09] This would seem to tentatively place a small worm into the stew for either July 11 or July 13, but most probably NOT... I'm still working on it, not because I believe it, but, forgive me, because I wish there were more music to hear. —RL


  • There is no evidence for these two concert dates (64.07.10; 64.07.11) having occurred at all. I list them nonetheless simply to acknowledge the claims.

  • 64.07.10 - Miles Davis Quintet: Miles Davis (trumpet), Sam Rivers (tenor sax), Herbie Hancock (piano), Ron Carter (bass), Tony Williams (drums) / Nagoya shi Koukaido, Nagoya, Japan
    "My acquaintance [Mr. Kuniharu Ito] is introduced. he is actually hearing the concert of Nagoya on July 10th." [Tosiyuki Nomoto 02.05.00]

  • 64.07.11 - Miles Davis Quintet: Miles Davis (trumpet), Sam Rivers (tenor sax), Herbie Hancock (piano), Ron Carter (bass), Tony Williams (drums) / Osaka Festival Hall, Osaka, Japan [correspondence Tosiyuki Nomoto 02.05.00]

64.07.12 • Miles Davis Quintet [Soundboard Recording]

  • Miles Davis Quintet: Starlight In Black Live
    Mega Disc (no issue #) MD Lengendary Collection Series (CD) JAP
    This is an officially released factory pressed CD and NOT a CD-R.
  • Miles Davis Quintet: Moment / 1964 Japan Tour Definitive Edition
    Heavy Blow Records HB-001/002 (2CD) JAP (64.07.12 on HB-001; 64.07.15 on HB-002.)
July 12, 1964 / Hibiya Yagai Ongaku-do Hall, Tokyo, Japan
    band warming up [0:06]
  1. Autumn Leaves (J. Prevert, J. Mercer, J. Kosma) [10:44]
  2. So What (Davis) [8:23]
  3. Stella by Starlight (N. Washington, V. Young) [10:29]
  4. Walkin' (R. Carpenter) [8:52]
  5. The Theme [0:19]
    closing announcement (Teruo Isono) [0:08]
The closing announcement does not appear on the Mega Disc release.

Miles Davis (trumpet)
Sam Rivers (tenor sax)
Herbie Hancock (piano)
Ron Carter (bass)
Tony Williams (drums)


Sam Rivers with Miles, Tokyo 64.07.12

Sam Rivers with Miles, Tokyo 64.07.12
Photo from Swing Journal
edition of December, 1991 p57.



{Primary Source: CD-R; info via Jan Strom and Tosiyuki Nomoto; http://www.plosin.com/milesAhead}


64.07.13 • Miles Davis Quintet [Unissued, Nonexistent / Broadcast Recording]

July 13, 1964 / Osaka Festival Hall, Osaka, Japan

"The tape on the 13th has still slept in the warehouse of a broadcasting station.
There is not a person whom heard."
--Tosiyuki Nomoto
/

Again: There is no evidence for this concert (64.07.13) having occurred at all. —RL

{Primary Source: Tosiyuki Nomoto 02.06.05} Not in anyone's collection.

64.07.14 • Miles Davis Quintet: Miles in Tokyo {1}

CBS Sony SOPL 162 (LP) 1964; SONX 60064-R (LP) JPN 1969; CBS Sony 25AP 762 (LP) 1977 JPN; CSCS 5146 (CD) JPN; Tristar 80873 (CD) 1994; Sony Mastersound SRCS 9112 (CD) 1996 JPN; Sony 65335 (CD) 1997

Sony Mastersound SRCS 9112


Sony Mastersound SRCS 9112


  • Miles Davis Quintet: Heard 'Round the World {2}
    CBS/Sony SONX 60064 [= 23AP 2564] 1969; Columbia Records C2 38506 (2LP) 1983; CBS/Sony 32DP 529; Sony Mastersound SRCS 9112 (SBM CD); Sony Mastersound SRCS 9746 (DSD CD)
    [The 1983 2LP issue includes The Miles Davis Quintet (w/ Wayne Shorter replacing Rivers) "Miles in Berlin" from 64.09.25]
  • Miles Davis Quintet: Title? {3}
    CBS/Sony SONE 70064-R (EP)
  • Miles Davis: Milestones: New York / Berlin / Tokyo
    Jazz Door Records JD 12113/4 (2CD) 1999 GER
    * This Jazz Door bootleg has the most absurdly wrong liner notes-- as if they had cut them into strips, tossed them into a hat, pulled them out and pasted them back together while blind-folded. As formatted, they have only an incidental and wholly inaccurate relation to the music at hand. If you know the people responsible, slap them.
  • Miles Davis: The Complete 63-64 Columbia Recordings
    Mosaic Records MQ10-226 Limited Edition 3,000 copies (10 Q-LPs) 2004
  • Miles Davis: Seven Steps: The Complete Columbia Recordings 1963-1964
    Sony B0002YCVSI (7CD Box-Set) 2004; Sony B0002TB7QK (7CD Box-Set) JAP 2004
  • The Best of Seven Steps: The Complete Columbia Recordings 1963-1964 {4}
    Sony B0007OP2B6 (CD) 2005

    Best of Seven Steps


    Best of Seven Steps


July 14, 1964 / Shinjuku Kohseinenkin Hall, Tokyo, Japan

A few notes on the Miles Davis sessions in Japan.
    Introduction, Teruo Isono [1:11] {1}
  1. Stella by Starlight [UNISSUED]
  2. If I Were a Bell (F. Loesser) [10:21] {1,2,4}
  3. My Funny Valentine (L. Hart/R. Rodgers) [12:57] {1,2}
  4. So What (Davis) [8:09] {1,2,3}
  5. Walkin' (R. Carpenter) [9:21] {1,2,3}
  6. All of You (C. Porter) / Go-Go (theme) [12:42] {1,2}
Miles Davis (trumpet)
Sam Rivers (tenor sax)
Herbie Hancock (piano)
Ron Carter (bass)
Tony Williams (drums)

{Primary Source: CSCS 5146; JD 12113/4}

64.07.15 • Miles Davis Quintet [Audience Recording]

July 15, 1964 / Maruyama Ongaku do, Kyoto, Japan
  • Miles Davis Quintet: Moment / 1964 Japan Tour Definitive Edition
    Heavy Blow Records HB-001/002 (2CD) JAP (64.07.15 on HB-002; 64.07.12 on HB-001.)

    Heavy Blow Cover Heavy Blow Back

    Cover and Back of Heavy Blow release, HB-001/002
  1. If I Were a Bell (F. Loesser) [10:35]
  2. Oleo (S. Rollins) [5:25]
  3. Stella by Starlight (N. Washington / V. Young) [9:00]
  4. Walkin' (R. Carpenter) [7:20]
  5. All of You (C. Porter) [9:40]
  6. Seven Steps to Heaven (V. Feldman / M. Davis) [2:30] (incomplete, cuts out at end)
[49:41]

Miles Davis (trumpet)
Sam Rivers (tenor sax)
Herbie Hancock (piano)
Ron Carter (bass)
Tony Williams (drums)

{Primary Source: CD-R; http://www.plosin.com/milesAhead}

  • "Rivers left the Quintet as soon as the group returned to the United States. Wayne Shorter was hired as his replacement, and joined the Quintet at the Hollywood Bowl in early September"
    [Dan Plosin's Miles Ahead Sessions on the Web.]



64.08.21 • Tony Williams: Life Time {1}

Blue Note BLP4180 (mono LP); BST 84180 (stereo LP) 1964; CDP 7-84180-2 (CD) 1987; BNS40018 (LP) UK; GXK-8026 (LP) Jpn; BNJ 71043 (LP) Jpn; CP9534 (CD) Jpn; RVG Edition 7243 4 99004 2 4 (CD) 1999 August 21, 1964 / Van Gelder Studios, Englewood Cliffs, NJ
  1. Two Pieces of One: Red / mstr #1417 / tk 5 [10:36] {1}
  2. Two Pieces of One: Green / mstr #1418 / tk 7 [8:03] {1}
  3. Tomorrow Afternoon / mstr #1419 / tk 9 [5:30] {1,2,3,4}
Tony Williams (drums, Compositions)
Sam Rivers (tenor sax)
Richard Davis (bass-1,2) *
Gary Peacock (bass)

* The BN Discography has Davis on tracks 1 & 2. CDP 7 84180 2 erroneously lists Davis on track 3 only.

Three other tracks sans Rivers were recorded 64.08.24.

Tony Williams Interview:
Tony Williams: ...It was the first record that Blue Note had ever made of free, avant-garde music [Life Time]. I think they wanted me to make a record. I wanted to make a record, and by that time I guess, because I was so adamant about what I wanted to do, they were willing to take the chance.
John Ephland: You wanted to play free music, not the straightahead stuff?
TW: Yeah. I mean, what's been important to me is to show diversity in different things, and to show different colors of things. I mean, if I'm working with a band, it sounds one way; and then I'm recording with other people and it sounds another way, then why not-- if I get the chance to do something of my own-- do a third thing? That makes sense to me. That's logical because it gives me a chance to, number one, show that I can do that, and secondly, it brings a fresh sound to the ear of people who have heard me do the other two things.
JE: And it was consistent with some of the music you'd done before.
TW: Right, before that. And, you know, when I was in Boston, playin' with Sam, one of the things that really opened my ears was the first time I heard Ornette Coleman. That first record I heard-- I think it was Change of the Century-- was just unbelievable, the impact it made on me. This was about 1959, 1960.
JE: So it planted a seed?
TW: Yeah. That music was the way to go, for me, at that time.
["Tony Williams: Still The Rhythm Magician," DOWNBEAT 89.05.01, DOWNBEAT Magazine Archive]

{Primary Source: BST 84180; CDP 7-84180-2, RVG Edition 7243 4 99004 2 4; Blue Note 7243 4 96384 2 6}

64.11.12 • Larry Young: Into Somethin' {1}

Blue Note BLP4187 (mono LP); BST 84187 (stereo LP) 1965; K18P 9235 (LP) 1965 Jpn; TOCJ-4187 (CD) JAP; TOCJ-9196 24-BIT (CD) JAP; Connoisseur CD Series CDP 7243 8 21734 2 7 (CD) 1998; Blue Note 4187 Limited Edition HQ-vinyl Reissue (LP) November 12, 1964 / Van Gelder Studios, Englewood Cliffs, NJ
  1. Plaza De Toros (Green) / mstr #1464 / tk 3 [9:35] {1,2,5,6}
  2. Tyrone (Young) / mstr #1465 / tk 5 [9:36] {1,2,3,5,7}
  3. Backup (Young) / mstr #1466 / tk 9 [8:35] {1,2,4}
  4. Paris Eye (Young) / mstr #1467 / tk 10 [6:38] {1,2}
  5. Ritha [quartet version] (Young) / mstr #1468 / tk 22 [6:52] {1 * ,2}
[ * CDP 7243 8 21734 2 7 only.]

Larry Young (organ)
Sam Rivers (tenor sax)
Grant Green (guitar)
Elvin Jones (drums)

{Primary Source: MD6-137; CDP 7243 8 21734 2 7; BN 7243 8 53234 2 3}

64.12.11 • Sam Rivers: Fuchsia Swing Song {1}

Blue Note BLP 4184 (mono LP) 1965; BST 84184 (stereo LP) 1965; BST 84184 (stereo LP) FR 1984; BN GXK8020 (LP) JAP; BN TOCJ-4184 (CD) JAP; BN 8704688 (CD) EUR; BNST 84184 (CD) JAP 1995; BN TOCJ-84184 (24 Bit RVG Ltd. Edition) (CD) JAP 2000; BN 90413 Connoisseur Series CD 2003 December 11, 1964 / Van Gelder Studios, Englewood Cliffs, NJ
  1. Fuchsia Swing Song / mstr #1487 / tk 3 [6:00] {1,3,6}
  2. Cyclic Episode / mstr #1488 / tk 6 [6:55] {1,3,7}
  3. Luminous Monolith / mstr #1489 / tk 10 [6:28] {1,2,3,4,5,9}
  4. Luminous Monolith / alt tk, tk 12 [6:36] {3}
  5. Ellipsis / mstr #1490 / tk 15 [7:39] {1,3}
  6. Downstairs Blues Upstairs / alt tk 1, tk 17 [8:06] {3}
  7. Downstairs Blues Upstairs / alt tk 2, tk 18 [7:44] {3}
  8. Downstairs Blues Upstairs / alt tk 3, tk 19 [7:46] {3}
  9. Downstairs Blues Upstairs / mstr #1491 / tk 20 [5:31] {1,3}
  10. Beatrice / mstr #1492 / tk 23 [6:10] {1,3,8}
{6} contains a brief 1:21 excerpt of track 1; BN 90413 Connoisseur Series contains all of the above tracks.

Sam Rivers (tenor sax / Compositions)
Jaki Byard (piano)
Ron Carter (bass)
Tony Williams (drums)

{Primary Source: MD3-167; MQ5-167; Blue Note 96384; BN 90413; Blue Note Discography, Cuscuna & Ruppli; random}

65.04.03 • Bobby Hutcherson: Dialogue {1}

Blue Note BNLP 4198 (mono LP); BST 84198 (stereo LP) 1965; BLJ 84198 (LP) 1987; CDP 46537 (CD); BMG D112556 (CD) 1987; TOJC 4198 (CD) JAP 1995; RVG Edition 35586 (CD) 2002 April 3, 1965 / Van Gelder Studios, Englewood Cliffs, NJ
  1. Catta (Hill) / mstr #1556 / tk 3 [7:15] {1}
  2. Jasper (Hill) / mstr #1557 / tk 11 [8:27] {1,2,3}
  3. Idle While (Chambers) / mstr #1558 / tk 18 [6:35] {1}
  4. Ghetto Lights (Hill) / mstr #1559 / tk 24 [6:12] {1,4}
  5. Les Noirs Marchant (Hill) / mstr #1560 / tk 29 [6:35] {1,5}
  6. Dialogue (Chambers) / mstr #1561 / tk 30 [9:58] {1}
[ * 7243 5 35586 2 8 only.]

Bobby Hutcherson (vibes, marimba-6)
Freddie Hubbard (trumpet)
Sam Rivers (tenor sax-1,2; soprano sax-4; bass clarinet-2,4,6; flute-3,5)
Andrew Hill (piano)
Richard Davis (bass)
Joe Chambers (drums)

{Primary Source: D112556; 7243 5 35586 2 8}

65.05.21 • Sam Rivers: Contours {1}

Blue Note BLP 4206 (mono LP) 1966; BST 84206 (stereo LP) 1966; BNJ-71044 (LP) JAP May 21, 1965 / Van Gelder Studios, Englewood Cliffs, NJ
  1. Point of Many Returns / mstr #1582 / tk 6 [9:18] {1,2,3,}
  2. Dance of the Tripedal / mstr # 1583 / tk 10 [10:06] {1,2,}
  3. Mellifluous Cacophony / mstr #1584 / tk 12 [8:57] {1,2,}
  4. Euterpe / mstr # 1585 / tk 18 [11:42] {1,2,}
  5. Mellifluous Cacophony / alt tk, tk 25 [9:00] {2,}
mstr #1584 is mis-spelled "...Cacaphony" on original issue.

Sam Rivers (tenor sax-2,3,5, soprano sax-1, flute-4 / Compositions)
Freddie Hubbard (trumpet)
Herbie Hancock (piano)
Ron Carter (bass)
Joe Chambers (drums)

{Primary Source: MD3-167; MQ5-167; CDP8-35414-2; 7243 4 73163 2 6; Blue Note Discography, Cuscuna & Ruppli}


65.08.12 • Tony Williams: Spring {1}

Blue Note BLP 4216 (mono LP) 1965; BST 84216 (LP) 1965; BN 84216 (LP, Liberty Records, with BIEM mark) FR; KING GXK-8007 "Blue Note Masterpiece Selection 150" (LP) JAP 1977; CDP 7 46135 2 (CD) 1987; EMI B000007WMF (CD) JAP 1998; TOCJ4216 (CD) 1998; EMI B000053SQL RVG Limited Edition (CD) 2000 August 12, 1965 / Van Gelder Studios, Englewood Cliffs, NJ
  1. Extras / mstr # 1642 / tk 2 [8:07] {1}
  2. Tee / mstr # 1643 / tk 4 [10:25] {1}
  3. From Before / mstr # 1644 / tk 6 [6:50] {1,2}
  4. Love Song / mstr # 1645 / tk 18 [8:22] {1}
Tony Williams (drums / Compositions)
Wayne Shorter (tenor sax-1,2,3)
Sam Rivers (tenor sax)
Herbie Hancock (piano-3,4)
Gary Peacock (bass)

{Primary Source: CDP 7 46135 2}

[Italy] : Musica Jazz : EMI, p1993 4789372 EMI Issued as a supplement to issue no. 12, Dec. 1993, of Musica jazz. "Blue note"--Container spine. Compact disc. Notes in Italian ([3] p.) inserted in container. LC Classification: SDB 67005 Accompanying sound recording for n. 12, dic. 1993

66.03.07 • Sam Rivers: Involution {1}

Blue Note BN-LA453-H2 (2LP) 1975; BST 84492 (2LP) Ger; See 67.03.17. This is an Andrew Hill quartet session issued on this double LP under Rivers' name. "According to the Blue Note discography, 'Involution' was originally the title of the unissued Hill session. Catalogue number for this would have been BN BLP 4233, BLP indicating that [both] a mono and a stereo issue were planned." -G. Stolte

March 7, 1966 / Van Gelder Studios, Englewood Cliffs, NJ
  1. Violence / mstr #1708 / tk 1 [11:04] {1}
  2. Violence / alt tk, tk 3 [7:00]
  3. Hope / mstr #1709 / tk 5 [7:15] {1}
  4. Illusion / mstr #1710 / tk 7 [5:52] {1}
  5. Desire / mstr #1712 / tk 16 [6:31] {1}
  6. Desire / alt tk, tk 18 [8:30]
Sam Rivers (tenor sax)
Andrew Hill (piano, harpsichord-1,2,3 under bass solos only, Compositions)
Walter Booker (bass)
J.C. Moses (drums)

{Primary Source: BN-LA453-H2; MD7-161; MD10-161}

66.07.02 • Bill Dixon [Audience Recording?]

July 2, 1966 / Newport Jazz Festival, Newport, RI
  1. Pomegranate Parts 1-6 (Dixon) [38:27]
Bill Dixon (trumpet, flugelhorn)
Ken McIntyre (alto sax, bass clarinet)
"Louis Brown or Sam Rivers" (tenor sax)
"Alvin Silva or Bob Cunningham" (bass)
"Sunny Murray or Tom Price" (drums)
Judith Dunn (dance)

I got this recording on a reel tape many years ago (1980?)... The info with the tape was Dixon, McIntyre, Brown, Cunningham, Price-- which I think is inaccurate especially re: bass and drummer. I checked the date in Burt Goldblatt's book (Newport Jazz Festival / Illustrated History), and there are mistakes there as well: on p.132 briefly describing the session B.G. writes "...one very extended number called 'Pomegranate'. Aside from Ken McIntyre on bass clarinet and alto sax nothing much seemed to happen..." / In the program documentation part [on] p.271 the lineup is Dixon, Rivers (ts and bcl[!]), Silva, Murray-- that is, missing McIntyre. --Lukas Lindenmaier 05.09.11

* The only other place we hear Rivers on bass clarinet is on three tracks of Bobby Hutchersons' Dialogue on Blue Note (65.04.03).

{Primary Source: CD-R}

66.10.11 • Sam Rivers: A New Conception {1}

Blue Note BLP 4249 (mono LP); BST 84249 (stereo LP) October 11, 1966 / Van Gelder Studios, Englewood Cliffs, NJ
  1. I'll Never Smile Again (Ruth Lowe) / mstr #1783 / tk 5 [5:55] {1,2,3}
  2. The Touch of Your Lips [UNISSUED]
  3. That's All (Haymes / Brandt) / mstr #1784 / tk 17 [5:37] {1,2}
  4. When I Fall In Love (Heyman / Young) / mstr #1785 / tk 18 [5:48] {1,2,3}
  5. What a Difference a Day Makes (Grever / Adams) / mstr #1786 / tk 21 [6:17] {1,2}
  6. Detour Ahead (Ellis / Carter / Frigo) / mstr #1787 / tk 23 [5:08] {1,2}
  7. Temptation (Brown / Freed) / mstr #1788 / tk 24 [7:36] {1,2}
  8. Secret Love (Fain / Webster) / mstr #1789 / tk 25 [7:31] {1,2,3}
Discography section in Mosaic booklet lists Master #1875 as take 17 and omits Master #1784 alltogether.

Sam Rivers (tenor sax-1,4,5,6,7; soprano sax-1,3,5,6,7; flute-6,7,8)
Hal Galper (piano)
Herbie Lewis (bass)
Steve Ellington (drums)
AFRTS P-10644 has Ellington as "Ellinton".

{Primary Source: MD3-167; MQ5-167; Library of Congress Database}

67.02.10 • Andrew Hill: Mosaic Select #16

Mosaic Records Mosaic Select #16 MS-016 (Blue Note Sessions) (3CD) 2005

1st Session: [See also 67.10.31]

February 10, 1967 / Van Gelder Studios, Englewood Cliffs, NJ
  1. Prevue / mstr #1834 / tk 2 [6:14]
  2. Yomo / mstr #1835 / tk 5 [10:02]
  3. I / mstr #1836 / tk 8 [7:30]
  4. Awake / mstr #1837 / tk 9 [7:05]
  5. Now / mstr #1838 / tk 11 [4:40]
Andrew Hill (piano-2,3,4,5; organ-1,2)
Robin Kenyatta (alto sax)
Sam Rivers (tenor sax-2,3,4,5; flute-3; soprano sax-1)
Cecil McBee (bass)
Teddy Robinson (drums)
Nadi Qamar, aka Spaulding Givens (thumb piano-2; African drum-2,3; percussion-1,5)

{Primary Source: Mosaic Select #16 MS-016; Blue Note Discography, Cuscuna & Ruppli}

67.02.20 • Nat Jones Quintet [Rehearsal Tape]

February 20, 1967 / Live At 9 Great Jones Str